“Black Mirror” is an anthology series exploring a twisted, high-tec multiverse where humanity’s greatest innovations and darkest instincts collide. The show is known for the twists and how technology can sometimes be pretty scary. I ranked all the episodes and also included the special and film that were made. And it’s pretty clear which season I liked the least (but none of the episodes are bad).
23. Smithereens (Episode 2, Season 5)
Director: James Hawes
Starring: Andrew Scott, Topher Grace, Damson Idris, Monica Dolan
Description: A cab driver (Andrew Scott) with an agenda becomes the center of attention on a day that rapidly spirals out of control.
Review: “Smithereens” is not a hit, it starts slowly and is all in all quite predictable and not at all surprising. It does have some masterful acting by Andrew Scott. This episode mainly seems to be an awareness-raising campaign in many ways, but it actually goes much further than that. It’s about how we are all attached to smartphones and therefore losing contact with reality. But at the same time it’s also about how the enormous flow of information we process daily via that same smartphone has made us immune to serious facts.
22. Striking Vipers (Episode 1, Season 5)
Director: Owen Harris
Starring: Anthony Mackie, Yahya Abdul-Mateen II, Nicole Beharie, Pom Klementieff, Ludi Linn
Description: Two estranged college friends (Anthony Mackie, Yahya Abdul-Mateen II) reunite in later life, triggering a series of events that could alter their lives forever.
Review: “Striking Vipers” uses the same technology as “Playtest” and “USS Callister”. Once again we see a hyper-realistic game, but then explored in a very different way that raises a lot of questions. About gender, loyalty, orientation and so on. It gives you and insight into the future of gaming, but it’s also about confusion around sexual orientation.
21. Rachel, Jack and Ashley Too (Episode 3, Season 5)
Director: Anne Sewitsky
Starring: Miley Cyrus, Angourie Rice, Madison Davenport, Susan Pourfar
Description: A lonely teenager (Angourie Rice) yearns to connect with her favorite pop star Ashley O (Miley Cyrus), whose charming existence isn’t quite as rosy as it appears.
Review: “Rachel, Jack and Ashley Too” tells a story about stardom. Where it goes deeper into both the existence as a pop star and that of fans. We demand more and more from our idols and as fans we want to get closer and closer to our favorite stars. But that has serious consequences. Stars are expected to be cheerful all the time and never have a bad day. Of course, reality is often very different from the pictures we see as fans. We only know a small world of our idols, so we often forget that they too are people of flesh and blood. This episode makes a pop star more human by dehumanizing them like a robot.
20. Crocodile (Episode 3, Season 4)
Director: John Hillcoat
Starring: Andrea Riseborough, Kiran Sonia Sawar, Andrew Gower, Anthony Welsh
Description: Shazia (Kiran Sonia Sawar) interviews various people using a device that allows her to access their memories.
Review: “Crocodile” is one of the darkest episodes of “Black Mirror”. Mia’s desperation to keep her secret takes on enormous proportions, but somewhere you can recognize yourself in it, without of course the extreme form it takes on. A very dark tale about how a mistake in your past can dominate your whole life, no matter how hard you’re trying to forget about it.
19. Black Museum (Episode 6, Season 4)
Director: Colm McCarthy
Starring: Letitia Wright, Douglas Hodge, Daniel Lapaine, Aldis Hodge, Alexandra Roach
Description: Nish (Letitia Wright) enters the Black Museum, where the proprietor (Douglas Hodge) tells his stories relating to the artifacts.
Review: “Black Museum” is actually three episodes in one, but with the runtime of one episode. As a result, the stories may be a little less elaborate, but the end creates a mindfuck of size. The episode shows how new technology can be used to torture people at a level that for the time being, fortunately, is not possible. But it shows how technology, when it ends up in bad hands, can lead to horrific acts.
18. The Waldo Moment (Episode 3, Season 2)
Director: Bryn Higgins
Starring: Daniel Rigby, Chloe Pirrie, Jason Flemyng, Tobias Menzies, Christina Chong, James Lance
Description: A failed comedian (Daniel Rigby) who voices a popular cartoon bear named Waldo finds himself mixing in politics when TV executives want Waldo to run for office.
Review: “The Waldo Moment” is a story that, at first sight, seems totally crazy. But when you think about it a little longer, you realize that it is closer to reality than you might think. It is phenomenal critique of current politics. And yes, I’m mainly looking at the US. When everyone laughed off Donald Trump’s presidential candidacy, he eventually managed to end up in the White House. And so he had his own Waldo moment. The story was written before Trump became president, so it’s not a literal attack on Trump, but a prediction of how politis would evolve.
17. Men Against Fire (Episode 5, Season 3)
Director: Jakob Verbruggen
Starring: Malachi Kirby, Madeline Brewer, Ariane Labed, Sarah Snook, Michael Kelly
Description: Future soldiers Stripe (Malachi Kirby) and Raiman (Madaline Brewer) must protect frightened villagers from an infestation of vicious feral mutants.
