I saw a lot of newer film and with that some really great ones too. Here are my favorites for my challenge for the month of November.
1. Lion
A heartfelt and touching story about a young boy getting lost from home. Years later it still haunts him and he starts a search for his biological family. Dev Patel and Nicole Kidman are rock solid in “Lion” and I think this is one of the best films of the year.
4. Mother!
I love Darren Aronofsky’s movie, even if he always makes me feel miserable. If I have to describe “Mother!”, I really can’t. You have to experience it yourself. What I do know, it’s that it’s pretty disturbing, fucked up actually. Not for everyone, but I really loved it.
3. Spider-Man: Homecoming
Skeptical at first, another Spider-Man movie. Did we really need that? It appears to be yes! Tom Holland is a breath of fresh air, the Peter Parker that we needed. I love his enthusiasm.
2. The Beguiled
Let’s hear it for the girls! Sofia Coppola directs and she got her signature all over this movie. She is back! And all the actresses are amazing. A very strong story, well performed by all the actors. Also Colin Farrell holds up great between all those fabulous women.
1. Thor: Ragnarok
The first two movies are not the best un the MCU, but still enjoyable. Director Taika Waititi turned it all around and gave us “Thor: Ragnarok”, one of the best movies in the MCU! More colorful, in every way of the word. What a great spectacle and so unexpectedly funny!
They Almost Made the Top 5: Little Evil, Toni Erdmann, Murder On the Orient Express, Lady MacBeth, The Founder
donderdag 30 november 2017
100 Movie Challenge 2017 - # 125: Mother!
Director: Darren Aronofsky
Genre: Drama/ Horror/ Thriller
Runtime: 121 minutes
Year: 2017
Starring: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer, Brian Gleeson, Domhnall Gleeson, Kristen Wiig
Description: A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.
Review: “Mother!” starts pretty conventional: a couple lives a calm and peaceful life in a beautiful house. Their life changes when they provide shelter for two stranger. The husband (the characters don’t have names) feels okay about it, it’s his idea. But the wife feels uncomfortable and thinks it’s strange to simply invite strangers into their house. She does everything to make their house a home, when she sees intruders destroy it. But he loves the adoration he gets from them.
Director Darren Aronofsky builds up to ultimate chaos, with two trumps: leading lady Jennifer Lawrence and the house it’s set in. Aside from some shots of the house from afar, the camera stays indoors and is only a few feet away from Lawrence. Wandering through the halls, rooms and stairs her character’s feeling of being lost and helpless grows.
Aronofsky always gets the best from his actors and Jennifer Lawrence is no exception. It’s one of her strongest roles. The fact that she is the only character that responds to the situation the way we all probably should, you get the impression that there is more going on than we eventually led to believe. This is definitely not a movie for everyone, especially when we go towards the climax of the film. It’s pretty fucked up actually. But you have enough to talk about after seeing “Mother!”.
“Mother!” is original, unconventional, a bit disturbing and very well done.
Rating: 4,5/ 5
Genre: Drama/ Horror/ Thriller
Runtime: 121 minutes
Year: 2017
Starring: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer, Brian Gleeson, Domhnall Gleeson, Kristen Wiig
Description: A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.
Review: “Mother!” starts pretty conventional: a couple lives a calm and peaceful life in a beautiful house. Their life changes when they provide shelter for two stranger. The husband (the characters don’t have names) feels okay about it, it’s his idea. But the wife feels uncomfortable and thinks it’s strange to simply invite strangers into their house. She does everything to make their house a home, when she sees intruders destroy it. But he loves the adoration he gets from them.
Director Darren Aronofsky builds up to ultimate chaos, with two trumps: leading lady Jennifer Lawrence and the house it’s set in. Aside from some shots of the house from afar, the camera stays indoors and is only a few feet away from Lawrence. Wandering through the halls, rooms and stairs her character’s feeling of being lost and helpless grows.
Aronofsky always gets the best from his actors and Jennifer Lawrence is no exception. It’s one of her strongest roles. The fact that she is the only character that responds to the situation the way we all probably should, you get the impression that there is more going on than we eventually led to believe. This is definitely not a movie for everyone, especially when we go towards the climax of the film. It’s pretty fucked up actually. But you have enough to talk about after seeing “Mother!”.
“Mother!” is original, unconventional, a bit disturbing and very well done.
Rating: 4,5/ 5
100 Movie Challenge 2017 - # 124: The Founder
Director: John Lee Hancock
Genre: Drama
Runtime: 110 minutes
Year: 2016
Starring: Michael Keaton, Nick Offerman, John Carroll Lynch, Linda Cardellini, B.J. Novak, Laura Dern, Patrick Wilson
Description: The story of Ray Kroc (Michael Keaton), a salesman who turned two brothers' (Nick Offerman, John Carroll Lynch) innovative fast food eatery, McDonald's, into the biggest restaurant business in the world, with a combination of ambition, persistence, and ruthlessness.
