zondag 29 december 2019

Best Action Movies of the Decade (2010–2019)

Ready, set, ACTION! This decade we had several franchises that really stood out, but also some stand-alone films that really impressed us action enthusiasts. Here are my favorite action movies of the decade!

Inception (2010)
“Inception” is a blockbuster, but not you typical no-brainer. It’s really required to stay focused the entire time, because else you’re lost. You really have to watch this movie more than once. “Inception is a movie that made me gasp for air the first time I saw it.

Mission: Impossible – Ghost Protocol (2011)
“Mission: Impossible – Ghost Protocol” is a fantastic, thriller action flick, even better than number three in the series. And well done to director Brad Bird, who up until this film, mostly did animations.

Avengers (2012)
Because the irresponsible brother of the Nordic god Thor causes problems in contemporary New York, and doesn't hesitate to seek malicious help from other dimensions, the leader of a mysterious ultra-secret government department asks a number of superheroes for help. But first he'll have to massage away rivalry between the hoodlums. Spectacular and amusing superhero film.

The Dark Knight Rises (2012)
Director Christopher Nolan skillfully colors withing the fences of the popcorn genre, in his film full of magnificent action scenes. It never gets that deep or ambivalent in “The Dark Knight Rises”, but it’s a fantastic film within the trilogy.

Guardians of the Galaxy (2014)
This is Marvel in its most lightest form. In the far corner of the universe where the Guardians operate the well-known superhero violence is always accompanied by a fat wink and a nice soundtrack. That works excellent. It’s actually my favorite Marvel film so far.

John Wick (2014)
Old-fashioned revenge film in which former assassin John Wick goes to war when a bunch of Russian gangsters steal his car and kill his dog. Just after he buried his wife. Stylishly choreographed action scenes are alternated with the necessary cynical humor. But what remains above all is the dreamed New York in which the film takes place: a universe like that of a graphic novel, with a hotel at the center where the entire clientele consists of professional criminals.

Kingsman: The Secret Service (2014)
Humorous love letter to the classic spy film, starring Colin Firth as a respectable secret agent who takes a young street urchin under his wing. Together they take on super villain Valentine, an internet billionaire. Unsuitable for delicate souls, but highly entertaining.

Edge of Tomorrow (2014)
I was skeptical before I saw this. But I’m glad I was wrong, because “Edge of Tomorrow” is the Tom Cruise movie I have been waiting for. The script feels fresh, it has great action and is also surprisingly humoristic.

Captain America: Winter Soldier (2014)
The superhero films of comic book publisher/film studio Marvel are all set within the same universe; some prior knowledge is therefore useful, although fortunately most stories can also be followed by the uninitiated. This certainly applies to this second film about Captain America - a soldier who was provided with superpower by the American government in WW II, then frozen and thawed again in the present. One of the better Marvel productions, not so much because of the spectacular action, but mainly because in between the explosions the film turns out to be an old-fashioned exciting spy thriller.

Mad Max: Fury Road (2015)
“Mad Max: Fury Road” is film in its purest form. Pure porn for every action movie fan. It’s crazy, action packed and adrenaline rush, spectacular and f***ing awesome. I simply can’t fault it.

Mission: Impossible – Rogue Nation (2015)
How many actors over 50 do their own stunts? And how many of them will climb tall buildings or hang on an airplane during takeoff? Well, nobody but Tom Cruise. That alone is reason enough for you to see “Mission: Impossible – Rogue Nation”, which is the fifth installment of the franchise. And new face Rebecca Ferguson is a great addition to the series, on her own but also in combination with Cruise.

John Wick 2 (2017)
A few days after the events in the first John Wick film, the title character wants to take it easy, but is then forced to travel to Rome, to commit an assassination attempt on a front runner of the Mafia. After which all hell breaks loose. Just like in the first film, the violence is exuberant and baroque, tightly choreographed, with classical architecture in the background, beautifully lit catacombs and other photographic gems. Just a bit fatter than in the first part. It’s the best one in the series.

