Book Review - Dungeon Crawler Carl by Matt Dinniman

Title: Dungeon Crawler Carl (Dungeon Crawler Carl # 1)
Author: Matt Dinniman
Genre: Science Fiction/ Fantasy
Published: 2020
 
Description: You know what’s worse than breaking up with your girlfriend? Being stuck with her prize-winning show cat. And you know what’s worse than that? An alien invasion, the destruction of all man-made structures on Earth, and the systematic exploitation of all the survivors for a sadistic intergalactic game show. That’s what.
 
Join Coast Guard vet Carl and his ex-girlfriend’s cat, Princess Donut, as they try to survive the end of the world, or just get to the next level, in a video game-like, trap-filled fantasy dungeon. A dungeon that’s actually the set of a reality television show with countless viewers across the galaxy. Exploding goblins. Magical potions. Deadly, drug-dealing llamas. This ain’t your ordinary game show.
 
Welcome, Crawler. Welcome to the Dungeon. Survival is optional. Keeping the viewers entertained is not.
 
Review: “Dungeon Crawler Carl” is a wildly crazy page-turner in the sci-fi/ fantasy genre. Very popular at the moment and the first in a long-running series. Author Matt Dinniman throws you right into the thick of a unique, modern subgenre that completely defies the conventions of traditional literature. The result is a rollercoaster ride that leaves the reader with a contact mix of amazement and adrenaline.
 
The story begins on a freezing cold night when Earth is abruptly overrun by an intergalactic syndicate, after which the remaining humanity is forced to participate in a live-broadcast, sadistic gladiatorial tournament. At the center of it all is Carl, an ordinary man who flees into the Apocalypse in his boxers and barefoot, along with his ex-girlfriend’s eccentric Persian cat Princess Donut. Together they must descend into a gigantic, underground dungeon with eighteen deadly levels, there, they must battle monstrous creatures, solve complex puzzles, and survive the levels to entertain the universe, all while amassing millions of alien fans.
 
The absolute highlight of this spectacle is its unparalleled humor, as the absurdist story had me laughing out loud several times at the most unexpected moments. The universe is filled with a colorful collection of the weirdest and most bizarre characters you’ll ever encounter in a book. Among all these extraordinary creatures, Princes Donut (a now talking and hyper-intelligent cat) absolutely steals the show as the most entertaining character, thanks to her regal airs and hilarious feline antics.
 
Still, the adventure also has a downside that you, as a reader, have to read through. The story is incredibly chaotic; there’s constantly so much happening all at once, and the enormous amount of information and statistics you have to process is overwhelming. That meant I had to get used to the structure and the breakneck pace. Fortunately, this doesn’t outweigh the rest of the experience; the concept is simply incredibly original and entertainingly executed. This addictive introduction leaves me wanting more, and I’ll definitely be continuing this series. I totally get the hype.
 
Rating: 3,5/ 5

Movie Review - The Testament of Ann Lee

Director: Mona Fastvold
Genre: Drama/ Musical
Runtime: 136 minutes
Year: 2026
Starring: Amanda Seyfried, Lewis Pullman, Thomasin McKenzie, Tim Blake Nelson
 
Description: Ann Lee (Amanda Seyfried), the founding leader of the Shaker Movement, is proclaimed as the female Christ by her followers. This film depicts her establishment of an utopian society and the Shakers’ worship through song and dance, based on real events.
 
Review: With “The Testament of Ann Lee”, director Mona Fastvold delivers an extremely ambitious, feverish biopic that walks the line between historical drama and avant-garde musical. Although the film is visually stunning and pushes the boundaries of the genre, its emotional depth unfortunately leaves the viewer at a distance.

The film tells the true story of Ann Lee, an 18^th century woman from industrial Manchester. After the traumatic loss of her young children and a troubled marriage, she finds spiritual enlightenment within a radical religious movement. She emerges as the visionary leader of the Shakers, a cult that believes in absolute celibacy, pacifism, and radical gender equality. Her followers even regard her as the female incarnation of Christ. To escape severe persecution, Lee sets sail with her loyal followers to the American colonies to found a utopian community there. Their devotion and the absolution of sins are expressed not through traditional sermons, but in frenzied, ecstatic singing and group dances that border on a physical trance.

The absolute highlight is the way the Shaker hymns are brought to life. And Amanda Seyfried delivers a phenomenal, physically intense performance; her animated gaze and vocals effortlessly carry the film through even the most abstract scene.

