Book Review - Carrie Soto is Back by Taylor Jenkins Reid

Title: Carrie Soto
Author: Taylor Jenkins Reid
Genre: Historical fiction/ fiction
Published: 2022
 
Description: Carrie Soto is fierce, and her determination to win at any cost has not made her popular.
 
By the time Carrie retires from tennis, she is the best played the world has ever seen. She has shattered every record and claimed twenty Grand Slam titles. And if you ask her, she is entitled to every one. She sacrificed nearly everything to become the best, with her father as her coach.
 
But six years after her retirement, Carrie finds herself sitting in the stands of the 1994 US Open, watching her record be taken from her by a brutal, stunning, British player named Nicki Chan.
 
At thirty-seven years old, Carrie makes the monumental decision to come out of retirement and be coached by her father for one last year in an attempt to reclaim her record. Even is the sports media says that they never liked the ‘Battle-axe’ anyway. Even if her body doesn’t move as fast as it did. And even if it means swallowing her pride to train with a man she once almost opened her heart to: Bowe Huntley. Like her, he has something to prove before he gives up the game forever.
 
In spite of it all: Carrie Soto is back, for one epic final season.
 
Review: With “Carrie Soto is Back”, Taylor Jenkins Reid once again demonstrate her talent for creating complex, fallible, and utterly fascinating characters. After exploring Hollywood and the world of rock ‘n roll, Reid now delves into the cutthroat world of professional tennis. The result is a nail-biting, emotional and razor-sharp drama about ambition, growing older, and the price of success.
 
The story follows Carrie Soto, the most successful female tennis player of all time. She is fiery, ruthless, and known as “The Battle Axe”. By the time she retires from tennis, she has broken every record and holds no fewer than twenty Grand Slam titles. Six years later, in 1994, Carrie is sitting in the stands at the U.S. open. She watches as the young, talented Nicki Chan ties her record. Carrie is now 37 years old, and her body is no longer what it used to be. Still, she makes a radical decision: she’ll come out of retirement to defend her record. Together with her father and lifelong coach, Javier, she embarks on a grueling year of training. She must not only battle younger opponents and a skeptical media, but also her own physical limits and demons from the past.
 
Carrie is the typical anti-hero you will love. She is not likeable in the traditional sense of the word. She’s arrogant, selfish, and obsessed with winning. That’s precisely what makes her so formidable. Reid compels the reader to respect a woman who refuses to apologize for her ambition.
 
The relationship between Carrie and Javier is the beating heart of the book. Their bond is complex, loving, and at time heartbreaking. Javier reminds Carrie there’s more to life than just winning.
 
This book will sweep you away. I used to watch a lot of tennis, but if you have no affinity with tennis at all, this might not interest you. But the way Reid describes the matches with such intense dynamic, even someone who is not into tennis could enjoy it.
 
The only reason why I’m not giving it a 5-star rating is that the match rhythm halfway through the story lead to a slide sense of repetition.
 
“Carrie Soto is Back” is a triumph. It’s a powerful statement about how society treats ambitious women and a beautiful story about growing up, letting go, and the meaning of greatness. An absolute must-read.   
Rating: 4,5/ 5

Movie Review - Hoppers

Director: Daniel Chong
Genre: Animation/ Family/ Adventure
Runtime: 104 minutes
Year: 2026
Starring: Piper Curda, Bobby Moyhnihan, Jon Hamm, Kathy Najimy, Dave Franco, Eduardo Franco, Melissa Villaseñor, Sam Richardson, Isiah Whitlock Jr.,
 
Description: A 19-year-old animal lover (Piper Curda) uses technology that places her consciousness into a robotic beaver to uncover mysteries within the animal world beyond her imagination.
 
Review: With “Hoppers”, director Daniel Chong delivers one of the studio’s funniest and most animated films in years. While recent films sometimes buckle under the weight of heavy emotional themes, this production resolutely opts for a fresh blend of absurdist humor and a classic ecological adventure.

When the grandmother of 19-year-old Mable, an impulsive anima rights activist, passes away, their favorite nature reserve is threatened with destruction by the corrupt mayor Jerry. He wants to build a highway. To stop the construction, Mabel enlists the help of a secret experimental government project: she has her consciousness “hop” into the body of an ultra-realistic robot beaver. She quickly infiltrates the local beaver colony to join forces with the animals against the bulldozers.