Review: Where “Black Mirror” usually gives a glimpse of the future, here they actually take a look at the past. Because there are many parallels between “Men Against Fire” and the events of World War II. It’s a very intense episode and the actual outcome is a bit disturbing. The story shows the future of warfare, but at the same time is inspired by events from the past.
16. Arkangel (Episode 2, Season 4)
Director: Jodie Foster
Starring: Rosemarie DeWitt, Brenna Harding, Owen Teague, Nicholas Campbell
Description: After nearly losing her daughter Sara, Marie (Rosemarie DeWitt) incests in a new technology that allows her to keep track of her.
Review: “Arkangel” is another episode in which new technology in itself is positive. The chip is a good tool for mother Marie, but it gives her the opportunity to continuously monitor her daughter. And a curious and over-protective mother can quickly abuse this power. At first, you really sympathize with Marie, but your view on her will change from time to time.
15. Playtest (Episode 2, Season 3)
Director: Dan Trachtenberg
Starring: Wyatt Russell, Hannah John-Kamen, Wunmi Mosaku, Ken Yamamura, Elizabeth Moynihan
Description: Cooper (Wyatt Russell) is traveling around the world. When he is trying to buy a ticket home, he is unable to get money from his account. Short on cash, Cooper signs up to test a revolutionary new gaming system. But soon cant tell where the hot game ends and reality begins.
Review: “Playtest” is an episode that clearly responds to the new technologies used in games. In the episode virtual reality is pushed to the limit. What Cooper sees is a reality created from his own deepest fears. It’s an episode that gives you a scare here and there, through the horror images. But it’s the storyline around Cooper and his mother that won’t let you go.
14. Fifteen Million Merits (Episode 2, Season 2)
Director: Euros Lyn
Starring: Daniel Kaluuya, Jessica Brown Findlay, Rupert Everett, Julia Davis, Ashley Thomas
Description: In a world where people’s lives consist of riding exercise bikes to gain credits, Bing (Daniel Kaluuya) tries to help a woman get on to a singing competition show.
Review: “15 Million Merits” is a metaphor for life, but a very negative one. Working your whole life to make money and make your dreams come true. But those dreams sometimes turn out very differently. Furthermore, this episode also shows how people actually do everything for money, even if this is diametrically opposed to your own principles. At the same time, it also criticized the popularity of talent shows and reality TV and how these genres can be exploited by candidates.
13. San Junipero (Episode 4, Season 3)
Director: Owen Harris
Starring: Mackenzie Davis, Gugu Mbatha-Raw, Denise Burse, Annabel Davis, Raymond McAnally
Description: When Yorkie (Mackenzie Davis) and Kelly (Gugu Mbatha-Raw) visit San Junipero, a fun-loving beach town full of surf, sun and sex, their lives are changed.
Review: “San Junipero” is a story that shows how technology can ultimately be positive and contribute to eternal love. It turns death into something beautiful and tells a story that will not leave you untouched.
12. Metalhead (Episode 5, Season 4)
Director: David Slade
Starring: Maxine Peake, Jake Davies, Clint Dyer
Description: In the post-apocalyptic landscape of the Scottish Moors, a woman (Maxine Peaks) attempts to survive tha land full of ‘dogs’.
Review: This episode shows the dangers of artificial intelligence. When robots, in this case in the form of dogs, have evolved so far, they can really be able to conquer the world and be a real danger to humans. “Metalhead” is a real thriller and the most straight-forward episode of “Black Mirror”. It’s completely filmed in black and white and it’s threatening and bloodcurdlingly exciting.
11. Hated in the Nation (Episode 6, Season 3)
Director: James Hawes
Starring: Kelly Macdonald, Faye Marsay, Benedict Wong, Jonas Karlsson, Joe Armstrong
Description: In near-future London, police detective Karin Parke (Kelly Macdonald) and her tech-savvy sidekick Blue (Faye Marsay) investigate a string of mysterious deaths with a sinister link to social media.
Review: “Hated in the Nation” is perhaps the clearest social criticism of the whole series. It shows the impact of social media, but in a very direct way (it reminded me a bit of the crime thriller “Untraceable”, with Diane Lane). Comments with the #DeathTo, which are actually sent out, have the effect that those people actually die. The episode thus maps out the hardness of reactions on social media. The way in which we can insult people and wish them to die on social media, without realizing the consequences.
10. Bandersnatch (Standalone interactive film)
Director: David Slade
Starring: Fionn Whitehead, Craig Parkinson, Alice Lowe, Will Poulter
Description: Young programmer Stefan (Fion Whitehead) starts to question reality when he adapts a mad writer’s fantasy novel into a video game.
Review: “Bandersnatch” is not an episode, it’s a standalone film. And the first interactive film. It’s an innovative episode because of its format. The story is, depending on the path you choose, better or worse, but in general it’s a surprising and interesting way to experience television. It has several different endings.
9. The National Anthem (Episode 1, Season 1)
Director: Otto Bathurst
Starring: Rory Kinnear, Lindsay Duncan, Anna Wilson-Jones, Donald Sumpter, Tom Goodman-Hill, Patrick Kennedy
Description: Prime Minister Michael Callow (Rory Kinnear) faces a shocking dilemma when Princess Susannah, a much-loved member of the Royal Family, is kidnapped.