Despite these mesmerizing elements, the film falls short dramatically. The film is repetitive, and has an episodic structure. And there is a psychological barrier, because as a viewer we observing Ann Lee, but they never truly dissect her. You admire the craftmanship on screen, but the characters leave you emotionally unmoved. The characters remain underdeveloped. And the 136 minute runtime is very palpable, it’s way too long. And in this time they could have done a lot more with the characters.

“The Testament of Ann Lee” is a daring and visually breathtaking experiment that uniquely turns the biopic formula inside out. However, those hoping for a gripping emotional drama or an in-depth character study may leave this utopian journey feeling somewhat unsatisfied.  As a highly emotional person myself, this movie did very little for me.   

Rating: 3/ 5

Movie Review - How to Make a Killing

Director: John Patton Ford
Genre: Crime/ Comedy
Runtime: 106 minutes
Year: 2026
Starring: Glen Powell, Margareth Qualley, Jessica Henwick, Ed Harris
 
Description: Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow (Glen Powell) will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.
 
Review: “How to Make a Killing” is a dark crime comedy that starts off incredibly promising but, unfortunately, completely falls flat in the end.

The story follows Becket Redfellow, played by a charming Glen Powell, a blue-collar worker who was disowned at birth by his wealthy family. Driven by revenge and pure greed, he hatches a cold-blooded murder plot to systematically eliminate the seven family members standing between him and his billion-dollar inheritance.

The film gets off to an incredibly promising start; the opening is packed with razor-sharp black humor, is incredibly entertaining, and is a delight to watch from the very first minute. Director John Patton Ford perfectly captures the tone of a vicious social critique in the first hour, allowing the viewer to effortlessly get swept up in the protagonist’s absurd plans.

Unfortunately, the film takes a completely different turn in the second half when the tone suddenly shifts to a much more serious crime drama. Because of this change in direction, the script loses the satirical edge that made the first half so strong and unique, causing the pace to slow down and the characters to lose their vibrancy.

What really brings the experience down, however, is the climax. The ending is implausible and too easy and I simply didn’t like it.

“How to Make a Killing” is an entertaining movie and the first hour is a joy to watch, but eventually fails to live up to its full potential due to a weak finale.

Rating: 3/ 5

Book Review - Things We Lost in the Fire by Mariana Enriquez

Title: Things We Lost in the Fire
Author: Mariana Enriquez
Genre: Horror/ Short stories
Published: 2016
 
Description: In these wildly imaginative, devilishly darlin tales of the macabre, internationally bestselling author Mariana Enriquez brings contemporary  Argentina to vibrant life as a place where shocking inequality, violence, and corruption are the law of the land, while military dictatorship and legions of desaparecidos loom large in the collective memory.
 
Review: “Things We Lost in the Fire” is an intriguing collections of short stories that takes the reader into the darker side of contemporary Argentina. Mariana Enriquez weaves together political trauma, extreme poverty, and social unrest with supernatural horror and macabre elements. Although the atmosphere is consistently oppressive and compelling, the collection’s quality is rather uneven. Some tales are masterful, while others, unfortunately, didn’t really work for me.
 
“The Dirty Kid” examines the harsh reality of homeless street children in Buenos Aires. A rock-solid, gripping, and deeply unsettling opening story that immediate gets under your skin.
 
“The Inn” follows two teenagers who break into a hotel with a dark political past. An entertaining story with a great atmosphere, but it remains somewhat superficial.
 
In “The Intoxicated Years” we follow three friends growing up during the economic crisis of the 1990s. the focus is too heavily on adolescent rebellion and drugs, causing the horror climax to lack momentum.
 
Three children explore an abandoned, haunted house where a girl vanishes without a trace in “Adela’s House”. This is an absolute masterpiece, my favorite story of the collection. Terrifying, perfectly crafted and unforgettable.
 
My least favorite was “An Invocation of the Big-Eared Runt”. Here a tour guide becomes obsessed with a historical Argentine child murdered. The story feels drawn-out and lacks the suspense or depth to justify the cruelty. I didn’t like this story at all.
 
“Spiderweb” is about a young woman who travels with her insufferable husband to the countryside, where he suddenly disappears. It started promising, because the tension is palpable and you could feel that something ominous was going to happen. But the story drags too much and it felt underwhelming in the end.
 