As soon as Mabel takes on the form of a beaver, the film shifts into high gear. “Hoppers” excels at visual comedy. The animation style is cute, combined with lush landscapes that proof Pixar is still technically at the very top.

Jon Hamm steals the show as the vain, power-hungry mayor, flanked by Bobby Moynihan’s great voice-performance as George the beaver. But it’s Piper Curda who carries the film: her portrayal of Mabel as a hyperactive, steadfast teenager with a big heart makes the character instantly memorable. I loved Mabel.

“Hoppers” is Pixar at its best: a wild, inventive and funny adventure. It’s the successful return of the studio’s roots, one that will effortlessly entertain the entire family.

Rating: 4/ 5

Book Review - Dungeon Crawler Carl by Matt Dinniman

Title: Dungeon Crawler Carl (Dungeon Crawler Carl # 1)
Author: Matt Dinniman
Genre: Science Fiction/ Fantasy
Published: 2020
 
Description: You know what’s worse than breaking up with your girlfriend? Being stuck with her prize-winning show cat. And you know what’s worse than that? An alien invasion, the destruction of all man-made structures on Earth, and the systematic exploitation of all the survivors for a sadistic intergalactic game show. That’s what.
 
Join Coast Guard vet Carl and his ex-girlfriend’s cat, Princess Donut, as they try to survive the end of the world, or just get to the next level, in a video game-like, trap-filled fantasy dungeon. A dungeon that’s actually the set of a reality television show with countless viewers across the galaxy. Exploding goblins. Magical potions. Deadly, drug-dealing llamas. This ain’t your ordinary game show.
 
Welcome, Crawler. Welcome to the Dungeon. Survival is optional. Keeping the viewers entertained is not.
 
Review: “Dungeon Crawler Carl” is a wildly crazy page-turner in the sci-fi/ fantasy genre. Very popular at the moment and the first in a long-running series. Author Matt Dinniman throws you right into the thick of a unique, modern subgenre that completely defies the conventions of traditional literature. The result is a rollercoaster ride that leaves the reader with a contact mix of amazement and adrenaline.
 
The story begins on a freezing cold night when Earth is abruptly overrun by an intergalactic syndicate, after which the remaining humanity is forced to participate in a live-broadcast, sadistic gladiatorial tournament. At the center of it all is Carl, an ordinary man who flees into the Apocalypse in his boxers and barefoot, along with his ex-girlfriend’s eccentric Persian cat Princess Donut. Together they must descend into a gigantic, underground dungeon with eighteen deadly levels, there, they must battle monstrous creatures, solve complex puzzles, and survive the levels to entertain the universe, all while amassing millions of alien fans.
 
The absolute highlight of this spectacle is its unparalleled humor, as the absurdist story had me laughing out loud several times at the most unexpected moments. The universe is filled with a colorful collection of the weirdest and most bizarre characters you’ll ever encounter in a book. Among all these extraordinary creatures, Princes Donut (a now talking and hyper-intelligent cat) absolutely steals the show as the most entertaining character, thanks to her regal airs and hilarious feline antics.
 
Still, the adventure also has a downside that you, as a reader, have to read through. The story is incredibly chaotic; there’s constantly so much happening all at once, and the enormous amount of information and statistics you have to process is overwhelming. That meant I had to get used to the structure and the breakneck pace. Fortunately, this doesn’t outweigh the rest of the experience; the concept is simply incredibly original and entertainingly executed. This addictive introduction leaves me wanting more, and I’ll definitely be continuing this series. I totally get the hype.
 
Rating: 3,5/ 5

Movie Review - The Testament of Ann Lee

Director: Mona Fastvold
Genre: Drama/ Musical
Runtime: 136 minutes
Year: 2026
Starring: Amanda Seyfried, Lewis Pullman, Thomasin McKenzie, Tim Blake Nelson
 
Description: Ann Lee (Amanda Seyfried), the founding leader of the Shaker Movement, is proclaimed as the female Christ by her followers. This film depicts her establishment of an utopian society and the Shakers’ worship through song and dance, based on real events.
 