Review: “The National Anthem” is the very first episode of “Black Mirror” and perhaps the most memorable to date. The episode is outright social criticism that makes you think about your own behavior. This episode does not use modern technology, it does not take place in a post-apocalyptic or dystopian future. No, this story could actually happen tomorrow. And that’s why the impact of this episode is so overwhelming. The awareness that this can happen and that the reaction of the audience would probably be exactly the same as in the episode, makes it an uncomfortable experience.
8. Shut Up and Dance (Episode 3, Season 3)
Director: James Watkins
Starring: Alex Lawther, Jerome Flynn, Susannah Doyle, Frankie Wilson, Jimmy Roye-Dunne, Hannah Steele
Description: When introvert Kenny (Alex Lawther) stumbles into an online trap, he is quickly forced into an uneasy alliance with Hector (Jerome Flynn), both at the mercy of persons unknown.
Review: “Shut Up and Dance” is another episode that isn’t about technological gadgets or a strange looking future. It is a story that can take place now and that makes it very realistic. Alex Lawther, who plays Kenny, gives away a strong performance. His role is pretty difficult and you sympathize with him, but at the same time realize that he has a huge secret. And it’s even worse than you might think.
7. White Christmas (Episode 4, Season 2, Christmas Special)
Director: Carl Tibbetts
Starring: Jon Hamm, Rafe Spall, Oona Chaplin, Natalia Tena, Janet Montgomery, Rasmus Hardiker
Description: Three interconnected tales of technology run amok during the Christmas season are told by two men at a remote outpost in a frozen wilderness.
Review: “White Christmas” is “Black Mirror” at its best. Technological advances that can ultimately be used against humans or that endanger people’s lives. In “White Christmas” there are also aspects that are already possible, which brings the whole thing awfully close to reality. Thus we see a smart home system, which seems very convenient, but is actually degrading.
6. White Bear (Episode 2, Season 2)
Director: Carl Tibbets
Starring: Lenora Crichlow, Michael Smiley, Tuppence Middleton, Ian Bonar, Elisabeth Hopper
Description: Victoria (Lenora Crichlow) wakes up and cannot remember anything about her life. Everyone she encounters refuses to communicate with her, and they all seem to know something she doesn’t.
Review: “White Bear’ is one of those episodes that drags you along and gets you invested in the story. And you can’t help but feel for the main character. But when you finally find out exactly why this is happening to her, your whole image of the situation changes. And that is very well done. The episode denounces the sensational society we live in now. How we enjoy someone else’s suffering. How the news is presented more and more spectacularly. But at the same time it shows that ‘an eye for an eye’ is not necessarily the best solution. Because is this where we want to go? Is this the society we want to be in?
5. The Entire History of You (Episode 3, Season 1)
Director: Brian Welsh
Starring: Toby Kebbell, Jodie Whittaker, Tom Cullen, Amy Beth Hayes, Rebekah Staton
Description: In the near future, everyone has access to a memory implant that records everything they do, see and hear. You need never forget a face again, but is that always a good thing?
Review: “The Entire History of You” shows how technology can bring out the worst in man. Jealousy is a dirty beast anyway, but if you have the tools in your hands, that jealousy can become much more dangerous. It shows how taking a look at your partner’s phone can quickly turn into an obsession that can cause serious damage not only to your partner, but also to yourself.
4. Hang the DJ (Episode 4, Season 4)
Director: Tim von Patten
Starring: Georgina Campbell, Joe Cole, George Bladge, Gwyneth Keyworth
Description: Paired up by a dating program that puts an expiration date on all relationships, Frank (Joe Cole) and Amy (Georgine Campbell) soon begin to question the system’s logic.
Review: You could see “Hang the DJ” as a critique of dating apps and superficial relationships, but in the end you find out that that’s not so. It’s one of the lighter episodes of “Black Mirror”, but it still has a painful side. It’s a story about true love and how it can overcome everything. Even before it really started. It’s on of the few episodes that will leave you with a happy feeling.
3. Be Right Back (Episode 1, Season 2)
Director: Owen Harris
Starring: Hayley Atwell, Domhnall Gleeson
Description: After learning about a new service that lets people stay in touch with the deceased, a lonely, grieving Martha (Hayley Atwell) reconnects with her late lover (Domhnall Gleeson).
Review: “Be Right Back” is actually a beautiful love story of a woman who has a hard time coping with the death of her boyfriend. It is a heartbreaking story, which is both beautiful and strange. Above all, the episode shows that no matter how far technology evolves, there is nothing to be done against death.
2. USS Callister (Episode 1, Season 4)
Director: Toby Haynes
Starring: Jesse Plemons, Cristin Milioti, Jimmi Simpson, Michael Coel, Billu Magnussen, Aaron Paul
Description: Captain Robert Daly (Jesse Plemons) presides over his crew with wisdom and courage. But a ne recruit will soon discover nothing on this spaceship is what it seems.
