Genre: Drama/ Romance
Runtime: 129 minutes
Year: 2017
Starring: Ryan Gosling, Michael Fassbender, Rooney Mara, Natalie Portman, Cate Blanchett, Holly Hunter, Bérénice Marlohe, Val Kilmer, Lykke Li
Description: Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas.
Review: Again a cinematographic meditation by director Terrence Malick, about love and life. He takes the audience on a poetic journey to finding the meaning of life. As always, Malick doesn’t work with a straight forward screenplay and the (amazing group of) actors improvise.
Malicks style is very recognizable. It’s more a chain of images, because there are no real scenes. He creates a series of situations and it’s clearly his intuition that make his montage choices. The randomness of these images make me think of perfume commercials on TV. And that’s really not a compliment here. “Song to Song” kind of feels like a commercial, but then with the length of a film. And I think we could take off an hour, without losing any important moments.
There is no focus, because we see so many characters. And we don’t get to understand them, there is barely any development and their motives are unclear. Hardly any communication between the characters. Whispering voice-overs tell us some philosophical things and a lot of existential questions are asked.
The camera work is a big plus though. No steady images, always moving. The camera is constantly with the characters and switches between warm close-ups and distant shots. And the camera looks for the little things in the surroundings.
I never really understood Terrence Malick and I really don’t get why so many actors want to work with him. He always gets such big names to work with him and all the performances are really good by the way. But “Song to Song” is just a lot of improvising. Maybe that’s it, that the actors can let go of the rules for once. But all that cuddling and stroking, after a half hour I’m done! “Song to Song” is just not for me I guess.
Rating: 2/ 5