Review: With “The Testament of Ann Lee”, director Mona Fastvold delivers an extremely ambitious, feverish biopic that walks the line between historical drama and avant-garde musical. Although the film is visually stunning and pushes the boundaries of the genre, its emotional depth unfortunately leaves the viewer at a distance.

The film tells the true story of Ann Lee, an 18^th century woman from industrial Manchester. After the traumatic loss of her young children and a troubled marriage, she finds spiritual enlightenment within a radical religious movement. She emerges as the visionary leader of the Shakers, a cult that believes in absolute celibacy, pacifism, and radical gender equality. Her followers even regard her as the female incarnation of Christ. To escape severe persecution, Lee sets sail with her loyal followers to the American colonies to found a utopian community there. Their devotion and the absolution of sins are expressed not through traditional sermons, but in frenzied, ecstatic singing and group dances that border on a physical trance.

The absolute highlight is the way the Shaker hymns are brought to life. And Amanda Seyfried delivers a phenomenal, physically intense performance; her animated gaze and vocals effortlessly carry the film through even the most abstract scene.

Despite these mesmerizing elements, the film falls short dramatically. The film is repetitive, and has an episodic structure. And there is a psychological barrier, because as a viewer we observing Ann Lee, but they never truly dissect her. You admire the craftmanship on screen, but the characters leave you emotionally unmoved. The characters remain underdeveloped. And the 136 minute runtime is very palpable, it’s way too long. And in this time they could have done a lot more with the characters.

“The Testament of Ann Lee” is a daring and visually breathtaking experiment that uniquely turns the biopic formula inside out. However, those hoping for a gripping emotional drama or an in-depth character study may leave this utopian journey feeling somewhat unsatisfied.  As a highly emotional person myself, this movie did very little for me.   

Rating: 3/ 5

Movie Review - How to Make a Killing

Director: John Patton Ford
Genre: Crime/ Comedy
Runtime: 106 minutes
Year: 2026
Starring: Glen Powell, Margareth Qualley, Jessica Henwick, Ed Harris
 
Description: Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow (Glen Powell) will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.
 
Review: “How to Make a Killing” is a dark crime comedy that starts off incredibly promising but, unfortunately, completely falls flat in the end.

The story follows Becket Redfellow, played by a charming Glen Powell, a blue-collar worker who was disowned at birth by his wealthy family. Driven by revenge and pure greed, he hatches a cold-blooded murder plot to systematically eliminate the seven family members standing between him and his billion-dollar inheritance.

The film gets off to an incredibly promising start; the opening is packed with razor-sharp black humor, is incredibly entertaining, and is a delight to watch from the very first minute. Director John Patton Ford perfectly captures the tone of a vicious social critique in the first hour, allowing the viewer to effortlessly get swept up in the protagonist’s absurd plans.

Unfortunately, the film takes a completely different turn in the second half when the tone suddenly shifts to a much more serious crime drama. Because of this change in direction, the script loses the satirical edge that made the first half so strong and unique, causing the pace to slow down and the characters to lose their vibrancy.

What really brings the experience down, however, is the climax. The ending is implausible and too easy and I simply didn’t like it.

“How to Make a Killing” is an entertaining movie and the first hour is a joy to watch, but eventually fails to live up to its full potential due to a weak finale.

Rating: 3/ 5

Book Review - Things We Lost in the Fire by Mariana Enriquez

Title: Things We Lost in the Fire
Author: Mariana Enriquez
Genre: Horror/ Short stories
Published: 2016
 
Description: In these wildly imaginative, devilishly darlin tales of the macabre, internationally bestselling author Mariana Enriquez brings contemporary  Argentina to vibrant life as a place where shocking inequality, violence, and corruption are the law of the land, while military dictatorship and legions of desaparecidos loom large in the collective memory.
 
Review: “Things We Lost in the Fire” is an intriguing collections of short stories that takes the reader into the darker side of contemporary Argentina. Mariana Enriquez weaves together political trauma, extreme poverty, and social unrest with supernatural horror and macabre elements. Although the atmosphere is consistently oppressive and compelling, the collection’s quality is rather uneven. Some tales are masterful, while others, unfortunately, didn’t really work for me.
 
“The Dirty Kid” examines the harsh reality of homeless street children in Buenos Aires. A rock-solid, gripping, and deeply unsettling opening story that immediate gets under your skin.
 