Review: “Uss Callister” is somewhat of a “Star Trek” ode, but at the same time it shows that the new technologies, such as the possibilities of cloning and the use of artificial intelligence, can be capable of when used by the wrong people. It is an exciting episode somewhere between humor and drama, where really nothing is what it seems. It’s definitely one of the most inventive episode of the entire series.
1. Nosedive (Episode 1, Season 3)
Director: Joe Wright
Starring: Bryce Dallas Howard, Alice Eve, James Norton
Description: Lacie (Bryce Dallas Howard) is desperate to boos her social media score. She hits the jackpot when she’s invited to a fancy wedding, but the trip doesn’t go as planned.
Review: The special thing about “Nosedive” is that this episode ultimately predicted the future like no other. No matter how unrealistic and completely unthinkable the points system in the episode may be, it will become reality. The episode criticizes our obsession with likes and the impact on social media on the way we live our lives. How we adapt our posts on social media to what others would like and especially what would generate the most likes.
vrijdag 13 maart 2020
woensdag 11 maart 2020
Movie Review - Spenser Confidential
Director: Peter Berg
Genre: Drama/ Crime/ Action
Runtime: 111 minutes
Year: 2020
Starring: Mark Wahlberg, Winston Duke, Alan Arkin
Description: When two Boston police officers are murdered, ex-cop Spenser (Mark Wahlberg) teams up with his no-nonsense roommate Hawk (Winston Duke) to take down criminals.
Review: After five years of imprisonment, former cop Spenser is a free man again. He ended up in jail for wanting to expose corruption within the police department. Because he doesn’t wat to stay in Boston due to this, he decides to leave for Arizona and become a truck driver. But when two cops are killed and he suspects foul play, he takes matter in his own hands and investigates the case.
Mark Wahlberg and director Peter Berg have a hard time saying goodbye to each other. They have worked together several times and “Spenser Confidential” marks their fifth collaboration.
I didn’t expect any kind of masterpiece or any originality. It’s a somewhat enjoyable film, when you don’t want to think to much. But my big problem with this film is the lack of focus. And with that I mean the focus on what genre it is. Sometimes the film feels like a crime drama, at times it’s a buddy-cop type of movie with some comedy and there are moments that “Spenser Confidential” is a rock hard action flick. It’s obvious they couldn’t find a balance between these genres and it’s really hard to define what it actually is. And with that, there is hardly any character development and the story is very predictable. And when it comes to characters, I found Cissy really annoying and she felt like a stereotypical Boston character instead of an actual human being.
At the end, they even hint to a sequel, which I would say no to. Because “Spenser Confidential” is, even though at times entertaining, not a very good film.
Rating: 2 / 5
Genre: Drama/ Crime/ Action
Runtime: 111 minutes
Year: 2020
Starring: Mark Wahlberg, Winston Duke, Alan Arkin
Description: When two Boston police officers are murdered, ex-cop Spenser (Mark Wahlberg) teams up with his no-nonsense roommate Hawk (Winston Duke) to take down criminals.
Review: After five years of imprisonment, former cop Spenser is a free man again. He ended up in jail for wanting to expose corruption within the police department. Because he doesn’t wat to stay in Boston due to this, he decides to leave for Arizona and become a truck driver. But when two cops are killed and he suspects foul play, he takes matter in his own hands and investigates the case.
Mark Wahlberg and director Peter Berg have a hard time saying goodbye to each other. They have worked together several times and “Spenser Confidential” marks their fifth collaboration.
I didn’t expect any kind of masterpiece or any originality. It’s a somewhat enjoyable film, when you don’t want to think to much. But my big problem with this film is the lack of focus. And with that I mean the focus on what genre it is. Sometimes the film feels like a crime drama, at times it’s a buddy-cop type of movie with some comedy and there are moments that “Spenser Confidential” is a rock hard action flick. It’s obvious they couldn’t find a balance between these genres and it’s really hard to define what it actually is. And with that, there is hardly any character development and the story is very predictable. And when it comes to characters, I found Cissy really annoying and she felt like a stereotypical Boston character instead of an actual human being.
At the end, they even hint to a sequel, which I would say no to. Because “Spenser Confidential” is, even though at times entertaining, not a very good film.
Rating: 2 / 5
10s Movie Review - I Am Michael
Director: Justin Kelly
Genre: Drama
Runtime: 98 minutes
Year: 2015
Starring: James Franco, Zachary Quinto, Emma Roberts, Charlie Carver, Daryl Hannah, Ahna O’Reilly
Description: Based on the fascination true-life story of Michael Glatze (James Franco), a gay activist who becomes a Christian pastor after identifying as a heterosexual.
I WATCHED THIS MOVIE FOR MY 2020 MOVIE CHALLENGE.
WEEK 11: A LGBTQ MOVIE
Review: In the late 2000s Michael Glatze, gay activist and co-founder of the magazine Young Gay America, announced that he embraced Christianity and no longer identified as homosexual. He even claimed that it was a bad thing. “I Am Michael” focuses on Michael’s change of paths and this somewhat incredible true story.