Atomic Blonde (2017)
Modern spy thriller about a British MI6 agent sent to Berlin in 1989, just before the fall of the Wall, to get a secret list and unmask a double agent. "Atomic Blonde" combines the best of the Bond and Bourne films, with the important difference that secret agent Broughton, Lorraine Broughton, is a woman. The many fights are no less dirty and bloody. The platinum blonde Broughton is played with verve by Charlize Theron. And the film has a killer soundtrack.

Baby Driver (2017)
Baby is the name of a young driver of getaway cars. When Baby falls in love with waitress Debora he wants to stop his criminal activities. But he is so good that his boss doesn't just let him go. No less than thirty rock songs prop director Edgar Wright in the soundtrack of this wonderfully romantic action film.

Mission: Impossible – Fallout (2018)
“Mission: Impossible – Fallout” is more than just an action packed spectacle. The story is strong and so are the characters. Twists, turns and surprises, all present like any spy themed film should have. I think it’s the best film in this series.

John Wick: Chapter 3 – Parabellum (2019)
The third film, in the by critic’s remarkably well-received series, means even more life and death battles for assassin John Wick. So even more stabbing, fist fightfighting and gunfighting. You’d think that would be boring, but director and former stuntman Chad Stahelski keeps pace high, the battles original and provides occasional dry comedy for relief. And the already fifty year old Keanu Reeves continues to convince as the constantly hunted but indestructible John Wick.

zaterdag 28 december 2019

TV Show Review - The Witcher (Season 1)

Season: 1
Genre: Fantasy/ Drama/ Adventure/ Action
Number of episodes: 8
Year: 2019
Starring: Henry Cavill, Freye Allan, Anya Chalotra, Mimi Ndiweni, Eamon Farren, MyAnna Buring, Lars Mikkelsen, Adam Levy, Anna Shaffer, Johdi May

Description: Geralt of Rivia (Herny Cavill), a solitary monster hunter, struggles to find his place in a world where people often prove more wicked than beasts.

Review: The abundance of superhero films in recent years easily makes one forget how fantasy has broken through to the general public this century. That triumphal march began in 2001 with Peter Jackson's "Lord of the Rings" trilogy, followed by the epic TV show "Game of Thrones" in 2011.
Large-scale fantasy, with its monsters and battles, is one of the areas in which online video services fight each other. Amazon is making an extremely expensive series of "Lord of the Rings" that must be completed in 2021; HBO is working on "Game of Thrones" spin-offs. And since of December 2019 Netflix has "The Witcher", based on the work of the Polish fantasy writer Andrzej Sapkowski.
The story takes place on the Continent, a place of doom modelled after medieval Europe. Through a cataclysmic event, the Conjunction of the Spheres, people are stranded in the same world together with elves, monsters and other creatures from different dimensions. Those who are not naturally at the top of the food chain must try to survive with brute force.
British actor Henry Cavill plays Rivia's 'witcher' Geralt. He belongs to a caste of monster hunters who have undergone magical mutations to better cope with the creatures they hunt in return for payment. Most people distrust witchers and at best see them as a necessary evil for when their children are eaten. Geralt lives in the margins, and prefers to growl or communicate with his sword.
With a jawline on which swords can be forged, Cavill seems to have been born for all the physical aspects of his role. The choreography of sword fights is beautiful and the imposing Cavill convinces as a warrior who can fight life and death with monsters. But Cavill's limited range of expressions makes Geralt as a character highly dependent on more expressive opponents.
That comes partly from sorceress Yennefer, played with intensity by Anya Chalotra who compensates for the lukewarm performance of some other actors. As a deformed adopted child, she leads a meagre existence until a sorcerer's guild buys her. They offer beauty and power, but like everything else in this universe, at a price.
The fate of Geralt and Yennefer becomes intertwined with Ciri, a young princess fleeing an army that hunts down her hidden powers. In the harsh Continent full of monsters and villains, she is a beacon of goodness.
Thanks to the books and the games, the series can create a deep world. But unfortunately "The Witcher" doesn't give itself enough time and the viewer experiences what it's like when multiple worlds storm into your dimension.
Within two episodes, an encyclopedia of characters, places and events has already have been introduced and it feels messy. "The Witcher" is now actually less than the sum of his parts. Storylines displace each other while actors - still visibly uncomfortable in the skin of their character - struggle with sometimes cringe-worthy dialogues. The third episode shows what the series is capable of. But overall "The Witcher" all too often resembles a B-series on too big a budget.