“The Inn” follows two teenagers who break into a hotel with a dark political past. An entertaining story with a great atmosphere, but it remains somewhat superficial.
 
In “The Intoxicated Years” we follow three friends growing up during the economic crisis of the 1990s. the focus is too heavily on adolescent rebellion and drugs, causing the horror climax to lack momentum.
 
Three children explore an abandoned, haunted house where a girl vanishes without a trace in “Adela’s House”. This is an absolute masterpiece, my favorite story of the collection. Terrifying, perfectly crafted and unforgettable.
 
My least favorite was “An Invocation of the Big-Eared Runt”. Here a tour guide becomes obsessed with a historical Argentine child murdered. The story feels drawn-out and lacks the suspense or depth to justify the cruelty. I didn’t like this story at all.
 
“Spiderweb” is about a young woman who travels with her insufferable husband to the countryside, where he suddenly disappears. It started promising, because the tension is palpable and you could feel that something ominous was going to happen. But the story drags too much and it felt underwhelming in the end.
 
In “End of Term” a schoolgirl exhibits extreme self-harming behavior under the influence of an invisible entity. A rather clichéd teen horror story that fails to live up to its potential.
 
The most bizarre story was “No Flesh Over Our Bones”, but also one of my favorites. A tale about a woman who becomes obsessed with a human skeleton she finds on the street. Beautifully macabre, psychological sharp, and delightfully unsettling.
 
“My Neighbor’s Courtyard” was my second favorite story. A social worker suspects her neighbor is keeping a deformed child chained up. This story offers psychological horror of the highest order; dark, layered, and deeply tragic. With a fantastic climax.
 
In “Under the Black Water” a lawyer investigates police brutality near a polluted, apocalyptic river. The Lovecraftian atmosphere is interesting, but the story ends to abruptly.
 
“Green Red Orange” is one of those stories you immediately forget about. A young man completely isolates himself in his room and communicates only through the dark web. The concept of modern isolation is relatable, but the execution remains dull.
 
“Things We Lost in the Fire” is about women setting themselves on fire en masse to protest domestic violence. A powerful, shocking concept that serves as a solid finale.
 
This short story collections has some great, stand-out stories that will haunt me for a while, but also some stories I didn’t really care for. I highly recommend this book for fans of socially critical horror, because this book has some really strong stories. But unfortunately, not all stories are good and will be easily forgotten.
 
Rating: 3/ 5

Movie Review - Enola Holmes 3

Director: Philip Barantini
Genre: Adventure/ Comedy/ Action
Runtime: 105 minutes
Year: 2026
Starring: Millie Bobby Brown, Henry Cavill, Helena Bonham Carter, Himesh Patel, Louis Partridge, Sharon Duncan-Brewster
 
Description: Detective Enola Holmes (Millie Bobby Brown) heads to Malta, where her aspirations merge in her most complex and dangerous case yet.
 
Review: This third installment has lost some of its charm. While the first two films were fresh, energetic, and full of surprises, “Enola Holmes 3” unfortunately feels like a rehash. It lacks the spark and sharpness that made the earlier adventures so entertaining.

This time, the story shifts to sunny Malta, where Enola is about to marry her true love, Lord Tewkesbury. However, her doubt about the marriage are abruptly interrupted when it turns out that her brother Sherlock has vanished without a trace. What follows is a chaotic quest filled with kidnappings and hidden treasures, in which Enola must once again unravel a complex mystery to save her brother.

The biggest problem is the script. This murder-and-kidnapping mystery is far less compelling and more predictable than before. Whereas the fantastic second installment (my favorite in the series) excelled in a clever plot, political intrigue, and a great pace, this adventure in Malta just kind of plods along. Moreover, the dynamic between Enola and Sherlock lacks the spark that made the previous installments so strong. Millie Bobby Brown, however, remains a joy to watch. Her acting is still full of energy, and the moments when she breaks the fourth wall to address the audience remain entertaining. But the material she has to work with this time around is simply lacking.

“Enola Holmes 3” is still entertaining and it’s not a bad movie, but it’s a clear step back compared to its predecessors. And it definitely never comes close to the second movie.

Rating: 2,5/ 5