When we meet Michael, he is the editor of XY, a magazine for gay men stationed in San Francisco. He and his boyfriend Bennett seem to enjoy their life and seemingly perfect relationship. It’s so perfect that they even invite a third man, Tyler.
But deep inside Michael is in pain. He suffers from his mother’s death and becomes obsessed with questions about life after death. He drifts further apart from Bennett. Michael discovers that there is more love and truth in the bible then he initially thought and eventually devotes himself to God. Michael decides he no longer identifies as homosexual. He goes to bible school and meets a young woman there, whom he falls in love with.
Director Justin Kelly and all the actors seem not to be judging Glatze, but they can't downplay the sharp nature of his betrayal.
“I Am Michael” is a beautiful film without any technical fuss, which managed to keep my attention for the entire runtime. Maybe a bit fragmented, but because I didn’t know the original story it didn’t bother me. I found James Franco, who portrayed Glatze, very strong in his role and his character development was very interesting. Zachary Quinto, as Bennet, also did a good job. I liked the calm nature of his character and it felt like he somewhat served as Michael’s conscience.
Rating: 3/ 5
Genre: Drama
Runtime: 98 minutes
Year: 2015
Starring: James Franco, Zachary Quinto, Emma Roberts, Charlie Carver, Daryl Hannah, Ahna O’Reilly
Description: Based on the fascination true-life story of Michael Glatze (James Franco), a gay activist who becomes a Christian pastor after identifying as a heterosexual.
I WATCHED THIS MOVIE FOR MY 2020 MOVIE CHALLENGE.
WEEK 11: A LGBTQ MOVIE
Review: In the late 2000s Michael Glatze, gay activist and co-founder of the magazine Young Gay America, announced that he embraced Christianity and no longer identified as homosexual. He even claimed that it was a bad thing. “I Am Michael” focuses on Michael’s change of paths and this somewhat incredible true story.
When we meet Michael, he is the editor of XY, a magazine for gay men stationed in San Francisco. He and his boyfriend Bennett seem to enjoy their life and seemingly perfect relationship. It’s so perfect that they even invite a third man, Tyler.
But deep inside Michael is in pain. He suffers from his mother’s death and becomes obsessed with questions about life after death. He drifts further apart from Bennett. Michael discovers that there is more love and truth in the bible then he initially thought and eventually devotes himself to God. Michael decides he no longer identifies as homosexual. He goes to bible school and meets a young woman there, whom he falls in love with.
Director Justin Kelly and all the actors seem not to be judging Glatze, but they can't downplay the sharp nature of his betrayal.
“I Am Michael” is a beautiful film without any technical fuss, which managed to keep my attention for the entire runtime. Maybe a bit fragmented, but because I didn’t know the original story it didn’t bother me. I found James Franco, who portrayed Glatze, very strong in his role and his character development was very interesting. Zachary Quinto, as Bennet, also did a good job. I liked the calm nature of his character and it felt like he somewhat served as Michael’s conscience.
Rating: 3/ 5
maandag 9 maart 2020
00s Movie Review - Old School
Director: Todd Phillips
Genre: Comedy
Runtime: 88 minutes
Year: 2003
Starring: Luke Wilson, Will Ferrell, Vince Vaughn, Ellen Pompeo, Elisha Cuthbert, Perry Reeves, Jeremy Piven, Seann William Scott, Juliette Lewis, Leah Remini
Description: Three friends attempt to recapture their glory days by opening up a fraternity.
Review: Mitch just found his girlfriend cheating on him, when he returns early from his business trip. Not interested in forgiving her, he leaves the house and buys a new one near the campus of the local university. Mitch’s best friend Beanie sees it as the perfect opportunity to have parties. Their other friend, newly-wed Frank and well-known former party animal, really gets back to his old ways during these parties. Because the house seems to be on campus ground, the guys decide to start a fraternity, for all those guys who didn’t get into any.
Luke Wilson, Will Ferrell and Vince Vaughn show that they work well together, when it comes to good comedy. The film hasn’t got the most original plot, but the film has some great jokes and especially Will Ferrell is on a roll as Frank the Tank.
“Old School” is one of those comedies that never gets old and stays funny, even after viewing it over a dozen times.
Rating: 3,5/ 5
Genre: Comedy
Runtime: 88 minutes
Year: 2003
Starring: Luke Wilson, Will Ferrell, Vince Vaughn, Ellen Pompeo, Elisha Cuthbert, Perry Reeves, Jeremy Piven, Seann William Scott, Juliette Lewis, Leah Remini
Description: Three friends attempt to recapture their glory days by opening up a fraternity.
Review: Mitch just found his girlfriend cheating on him, when he returns early from his business trip. Not interested in forgiving her, he leaves the house and buys a new one near the campus of the local university. Mitch’s best friend Beanie sees it as the perfect opportunity to have parties. Their other friend, newly-wed Frank and well-known former party animal, really gets back to his old ways during these parties. Because the house seems to be on campus ground, the guys decide to start a fraternity, for all those guys who didn’t get into any.