In “End of Term” a schoolgirl exhibits extreme self-harming behavior under the influence of an invisible entity. A rather clichéd teen horror story that fails to live up to its potential.
 
The most bizarre story was “No Flesh Over Our Bones”, but also one of my favorites. A tale about a woman who becomes obsessed with a human skeleton she finds on the street. Beautifully macabre, psychological sharp, and delightfully unsettling.
 
“My Neighbor’s Courtyard” was my second favorite story. A social worker suspects her neighbor is keeping a deformed child chained up. This story offers psychological horror of the highest order; dark, layered, and deeply tragic. With a fantastic climax.
 
In “Under the Black Water” a lawyer investigates police brutality near a polluted, apocalyptic river. The Lovecraftian atmosphere is interesting, but the story ends to abruptly.
 
“Green Red Orange” is one of those stories you immediately forget about. A young man completely isolates himself in his room and communicates only through the dark web. The concept of modern isolation is relatable, but the execution remains dull.
 
“Things We Lost in the Fire” is about women setting themselves on fire en masse to protest domestic violence. A powerful, shocking concept that serves as a solid finale.
 
This short story collections has some great, stand-out stories that will haunt me for a while, but also some stories I didn’t really care for. I highly recommend this book for fans of socially critical horror, because this book has some really strong stories. But unfortunately, not all stories are good and will be easily forgotten.
 
Rating: 3/ 5

Movie Review - Enola Holmes 3

Director: Philip Barantini
Genre: Adventure/ Comedy/ Action
Runtime: 105 minutes
Year: 2026
Starring: Millie Bobby Brown, Henry Cavill, Helena Bonham Carter, Himesh Patel, Louis Partridge, Sharon Duncan-Brewster
 
Description: Detective Enola Holmes (Millie Bobby Brown) heads to Malta, where her aspirations merge in her most complex and dangerous case yet.
 
Review: This third installment has lost some of its charm. While the first two films were fresh, energetic, and full of surprises, “Enola Holmes 3” unfortunately feels like a rehash. It lacks the spark and sharpness that made the earlier adventures so entertaining.

This time, the story shifts to sunny Malta, where Enola is about to marry her true love, Lord Tewkesbury. However, her doubt about the marriage are abruptly interrupted when it turns out that her brother Sherlock has vanished without a trace. What follows is a chaotic quest filled with kidnappings and hidden treasures, in which Enola must once again unravel a complex mystery to save her brother.

The biggest problem is the script. This murder-and-kidnapping mystery is far less compelling and more predictable than before. Whereas the fantastic second installment (my favorite in the series) excelled in a clever plot, political intrigue, and a great pace, this adventure in Malta just kind of plods along. Moreover, the dynamic between Enola and Sherlock lacks the spark that made the previous installments so strong. Millie Bobby Brown, however, remains a joy to watch. Her acting is still full of energy, and the moments when she breaks the fourth wall to address the audience remain entertaining. But the material she has to work with this time around is simply lacking.

“Enola Holmes 3” is still entertaining and it’s not a bad movie, but it’s a clear step back compared to its predecessors. And it definitely never comes close to the second movie.

Rating: 2,5/ 5

Movie Review - Mortal Kombat II

Director: Simon McQuoid
Genre: Action/ Adventure/ Fantasy
Runtime: 116 minutes
Year: 2026
Starring: Karl Urban, Adelie Rudolph, Martyn Ford, Tati Gabrielle, Jessica McNamee, Mehcad Brooks, Ludi Lin, Josh Lawson, Hiroyuki Sanada
 
Description: The fan favorite champions, now joined by Johnny Cage (Karl Urban) himself, are pitted against one another in the ultimate battle to defeat the dark rule of Shao Kahn that threatens the very existence of the Earthrealm and its defenders.
 
Review: “Mortal Kombat II” attempts to correct the mistakes of its 2021 predecessor by going all-in on pure tournament chaos, but unfortunately gets bogged down in a muddy stream of soulless computer-generated effects and a virtually nonexistent script.

