Director: Tom Ford
Genre: Drama
Runtime: 99
minutes
Year:
2009
Starring: Colin Firth,
Julianne Moore, Matthew Goode, Julianne Moore, Nicholas Hoult, Ginnifer Goodwin,
Lee Pace
Description: An English
professor (Colin Firth), one year after the sudden death of his boyfriend
(Matthew Goode), us unable to cope with his typical days in 1960s Los Angeles.
Review: When an established fashion designer like Tom Ford makes his feature
film debut, you expect heavily stylized images, opulent costumes and a somewhat
kitschy visual style. You get all of those too, but the big surprise is that
the visuals rarely get in the way of the content and only enhance the film’s
theme. As a result, “A Single Man” is not only a visually stunning film, but
also one of the best debuts in ages in terms of content.
Based on a novel by Christopher
Isherwood, “A Single Man” begins with a 1962 car accident that kills Jim, for
sixteen years the partner of British professor George Falconer. Falconer is
inconsolable and decides that a life without Jim is of little value to him. Nice
is then how Falconer, after hearing the terrible news, tries to keep up a façade
to the outside world. Impeccably dressed, he simple goes about his daily
routines, without seeming to have anything wrong with him at first glance.
Inside, however, he is consumed by grief and one day decides to end his life. The
film follows him in his preparations and thus largely takes place on that one
day.
The visual bravura of “A
Single Man” cannot be denied by anyone. The costumes are obviously very
beautiful, as you would expect from a fashion designer, but it is the production
design and the use of color where director Ford can really shine. Every detail
has been meticulously attended to, allowing one to regularly marvel at the film’s
stunning visual inventions and colorful depiction of the 1960s.
The film relies entirely on
Colin Firth’s acting for emotional depth and it is largely thanks to him that
the film becomes more than a visual masterpiece. First, a highly respected
actor who has alternated between major and minor productions for years, had to
wait a long time for that one big breakthrough role that would earn him an
Oscar nomination. He did get nominated for the role, but didn’t win. Only a
year later he took home the statue for his role in “The King’s Speech”.
Firth’s class is best
showcased in a key scene early in the film, when Falconer is told that his
partner died. The camera then stays focused on his face for minutes, with the
actor beautifully managing to portray
how this man’s world collapses from one moment to the next. Although Ford
unfortunately does not consistently maintain the subtlety of this scene and
sometimes relies too much on the sound of swelling violins, it is thanks to Firth
that you still start to sympathize with the tragic story of George Falconer. A
bachelor, but above all a lonely man.
Rating: 4
/ 5