TV Show Review - The Mandalorian (Season 1)

Season: 1
Genre: Science Fiction/ Adventure/ Action
Number of episodes: 8
Year: 2019
Starring: Pedro Pascal, Carl Weathers, Gina Carano, Werner Herzog, Nick Nolte, Taika Waititi, Giancarlo Esposito

Description: The travels of a lone bounty hunter in the outer reaches of the galaxy, far from the authority of the New Republic.

Review: A ruthless bounty hunter who shoots, beats and punches himself through a treacherous universe. In "The Mandalorian", the Star Wars universe is introduced to the action, excitement and humor of a spaghetti western. The first episode of “The Mandalorian” alone raises the bar for the rest of the series and all the new Disney+ projects.
"The Mandalorian" takes place a few years after "Return Of The Jedi". After the second Death Star was blown up, and Darth Vader threw the emperor into a well (spoiler alert!), the Galactic Empire fell apart. Because of the victory of the rebels, people have regained their freedom, but have lost all their stability. Order is barely maintained and there is a deep economic crisis because the imperial currency has become worthless in one fell swoop. The new republic is still organizing itself and former members of the empire are working behind the scenes frantically to regain power. Golden times in short for criminals, smugglers and bounty hunters who don't ask too many questions.
"The Mandalorian" follows one of these shadowy figures and takes you into the messy underworld of the Star Wars universe. The Mandalorian (Pedro Pascal) is a silent bounty hunter who ruthlessly takes on defaulters and cheaters. The Mandalorian's career takes an unexpected turn when a wealthy client sends him to a remote desert planet on a vague, super-lucrative mission: delivering him The Child, whose importance isn’t known yet.
Lawlessness, the chance of a huge fortune, shootings, open plains and a collection of factotums that try to trump each other... Deep inside, "The Mandalorian" is actually an old-fashioned spaghetti western, with the Mandalorian as the legendary 'Man Without a Name'. The period between "Return Of The Jedi" and "The Force Awakens" is very noisy, and because everyone is busy with his own ass, the threat of shoot-outs and betrayal is constantly present. The action is also a bit rawer than we are used to from Star Wars, a few bandits are killed in a very inventive way, but fortunately it never gets really graphic.
Pedro Pascal gives the Mandalorian a self-assured, alert 'swagger' without becoming theatrical. Very well-done and very important, since the main character remains pertinently masked. How the makers got the idea to cast Werner Herzog in a Star Wars series; we don't know, but it's a masterly move. The bounty hunter's mysterious client knows a lot more than he's letting go, and despite his kindness, an uncanny threat emanates from him. An unrecognizable Nick Nolte plays an important supporting role as a strict alien who helps the Mandalorian on his way. Also worth mentioning are Gina Carano, as the badd-ass Cara Dune, who helps out the Mandalorian in his journey to protect the Child.
A characteristic of Star Wars is that the created worlds usually look as if they were actually being lived in. Showrunner Jon Favreau has paid extra attention to this, it seems. The universe is in crisis, so the world of The Mandalorian looks particularly worn out. Vehicles spit smoke, buildings are temporarily patched up and a few stray stormtroopers walk around in worn armour. In the first episode there are quite a few 'easter eggs' that make Star Wars fans smile, without getting annoying.
"The Mandalorian" of course has a smaller budget than the Star Wars films, but due to the clever use of camera angles and indoor locations, the series does not fall short in most scenes. Because it looks like a million dollars.
I also want to use this as an ode to the new fandom that was started: The Child, or as the fans call him, Baby Yoda. Without a doubt the best thing that TV brought us this year.
The new Star Wars series is a fresh new insight into the worlds of Star Wars, and "The Mandalorian" keeps all promises, because it’s what us Star Wars fan really deserved. With the series, Star Wars takes a welcome detour through the Wild West and I can hardly wait for the sequel!