Luke Wilson, Will Ferrell and Vince Vaughn show that they work well together, when it comes to good comedy. The film hasn’t got the most original plot, but the film has some great jokes and especially Will Ferrell is on a roll as Frank the Tank.
“Old School” is one of those comedies that never gets old and stays funny, even after viewing it over a dozen times.
Rating: 3,5/ 5
dinsdag 3 maart 2020
Movie Review - All the Bright Places
Director: Brett Haley
Genre: Drama/ Romance
Runtime: 119 minutes
Year: 2020
Starring: Elle Fanning, Justice Smith, Luke Wilson, Keegan-Michael Key, Kelli O’Hara
Description: The story of Violet (Elle Fanning) and Theodore (Justice Smith), who meet and change each other’s lives forever. As they struggle with the emotional and physical scars of their past, they discover that even the smallest places and moments can mean something.
I WATCHED THIS MOVIE FOR MY 2020 MOVIE CHALLENGE.
WEEK 10: A TEEN MOVIE
Review: We follow Violet, who is dealing with the loss of her sister, who died in a car accident. She meets Theodore Finch, who is also struggling with himself for yet unknown reasons. They have to work together for a school project, where they have to find the most meaningful and beautiful places in Indiana, where they live.
When they meet, Violet is at her worst. Finch helps Violet’s process her sister’s death and it even feels like he becomes her mentor. But Finch’s situation worsened.
If you can appreciate “The Fault in Our Stars’, you will also enjoy this film. “All the Bright Places” shows us in a beautiful wat how two teenagers deal with mental health issues and which effects this has on themselves, their relationships and the people around them. A pretty heavy theme, but the film has plenty of cheerful and light moments.
“All the Bright Places” is a good romantic drama, that doesn’t shy away from heavy topics. But it’s still not daring enough. Although it’s easy to relate to both characters, it’s not completely clear what Finch is struggling with the most and why he is the way he is. I feel like Violet’s character was more in-depth. And there is one character, Amanda, one of Violet’s friends, who has a small subplot that is so thrown in there that it’s really hard to care. When you really want to care, but it’s so out of the blue. And it doesn’t really serve a purpose.
Like I said before, you will probably like it if you enjoyed films like “The Fault in Our Stars”. And it is a pretty good teen drama with a good change that you will shed a tear.
Rating: 3 / 5
Genre: Drama/ Romance
Runtime: 119 minutes
Year: 2020
Starring: Elle Fanning, Justice Smith, Luke Wilson, Keegan-Michael Key, Kelli O’Hara
Description: The story of Violet (Elle Fanning) and Theodore (Justice Smith), who meet and change each other’s lives forever. As they struggle with the emotional and physical scars of their past, they discover that even the smallest places and moments can mean something.
I WATCHED THIS MOVIE FOR MY 2020 MOVIE CHALLENGE.
WEEK 10: A TEEN MOVIE
Review: We follow Violet, who is dealing with the loss of her sister, who died in a car accident. She meets Theodore Finch, who is also struggling with himself for yet unknown reasons. They have to work together for a school project, where they have to find the most meaningful and beautiful places in Indiana, where they live.
When they meet, Violet is at her worst. Finch helps Violet’s process her sister’s death and it even feels like he becomes her mentor. But Finch’s situation worsened.
If you can appreciate “The Fault in Our Stars’, you will also enjoy this film. “All the Bright Places” shows us in a beautiful wat how two teenagers deal with mental health issues and which effects this has on themselves, their relationships and the people around them. A pretty heavy theme, but the film has plenty of cheerful and light moments.
“All the Bright Places” is a good romantic drama, that doesn’t shy away from heavy topics. But it’s still not daring enough. Although it’s easy to relate to both characters, it’s not completely clear what Finch is struggling with the most and why he is the way he is. I feel like Violet’s character was more in-depth. And there is one character, Amanda, one of Violet’s friends, who has a small subplot that is so thrown in there that it’s really hard to care. When you really want to care, but it’s so out of the blue. And it doesn’t really serve a purpose.
Like I said before, you will probably like it if you enjoyed films like “The Fault in Our Stars”. And it is a pretty good teen drama with a good change that you will shed a tear.
Rating: 3 / 5
maandag 2 maart 2020
Movie Review - 1917
Director: Sam Mendes
Genre: Drama/ Action
Runtime: 119 minutes
Year: 2019
Starring: George MacKay, Dean-Charles Chapman, Mark Strong, Richard Madden, Andrew Scott, Colin Firth, Benedict Cumberbatch
Description: April 6th 1917. As a regiment assembles to wage war deep in enemy territory, two soldiers are assigned to race against time and deliver a message that will stop 1600 men from walking into a deadly trap.
Review: Anyone who watched that minute tracking shot in “Atonement”, on the beach of Dunkirk, watched it with jaw dropping amazement. And all those people will be in for a treat for “1917”. In this sweltering film, the camera follows two soldiers in one long shot, while being sent on a life-threatening mission behind enemy lines during World War I. A masterpiece by Sam Mendes, where the technique is fully at the service of the story. One of the most impressive war movies since “Saving Private Ryan”.
