10s Movie Review - Ralph Breaks the Internet

Director: Phil Johnston, Rich Moore
Genre: Animation/ Adventure/ Family
Runtime: 112 minutes
Year: 2018
Starring: John C. Reilly, Sarah Silverman, Gal gadot, Taraji P. Henson, Jack McBrayer, Jane Lynch, Alan Tudyk, Alfred Molina, Ed O’Neill

Description: Six years after the events of “Wreck-it Ralph”, Ralph and Vanellope, now friends, discover a wi-fi router in their arcade, leading them into a new adventure.

Review: With the arrival of Pixar and the incorporation of this studio by Walt Disney you would almost forget that Disney still has its own animation line. Meanwhile the canon, which started with "Snow White and the Seven Dwarfs" and includes titles like "Bambi", "Pinocchio" and "The Lion King", has over seventy titles. The latest addition is “Ralph Breaks the Internet”, the sequel to the successful animation film Wreck-It Ralph.
Disney has continued its own series despite the fact that the studio has almost completely switched to the computer as its main drawing tool. In 2012 we were able to get to know the very well-built and very strong Ralph, who acted as the main character in his own arcade game. Actually, Ralph was a bad guy whose mission was to destroy pretty much everything with his enormous fists. But Ralph was done with it to be a villain.
In the inevitable sequel, the characters from the arcade games see a new enemy looming. The internet is full of unknown secrets and temptations. Ralph's former enemy, but now best friend Vanellope, is bored to death in her richly coloured racing game in which nothing exciting ever happens again. Ralph tries to break the rut by introducing a bonus level in Vanelope's game. The daring race that follows ends hopelessly wrong and the steering wheel of Vanellope's classic arcade game breaks.
Because the game is no longer being made, there is no other option than to go deep into your pocket for a new steering wheel. The only place where the attribute is still available is on the internet. Ralph, Vanellope and their computer friends have to raise money online to get their hands on the wheel via eBay. Due to a stupid action by the impulsive Vanelope, the price has also risen considerably.
In terms of approach and set-up, this second movement, Wreck-It Ralph, is reminiscent of the hopelessly flawed “The Emoji Movie”. Here it turns out once again that everyone can animate pictures very well, but all that stands and falls with a good story and finely worked out characters. Moreover, it is wonderfully refreshing when the makers seek out contrasts. Ralph and the overly cute Vanellope suddenly end up in a very rough racing game. Exactly the fun Vanellope was looking for, but it's also an unfamiliar world where danger lies in every corner. The dark, ominous colours form a wonderful alternation with the multicoloured shades with which the worldwide web has been designed.
As in the previous film, "Ralph Breaks the Internet" is full of videos, references and allusions. This is most obvious at times when Disney is taking a beating about the bush. By far the most successful scene is the one in which a whole army of Disney princesses make their appearance. Even the translation to the digital canvas is a success, and on top of that all the princess interpreters who are still alive have flown in to speak to the voices of the princesses. The makers also play with the clichéd and often unemancipated appearance of the heroines.
Precisely because of its capacity for self-mockery and its ability to address the modern digital world in which communication takes place in a very special way, this second part of Wreck-It Ralph is a successful animation adventure with layers for both young viewers and a mature audience. The main criticism is the crowded plot and the sometimes very fast action and chases. They are small blemishes on an otherwise almost undamaged blazon. It remains to be seen whether Ralph Breaks the Internet will go into the books as a classic. A plus point is a new song by Alan Menken, the man who, with his magical music, also pulled Disney out of the doldrums at the end of the eighties.

Rating: 4 / 5