Best Sci-Fi Movies of the Decade (2010-2019)

Almost the end of the year, time to look back at all those science fiction film this decade gave us. A list of my favorite Sci-Fi films of the 10s.

Inception (2010)
Applauded, award-winning, highly original scifi-thriller about the possibility of placing ideas in the subconscious of others while dreaming: a process called inception. Company thief Cobb, a man with a painful past of his own, is ordered by a Japanese businessman to carry out such an inception, but of course it turns out differently than expected. Director Christopher Nolan loves complex storytelling games that the viewer can play along with cracking brains. The dreams-in-dreams are beautifully designed.

Snowpiercer (2013)
What do you get when a French comic is filmed by a Korean director, in a Czech studio with an international star cast? A film that is as surprising as it is entertaining, although fans of director Bong may not be surprised by the mix of drama, grotesque humour and violent action. The story: in the near future, a new ice age has dawned after a failed attempt to save the climate. The only survivors live together in a moving train - in the front of the 'haves', in the back of the 'have-nots'. Yes, behind the popcorn entertainment lies a serious social message.

Gravity (2013)
After their space station is demolished by floating debris, two astronauts drift into space. The story of "Gravity" isn't much more than that, but the combination of subdued drama, realistic action and a breathtakingly grand backdrop works perfectly. As before in "Children of Men" , Mexican director Alfonso Cuarón captures the events in long, swirling shots that amplify the chaos and intensity.

Under the Skin (2013)
As a young woman, a disguised alien drives through Glasgow in a white van and seduces lonely men, who 'lure' them away and then kill them. Director Jonathan Glazer wants to investigate what makes a human being human, by looking at us through the eyes of an alien. "Under the Skin" is not only one of the most 'alien' science fiction film ever made, it's also one of the best.

Her (2013)
In the near future, the lonely, divorced writer Theodore will fall in love with his new computer. This is quite conceivable, because the 'operating system' thinks like a human being and has the sultry voice of Scarlett Johansson. The unique future world created, the current themes, the quirky humor, the dreamy images, the soundtrack of Arcade Fire - all in all, it's an unforgettable film experience.

The World’s End (2013)
Director Edgar Wright returned to his ‘Three Flavors of Cornetto-trilogy” to finish things off. Somewhat literally as this one deals with apocalyptic events on the night of an epic pub crawl. “The World’s End” unites so many things I love, including sci-fi about secret alien invasions, the pairing of Simon Pegg and Nick Frost, intricate foreshadowing and one of the most epic bathroom brawls in movie history.

Edge of Tomorrow (2014)
Tom Cruise has had quite a decade, mostly a success thanks to the “Mission: Impossible” franchise. “Edge of Tomorrow” was surprisingly good and a little more then a ‘Groundhog Day for sc-fi fans’. And it’s also highly re-watchable.

Guardians of the Galaxy (2014)
This is Marvel in its most lightest form. In the far corner of the universe where the Guardians operate the well-known superhero violence is always accompanied by a fat wink and a nice soundtrack. That works excellent. It’s actually my favorite Marvel film so far.