On a deceptively calm morning in the spring of 1917, the British soldiers Schofield and Blake are called to their sergeant for a risky mission. A few kilometers further, a British battalion thinks it can attack the retreating Germans. It appears to be an ambush. Communication between the two camps is no longer possible, so Schofield and Blake are sent to deliver the message in person. Within a couple of hours, otherwise it will be too late.
The two clamber over the barbed wire and start, on foot, a mission that seems to be doomed to fail. It’s awfully quiet in and around the German trenches, behind every rustle there’s a threat. Wonderful how the camera wanders around the two men, it glides past craters full of limbs, dives under water, then searches the sky for hostile planes. Whereas in other films the ‘long take’ can feel like a trick after a while, here it works brilliantly. The feeling of unrelenting threat is enormous, precisely because perspective is never changed. The camera is like the third soldier through whose eyes you watch this desperate mission. In reality, the camera is operated by master cinematographer Roger Deakins (“Blade Runner 2049”, “Sicario”, “Prisoners”), who always guarantees visual fireworks.
The fact that the film is somewhat schematic (obstacle-resting point-obstacle, etc.) is not a problem at all. For that, each scene on its own is too compelling or exciting. Lead actors Dean-Charles Chapman and George MacKay delicately give shape to their characters, flesh-and-blood soldiers, not the overly fearless types who appear so often in war films. The camaraderie between the two forms the leading beating heart of the story.
The clever thing about “1917” is that is combines the gripping art of storytelling with overwhelming experiential cinema. Christopher Nolan’s WOII epos “Dunkirk”, which stylistically shows some common ground, mainly fell into that second category. That film, too succeeded in conveying the raw reality of the battlefield, was brilliantly photographed, but lacked emotional depth. During the credits it can be read that “1917” is based on the war experiences of director Sam Mendes’ grandfather, who knows. Maybe it’s that what makes it so gripping.
I think I can say that “1917” is Sam Mendes’ best film so far.
Rating: 5 / 5
Genre: Drama/ Action
Runtime: 119 minutes
Year: 2019
Starring: George MacKay, Dean-Charles Chapman, Mark Strong, Richard Madden, Andrew Scott, Colin Firth, Benedict Cumberbatch
Description: April 6th 1917. As a regiment assembles to wage war deep in enemy territory, two soldiers are assigned to race against time and deliver a message that will stop 1600 men from walking into a deadly trap.
Review: Anyone who watched that minute tracking shot in “Atonement”, on the beach of Dunkirk, watched it with jaw dropping amazement. And all those people will be in for a treat for “1917”. In this sweltering film, the camera follows two soldiers in one long shot, while being sent on a life-threatening mission behind enemy lines during World War I. A masterpiece by Sam Mendes, where the technique is fully at the service of the story. One of the most impressive war movies since “Saving Private Ryan”.
On a deceptively calm morning in the spring of 1917, the British soldiers Schofield and Blake are called to their sergeant for a risky mission. A few kilometers further, a British battalion thinks it can attack the retreating Germans. It appears to be an ambush. Communication between the two camps is no longer possible, so Schofield and Blake are sent to deliver the message in person. Within a couple of hours, otherwise it will be too late.
The two clamber over the barbed wire and start, on foot, a mission that seems to be doomed to fail. It’s awfully quiet in and around the German trenches, behind every rustle there’s a threat. Wonderful how the camera wanders around the two men, it glides past craters full of limbs, dives under water, then searches the sky for hostile planes. Whereas in other films the ‘long take’ can feel like a trick after a while, here it works brilliantly. The feeling of unrelenting threat is enormous, precisely because perspective is never changed. The camera is like the third soldier through whose eyes you watch this desperate mission. In reality, the camera is operated by master cinematographer Roger Deakins (“Blade Runner 2049”, “Sicario”, “Prisoners”), who always guarantees visual fireworks.
The fact that the film is somewhat schematic (obstacle-resting point-obstacle, etc.) is not a problem at all. For that, each scene on its own is too compelling or exciting. Lead actors Dean-Charles Chapman and George MacKay delicately give shape to their characters, flesh-and-blood soldiers, not the overly fearless types who appear so often in war films. The camaraderie between the two forms the leading beating heart of the story.
The clever thing about “1917” is that is combines the gripping art of storytelling with overwhelming experiential cinema. Christopher Nolan’s WOII epos “Dunkirk”, which stylistically shows some common ground, mainly fell into that second category. That film, too succeeded in conveying the raw reality of the battlefield, was brilliantly photographed, but lacked emotional depth. During the credits it can be read that “1917” is based on the war experiences of director Sam Mendes’ grandfather, who knows. Maybe it’s that what makes it so gripping.
I think I can say that “1917” is Sam Mendes’ best film so far.