Review: For over sixty years we’ve been enjoying McDonald’s food now. In that time, the franchise has grown to be THE fast food restaurant. Everywhere in the world the food tasts the same. McDonald’s was a pioneer in developing techniques and strategies to deliver the costumer a burger, fries and milkshake within 30 seconds. This all started in the late ‘40s.
We meet Ray Kroc (played phenomenally by Michael Keaton) who is trying to sell his revolutionary milkshake machine to restaurants, but doesn’t seem to succeed. Even though Kroc is a smooth talker, no one seems to buy it. It comes as a surprise when the owner of a burger restaurant in California wants to buy several from him. Out of curiousity , Kroc visits the restaurant and meets brothers Dick and Mac McDonald. They have developed a method to produce hamburgers fast and they taste amazing. Kroc manages to convince the brothers to work with him, to open more McDonald’s restaurants in America. But the brothers want to call the shots.
John Lee Hancock created a very strong origins story. When you think, from the title alone, that Ray Kroc is the founder of McDonald’s, you’re wrong. At first, the deal is friendly and Kroc listens to the brothers. But eventually Kroc walks away with the success, the money AND the name McDonald’s. A name the actual McDonald brothers weren’t allowed to use anymore. Kroc smelled money and success and became greedy and ruthless.
Michael Keaton really got his comeback since he starred in “Birdman”. Again he shows us what a fabulous actor he is. He steals the show in “The Founder”, he makes it a good movie. At first you sympathize with Kroc, you wish him fortune. But eventually you feel some aversion towards him.
The film might not be very surprising plot wise, but the way to success is told very well. But especially Keaton’s performance is a reason to watch “The Founder”.
Rating: 4/ 5
Genre: Drama
Runtime: 110 minutes
Year: 2016
Starring: Michael Keaton, Nick Offerman, John Carroll Lynch, Linda Cardellini, B.J. Novak, Laura Dern, Patrick Wilson
Description: The story of Ray Kroc (Michael Keaton), a salesman who turned two brothers' (Nick Offerman, John Carroll Lynch) innovative fast food eatery, McDonald's, into the biggest restaurant business in the world, with a combination of ambition, persistence, and ruthlessness.
Review: For over sixty years we’ve been enjoying McDonald’s food now. In that time, the franchise has grown to be THE fast food restaurant. Everywhere in the world the food tasts the same. McDonald’s was a pioneer in developing techniques and strategies to deliver the costumer a burger, fries and milkshake within 30 seconds. This all started in the late ‘40s.
We meet Ray Kroc (played phenomenally by Michael Keaton) who is trying to sell his revolutionary milkshake machine to restaurants, but doesn’t seem to succeed. Even though Kroc is a smooth talker, no one seems to buy it. It comes as a surprise when the owner of a burger restaurant in California wants to buy several from him. Out of curiousity , Kroc visits the restaurant and meets brothers Dick and Mac McDonald. They have developed a method to produce hamburgers fast and they taste amazing. Kroc manages to convince the brothers to work with him, to open more McDonald’s restaurants in America. But the brothers want to call the shots.
John Lee Hancock created a very strong origins story. When you think, from the title alone, that Ray Kroc is the founder of McDonald’s, you’re wrong. At first, the deal is friendly and Kroc listens to the brothers. But eventually Kroc walks away with the success, the money AND the name McDonald’s. A name the actual McDonald brothers weren’t allowed to use anymore. Kroc smelled money and success and became greedy and ruthless.
Michael Keaton really got his comeback since he starred in “Birdman”. Again he shows us what a fabulous actor he is. He steals the show in “The Founder”, he makes it a good movie. At first you sympathize with Kroc, you wish him fortune. But eventually you feel some aversion towards him.
The film might not be very surprising plot wise, but the way to success is told very well. But especially Keaton’s performance is a reason to watch “The Founder”.
Rating: 4/ 5
dinsdag 28 november 2017
100 Movie Challenge 2017 - # 123: Lady MacBeth
Director: William Oldroyd
Genre: Drama
Runtime: 89 minutes
Year: 2017
Starring: Florence Pugh, Christopher Fairbank, Cosmo Jarvis, Bill Fellows
Description: In 19th-century rural England, a young bride (Florence Pugh) who has been sold into marriage discovers an unstoppable desire within herself as she enters into an affair with a worker on her estate.