The Lobster (2015)
In "The Lobster", director Yorgos Lanthimos is in top form by turning this comic criticism of the couple's society into a touching love story. In a vague, near future, singles are forced by law to find a lover in 45 days, otherwise they turn into an animal. For Colin Farrell's character this means: a lobster. Like every Lanthimos film, this one is a reflection on constructed communities and the strange social rules we follow.

Ex Machina (2015)
Shy programmer Caleb is invited by eccentric internet billionaire Nathan to subject Ava, the first robot with superhuman intelligence, to the Turing test (in short: does the interrogator realise that he is talking to a computer?). Caleb, however, quickly let himself be seduced by the beautiful machine and thus came to be diametrically opposed to Nathan. Eye-catching science fiction thriller has a satisfying ending, and debutant director Garland brings out the best in his cast.

The Martian (2015)
Mark Watney is left for dead on Mars with a food supply that can only keep him alive for a few months. With a positive attitude and an inexhaustible stream of practical solutions, he manages to stretch his life expectancy to such an extent that a rescue operation is in sight. Director Ridley Scott keeps it considerably lighter and more realistic. With humor, skilfully constructed suspense and spectacular images, he delivers a tasteful ode to human perseverance.

Mad Max: Fury Road (2015)
After thirty years director George Miller returns to the post-apocalyptic world with which he made his name. With the militant Furiosa, Mad Max tries to stay out of the hands of the tyrannical Immortan Joe and his army of kamikaze albinos, in order to save a handful of women from a miserable fate. For two hours, everything goes around, crashes and explodes in a spectacle as insane as it is insane, full of special stunts and special effects. "Mad Max: Fury Road" is glorious, blackened madness that makes other action movies and blockbusters bite dust.

Star Wars: The Force Awakens (2015)
The seventh part of the Star Wars series makes you forget the bloodless prequel trilogy in one fell swoop. Some thirty years after Darth Vader and his Empire were eliminated, a new realm of darkness has emerged: The First Order. Meanwhile, Luke Skywalker - the last hope for the universe - has mysteriously disappeared. "The Force Awakens" wink at the original films, but in terms of spectacle, humor, adventure and magic, not inferior. In the words of Han Solo: 'Chewie, we're home'.

10 Cloverfield Lane (2016)
After a serious car accident, a young woman wakes up in a shelter, chained to the wall. Her 'kidnapper' tells her that a devastating attack with chemical/nuclear weapons has taken place and she is locked up for her own safety. It's no use asking for help, because outside the four walls of their cozy bunker, everyone is probably long dead. Exciting and tightly written thriller that came out of nowhere.

Arrival (2016)
When twelve spacecraft perch across the world, the countries concerned send top teams to the ships to make contact with the aliens. The American team includes linguist Louise Banks, who seems to understand the aliens best of all. "Arrival" is director Villeneuve's first outing in the sci-fi genre. It’s the kind of film you’ll want to start from the beginning as soon as it ends, tears streaming down your face, mind racing with reinterpretations.

War for the Planet of the Apes (2017)
“War for the Planet of the Apes” offers a sublime culmination of stunning state of the art performance capture effects and a more well-contained war-movie plot. And with both Woody Harrelson‘s complex villain and Amiah Miller‘s voiceless child, there are also memorable human characters for the first time. If it’s the end, it’s a good peak to leave off on.

Blade Runner 2049 (2017)
Thirty-five years after Ridley Scott's crushingly beautiful and influential sf-drama "Blade Runner" there is a sequel: "Blade Runner 2049", set thirty years after the events in the original. Even in 2049 Los Angeles is still struggling with far-reaching environmental pollution, the police hunt down escaped androids (in the film 'replicants'), and those replicants are looking for what makes them human. Canadian director Denis Villeneuve was chosen by Scott himself and made a more than worthy sequel. In my opinion, it's even better than the original.

Okja (2017)
American multinational organises a competition in which farmers all over the world have to breed genetically manipulated super piglets. Okja, of the South Korean orphan girl Mija and her grandfather, is the biggest, but Mija doesn't want to give up Okja. Bong's film starts out as a cheerful mix of children's film, political satire and action film, but gradually gets bleaker and more cynical. A movie with a strong political message.