The story picks up where the invasion of Eathrealm left off. Cole Young and the remaining protectors travel to Outworld to recruit allies, including the arrogant movie star Johnny Cage. However, they are immediately lured into a trap by the tyrannical Shao Kahn, who organizes an illegal, decisive tournament to subjugate Earth once and for all. With this premise, director Simon McQuoid delivers a film that, unfortunately, feels like a two-hour, exhausting string of cinematic fights without a shred of dramatic impact. Karl Urban is the highlight, as Johnny Cage, with his weary Hollywood charisma. And if you are a fan of hack-and-slash action you are in for a treat, as the film fully lives up to its R-rating. The iconic fatalities from the games are brought to life with plenty of blood and spectacle.

However, as soon as the characters stop fighting and start talking, the film collapses like a house of cards. The plot surrounding Shao Kahn’s tournament is paper0thin and serves purely as a pretext for action, resulting in wooden dialogue and forced explanatory scenes.

Ultimately, the film lacks real tension. Because death is meaningless in this universe and characters are just as easily brought back to life, the emotional stakes during the mission to save Earth are nonexistent. “Mortal Kombat II” offers plenty of mindless entertainment and bloodshed for the hardcore games, but as a movie, it’s a messy, noisy, and soulless product. Take me back to the “Mortal Kombat” movie from 1995 please.

Rating: 2/ 5

Book Review - Pet Sematary by Stephen King

Title: Pet Sematary
Author: Stephen King
Genre: Horror
Published: 1983
 
Description: The House looked right, felt right to Dr. Louis Creed.
 
Rambling, old, unsmart and comfortable. A place where the family could settle; the children grow and play and explore. The rolling hills and meadows of Maine seemed a world away from the fume-choked dangers of Chicago.
 
Only the occasional big truck out on the two-lane highway, grinding up through the gears, hammering down the long gradients, growled out an intrusive threat.
 
But behind the house and far away from the road: that was safe. Just a carefully cleared path up into the woods where generations of local children have processed with the solemn innocence of the young, taking with them their dear departed pets for burial.
 
A sad place maybe, but safe. Surely a safe place. Not a place to seep into your dreams, to wake you, sweating with fear and foreboding.
 
Review: Did I just read my new favorite Stephen King book?  A terrifying epic about the limits of human grief. “Pet Sematary” is an absolute masterpiece. After closing that very last page, I can only conclude one thing: this is officially my favorite Stephen King novel. Over the years I have devoured many of King’s books, but this particular story grabbed me by the throat from the very first chapter and never lets go. It’s dark and compelling and will haunt your mind for days afterwards.
 
The story follows the young, successful doctor Louis Creed. He moves with his wife Rachel and two young children Ellie and Gage, and the family cat Church to the seemingly idyllic countryside of Maine. Their fresh start seems perfect, but appearances can be deceiving. They soon befriend their elderly neighbor, Jud Crandall, who takes them to a mysterious pet cemetery deep in the woods: the “Pet Sematary”.
 
What begins as a melancholic place where local children commemorate their deceased pets, however, turns out to be a dark façade. Deeper in the woods lies an ancient Mi’kmaq Indian burial ground that is possessed by a malevolent, supernatural force. The ground there is literally and figuratively acidic: whatever is buried there returns from the dead. But they never return exactly the same. When tragedy strikes the Creed family without mercy, Louis is driven by intense grief to defy the laws of nature. He makes a fatal decision with horrific irreversible consequences.
 
I can say with complete conviction that this is one of the scariest books I’ve ever read in my entire life. King doesn’t build tension with the cheap shock tactics of supernatural jump scares, but with a deep suffocating psychological terror that slowly creeps under your skin. From the very first page, the atmosphere is stifling, ominous, and uncomfortable. As a reader, you sense the impending catastrophe, but you’re just as powerless as the characters themselves. The climax is so intense and terrifying that I simply couldn’t put it down, despite the chills running down my spine. The last 100 pages were top tier.
 
What truly elevates this book to the level of a literary masterpiece is its emotional and philosophical depth. Pure grief is the central, most important theme of this story. King dissects the human psyche to the bone and painfully reveals just how blinding, destructive, and isolating intense grief can be. The book poses the chilling question: How far would you go to get a lost loved one back? It explores the universal fear of death and our inability to let go. The conclusion is brutally harsh: sometimes death really is better. “Pet Sematary” undoubtedly has one of the darkest and most hopeless endings Stephen King has ever written.
 
It’s dark, emotionally draining, psychologically complex, and terrifyingly relatable. It’s Stephen King at the absolute peak of his power. An absolute must-read for anyone who loves horror of the very highest caliber. I can’t believe it took me so long to read it.
 
Rating: 5/ 5