Rating: 5 / 5
TV Show Review - I Am Not Okay With This (Season 1)
Season: 1
Genre: Thriller/ Drama/ Comedy
Number of episodes: 7
Year: 2020
Starring: Sophia Lillis, Wyatt Oleff, Sofia Bryant, Kathleen Rose Perkins, Richard Ellis, Aidan Wojtak-Hissong, Greg Daniel
Description: Sydney (Sophia Lillis) is a teenage girl navigating the trials and tribulations of high school while dealing with the complexities of her family, her budding sexuality, and the mysterious superpowers just beginning to awaken deep within her.
Review: A bloody girl walks down the street. It’s Sydney, a misunderstood teenager with superpowers. Angular cars, dull pastel colors and clothing from a bygone era surround Sydney in her trip to school. The tutor advises her to keep a diary, to avoid those anger attacks. The tone is set.
“I Am Not Okay With This” uses the same trick as “Sex Education”. Because the 80s don’t want to disappear from out pop culture, the creators dress their series in exactly the same aesthetics, only to mention in passing that we are indeed in the here and now. Get ready for yet another school party with eighties tunes and a staging of “The Breakfast Club”. Nostalgia can be a strong narrative.
Sometimes I feel like I’ve seen it all before. The new Netflix-hit in the making also burrows the voice-over and imaging of “The End of the F***ing World”. No wonder because the same creators are behind it. The combination is edgy and enchanting at the same time. “I Am Not Okay With This” stands out because it’s unobtrusive.
Behind the easy story-telling voice is the passionate young actress Sophia Lillis, which you might recognize from the movie “It”. Lillis and her young fellow actors portray realistic and complex teenagers with a good heart. Sydney is stuck in a love triangle with her best friend Dina and the eternally enthusiastic neighbor Stan. Stan is played by Wyatt Oleff, who was also in “It”. Lillis and Oleff worked together before, which is probably why especially those two click really well on screen.
The series is only seven episodes long and each episode is under 30 minutes, it’s a quick and easy watch. “I Am Okay With This” deals with some heavy themes, but never feels like that. It’s not dark enough and it’s a bit too light-hearted at times.
Although the style it is filmed in, with the 80s vibe and new-wave music, isn’t new and a much used style these days in series, I did love this aspect of “I Am Not Okay With This” the most. That and lead Sophia Lillis were the best part of the series. It’s not a unique series, there is a big mix of shows and stories we have seen before and it doesn’t really offer anything new. But with this formula, that seems to work well on other shows, you don’t necessarily need to be standing out because there is a reason people make these types of series. The audience likes it. And so did I. Not number one in originality, but definitely a good new Netflix original series.
Genre: Thriller/ Drama/ Comedy
Number of episodes: 7
Year: 2020
Starring: Sophia Lillis, Wyatt Oleff, Sofia Bryant, Kathleen Rose Perkins, Richard Ellis, Aidan Wojtak-Hissong, Greg Daniel
Description: Sydney (Sophia Lillis) is a teenage girl navigating the trials and tribulations of high school while dealing with the complexities of her family, her budding sexuality, and the mysterious superpowers just beginning to awaken deep within her.
Review: A bloody girl walks down the street. It’s Sydney, a misunderstood teenager with superpowers. Angular cars, dull pastel colors and clothing from a bygone era surround Sydney in her trip to school. The tutor advises her to keep a diary, to avoid those anger attacks. The tone is set.
“I Am Not Okay With This” uses the same trick as “Sex Education”. Because the 80s don’t want to disappear from out pop culture, the creators dress their series in exactly the same aesthetics, only to mention in passing that we are indeed in the here and now. Get ready for yet another school party with eighties tunes and a staging of “The Breakfast Club”. Nostalgia can be a strong narrative.
Sometimes I feel like I’ve seen it all before. The new Netflix-hit in the making also burrows the voice-over and imaging of “The End of the F***ing World”. No wonder because the same creators are behind it. The combination is edgy and enchanting at the same time. “I Am Not Okay With This” stands out because it’s unobtrusive.
Behind the easy story-telling voice is the passionate young actress Sophia Lillis, which you might recognize from the movie “It”. Lillis and her young fellow actors portray realistic and complex teenagers with a good heart. Sydney is stuck in a love triangle with her best friend Dina and the eternally enthusiastic neighbor Stan. Stan is played by Wyatt Oleff, who was also in “It”. Lillis and Oleff worked together before, which is probably why especially those two click really well on screen.
The series is only seven episodes long and each episode is under 30 minutes, it’s a quick and easy watch. “I Am Okay With This” deals with some heavy themes, but never feels like that. It’s not dark enough and it’s a bit too light-hearted at times.
Although the style it is filmed in, with the 80s vibe and new-wave music, isn’t new and a much used style these days in series, I did love this aspect of “I Am Not Okay With This” the most. That and lead Sophia Lillis were the best part of the series. It’s not a unique series, there is a big mix of shows and stories we have seen before and it doesn’t really offer anything new. But with this formula, that seems to work well on other shows, you don’t necessarily need to be standing out because there is a reason people make these types of series. The audience likes it. And so did I. Not number one in originality, but definitely a good new Netflix original series.
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