A Quiet Place (2018)
The simplest concepts sometimes produce the most effective films. In a post-apocalyptic America there are monsters walking around who cannot see but hear all the better. So it is important to remain dead quiet all the time. We follow a family who hides from the monsters on a farm. Don't expect too many explanations or deeper layers, just an incredibly exciting viewing and listening experience, with echoes of M. Night Shyamalan's better films.

Annihilation (2018)
Radical science fiction horror film by director Alex Garland, who transformed the book of the same name by Jeff VanderMeer into an ambitious, provocative and completely original combination of thought experiment, philosophical parable and psychological horror. Hero of the story is biologist Lena, who, together with four other women, embarks on an expedition to 'the shimmer': a mysterious area that continues to expand and threatens to swallow up the entire earth. According to Paramount Studios too 'intelligent and difficult' for a large audience, which made "Annihilation" in the Netherlands appear directly on Netflix.

Movie Reviews - Booksmart

Director: Olivia Wilde
Genre: Comedy
Runtime: 103 minutes
Year: 2019
Starring: Kaitlyn Dever, Beanie Feldstein, Jessica Williams, Jason Sudeikis, Lisa Kudrow, Will Forte, Diana Silvers, Billy Lourd

Description: On the eve of their high school graduation, two academic superstars and best friends realize they should have worked less and played more. Determined not to fall short of their peers, the girls try to cram four years of fun into one night.

Review: Molly and Amy are not popular at their high school, but they really don’t care about that. The two girls can be found in libraries in the weekends and never at their classmates’ parties. But that’s okay, because in the end they will be the ones going to prestige colleges. When Molly finds out that even their classmates, that don’t care about school at all and party all the time, also managed to get into those schools. And they have let high school pass by like that, without having all the fun. Their plan is to catch up on what they missed out on all those years, but they only have one night to do it in.
“Booksmart” is the directorial debut of Olivia Wilde and it’s an interesting choice for the actress to start with this kind of movie. The genre of high school comedy has, since “Superbad”, not brought us a lot of refreshing movies. And looking at just the plot, “Booksmart” looks like another one of these unforgettable films. But luckily for us, it’s a wonderful film that measures up to “Superbad”. “Booksmart” is clever, innovative, funny and a film with a lot of heart. We don’t only have Olivia Wilde to thank for that, but also the screenplay and cast.
To start with the first: the excellent writing brings dynamic between the two main characters and make it look natural and credible. The dialogues are smart, fast and hilarious. And it constantly avoids expectations and conventions.
The stars f the film are the duo Amy and Molly, portrayed by Kaitlyn Dever and Beanie Feldstein. Their chemistry is strong, sympathetic and believable. It’s fun to take the trip with them on this crazy night.
Within the genre of the teen comedy, “Booksmart” is a true gem. A hilarious cast and great writing make sure for a film that will speak to a broader audience. An excellent debut for director Olivia Wilde.

Rating: 4,5/ 5

vrijdag 27 december 2019

Best Animated Movies of the Decade (2010-2019)

Another look back on this decade's best films. Today, I made a list of the best animated films.

How to Train Your Dragon (2010)
Particularly charming film, with humor, cheerful characters and plenty of action and excitement was nominated for an Oscar.

Toy Story 3 (2010)
It’s a heartbreaking journey to witness, but it’s honest and pure. “Toy Story 3” is a hilarious and heartfelt tale of abandonment that isn’t afraid to portray the sadness that comes with no longer being wanted, and it’s hard to think of other movies that capture the feeling of yearning for innocent times quite as effectively as this animated adventure. Perfect third part of an excellent series, witty and exciting, also very suitable for adults.

