Director: Chloé Zhao
Genre: Drama
Runtime: 125
minutes
Year:
2025
Starring: Jessie Buckley, Paul Mescal, Joe Alwyn, Emily Watson, Jacobi Jupe, Noah
Jupe
Description: In late 16th-century England, Agnes
(Jessie Buckley), a healer sensitive to the world around her, builds a home
with William (Paul Mescal), a local tudor and aspiring playwright. As their
lives fracture, they are tested by distance, silence, and grief.
Review: The film adaptation of Maggie O’Farrell’s best-selling novel “Hamnet” by
Oscar winner Chloé Zhao is a rare example of an adaptation that not only understands
the soul of the source material but also amplifies it. It is a visually stunning
and emotionally devastating portrait of grief, love, and the transcendent power
of art.
Although Paul Mescal
portrays a fragile yet powerful William Shakespeare (never named until the very
end), this is unmistakably Jessie Buckley’s film. As Agnes, she is the
emotional anchor; a woman with a powerful connection to nature. Zhao wisely
chooses not to show the rise of the famous playwright in London, but to focus
on the raw reality of family life in Stratford. The chemistry between Buckley
and Mescal is palpable and makes the impending tragedy all the more painful.
The cinematography by Łukasz
Żal is nothing short of sublime. He captures the English countryside in 1596
with a sensory richness that immediately transport the viewer into the mud and
sunlight of the Elizabethan era. The scenes in which the plague slowly creeps
into the household are portrayed with a suffocating tension. Max Richters’s
music enhances the melancholic atmosphere.
The absolute highlight is
the finale, in which the film shows an indescribably personal loss – the death
of eleven-year-old Hamnet – is transformed into the universal masterpiece
Hamlet. Zhao succeeds in giving familiar monologues from the play a new, deeply
moving meaning that will bring even the most stoic viewers to tears.
“Hamnet” is a tearjerker of
the highest order, but its more than that. It’s a story of loss and the
aftermath of this, how people grief differently. The narrative structure of the
middle section is somewhat uneven, but the emotional impact of the final scene
more than makes up for it. I have only just read the book (which I gave a
5-star rating) and it always makes me happy to see a director succeeding into
translating it to film. Beautiful film and a well-deserved Academy Award for
Jessie Buckley.
Rating: 4,5/ 5