Paranorman (2012)
Lovingly made stop-motion zombie film about a kid who needs to save the community from a witch's curse, is the first film by director Chris Butler, who was involved with "Coraline" and Tim Burton's "Corpse Bride" as a storyboard artist.

The Wind Rises (2013)
Last film by the retired animation great Hayao Miyazaki. “The Wind Rises” is a fictionalized biopic and bittersweet melodrama in one, about the brilliant airplane designer Jiro Horikoshi. The film is indispensable as the final chord of an oeuvre that has few equalities. The drawings are beautiful again.

The Lego Movie (2014)
Directors Phil Lord and Christopher Miller have demolished plot elements from "The Matrix" and other popular culture to build a dazzling animated film with unbridled imagination, consistently designed in the blocky style of toys. The sparkling animated film is packed with successful humour and has an endearing message.

How to Train Your Dragon 2 (2014)
Second part in the DreamWorks animated series after the books of Cressida Cowell is again a very successful family film, full of spectacular 3D images and pleasant humor.

Big Hero 6 (2014)
Walt Disney's animators blend the classic style of their studio with a touch of anime in this funny and visually stunning adventure loosely based on a Marvel strip. Hiro befriends the extremely cuddly care robot Baymax and goes up against evil with him. Almost casually, "Big Hero 6" touchingly deals with some big themes like sacrifice and loss, without sacrificing humor and spectacle.

Shaun the Sheep Movie (2015)
An adventure film pur sang, with detailed clay animations, in which there is a lot to chuckle about. And the subtlety to which Shaun owes his success is combined with action and adventure.

Inside Out (2015)
Leave it to Pixar to make an animated film for the whole family about something as complex as the human psyche. "Inside Out" revolves around the emotional life of eleven-year-old Riley, who gets emotionally tangled up after a move. Parallel to her life, we follow the events in the control room of her head, where the figures of Joy, Sadness, Anger, Fear and Disgust are the service. Raging creative film will be somewhat abstract for the little ones, but it is full of clever ideas, strong jokes and warm sentiment.

Zootopia (2016)
You would never expect a movie about talking animals to be a noir-styled mystery with a subtextual message about racism and prejudice, but that’s precisely what “Zootopia” is. Set in an imaginative world inhabited by numerous species of anthropomorphic animals, “Zootopia” takes a step further than classic Disney shorts featuring Mickey, Donald, and Goofy, and explores the implications and consequences of such a society through the eyes of police officer Judy Hopps, the first rabbit in a profession dominated by physically bulkier animals. Added to Disney’s characteristically excellent design and animation, and you’ve got some seriously expressive characters playing out a surprisingly engaging buddy cop flick.

Kubo and the Two Strings (2016)
Touching and intelligent stop-motion fairytale about the young storyteller Kubo, who discovers in a fantasized Japan that the family legends he received from his mother all turn out to be true. It's the beginning of his own exciting adventure, in which he sets off with a talking monkey and a beetle-murai in search of a magical armor. Technically perfect, downright enchanting ode to the power of stories.

Isle of Dogs (2018)
Wes Anderson's second stop-motion animation film is as dry-comic, quirky and melancholy as his first, '"Fantastic Mr Fox" from 2009. And just as good. With a great sense of detail, Anderson creates a universe of his own, which is so beautifully put together that the film invites you to watch it several times. The fact that Isle of Dogs is set in Japan is emphasized by the exhilarating score of Alexandre Desplat.

Spider-man Into the Spider-Verse (2018)
Another film about Marvel icon Spider-Man: no one was really waiting for that. All the more surprising that this Sony Pictures Animation animated film, starring not Peter Parker but teenager Miles Morales, is by far the best film about the masked vigilante from Brooklyn, and also the most radical, intelligent, artistic and revolutionary superhero film ever made. From the (diverse) voice cast to the absurdist jokes and from the moving father-son theme to the hallucinatory and breathtakingly beautiful images: almost everything about "Spider-Man: Into the Spider-Verse" is of great class.