Review: Movies set in the country in the 19th century always picture us the same situation: Women are lesser beings who have to listen to their (often older) husbands. The women wear tight corsets, drink tea and stay indoors with their prayer book. “Lady MacBeth” is nothing like that.
“Lady MacBeth” is based on a novel by Nikolaj Leskov, from 1865. Even though it’s set n the 19th century, the story feels quite contemporary. And that’s because of the female lead, Katherine. She is a relentless and uncompromising woman. She doesn’t just take her husbands orders and even comes close to being a femme fatale. Women’s emancipation, but without any subtlety.
From the opening scene we see that the marriage between Alexander and Katherine is a loveless agreement. Behind the white veil, Katherine’s helpless face is seen. His father bought her and he feels nothing for her. Alexander can’t even have sex with her. Instead she has to undress herself, face the wall so that he can pleasure himself.
These awkward moments make for the passionate affaire Katherine starts with stable boy Sebastian, a young man with no etiquettes or manners. As soon as Alexander leaves the house, Katherine discovers her freedom and she can finally enjoy the outdoors. But the real freedom is in her sexuality.
The acting in this film is outstanding. Especially Florence Pugh as Katherine. It’s so well done how she managed to take the audience with her in her transition from innocent victim to inhumane culprit. But you somehow never stop sympathizing with her. And Katherine doesn’t have to share her thoughts, her face says enough.
Director William Oldroyd does a really good job. He hardly uses any music, no unnecessary information, no tricks, just the true essence of the story is shown.
“Lady MacBeth” is a welcome breath of fresh air when it comes to costume dramas.
Rating: 4/ 5
Genre: Drama
Runtime: 89 minutes
Year: 2017
Starring: Florence Pugh, Christopher Fairbank, Cosmo Jarvis, Bill Fellows
Description: In 19th-century rural England, a young bride (Florence Pugh) who has been sold into marriage discovers an unstoppable desire within herself as she enters into an affair with a worker on her estate.
Review: Movies set in the country in the 19th century always picture us the same situation: Women are lesser beings who have to listen to their (often older) husbands. The women wear tight corsets, drink tea and stay indoors with their prayer book. “Lady MacBeth” is nothing like that.
“Lady MacBeth” is based on a novel by Nikolaj Leskov, from 1865. Even though it’s set n the 19th century, the story feels quite contemporary. And that’s because of the female lead, Katherine. She is a relentless and uncompromising woman. She doesn’t just take her husbands orders and even comes close to being a femme fatale. Women’s emancipation, but without any subtlety.
From the opening scene we see that the marriage between Alexander and Katherine is a loveless agreement. Behind the white veil, Katherine’s helpless face is seen. His father bought her and he feels nothing for her. Alexander can’t even have sex with her. Instead she has to undress herself, face the wall so that he can pleasure himself.
These awkward moments make for the passionate affaire Katherine starts with stable boy Sebastian, a young man with no etiquettes or manners. As soon as Alexander leaves the house, Katherine discovers her freedom and she can finally enjoy the outdoors. But the real freedom is in her sexuality.
The acting in this film is outstanding. Especially Florence Pugh as Katherine. It’s so well done how she managed to take the audience with her in her transition from innocent victim to inhumane culprit. But you somehow never stop sympathizing with her. And Katherine doesn’t have to share her thoughts, her face says enough.
Director William Oldroyd does a really good job. He hardly uses any music, no unnecessary information, no tricks, just the true essence of the story is shown.
“Lady MacBeth” is a welcome breath of fresh air when it comes to costume dramas.
Rating: 4/ 5
100 Movie Challenge 2017 - # 122: Spider-Man: Homecoming
Director: Jon Watts
Genre: Action/ Comedy/ Adventure/ Science Fiction
Runtime: 133 minutes
Year: 2017
Starring: Tom Holland, Michael Keaton, Robert Downey Jr., Marisa Tomei, Jon Favreau, Donald Glover, Tony Revolori, Jennifer Connelly, Angourie Rice, Logan Marshall-Green, Martin Starr, Gwyneth Paltrow
Description: Peter Parker (Tom Holland) balances his life as an ordinary high school student in Queens with his superhero alter-ego Spider-Man, and finds himself on the trail of a new menace prowling the skies of New York City.
Review: Spider-Man has always been one of the most popular superheroes. Iron Man got more popular because of the movies and Robert Downey Jr. The two work together in “Spider-Man: Homecoming”.
Spider-Man has had his ups and downs. “Spider-Man 3” couldn’t keep up with the two previous movies. The reboot films did okay, but weren’t as amazing as the title let us believe. Sony and Marvel had to come up with something new to give the popular webslinger the movie he deserves. The result: Spider-Man is part of the shared universe of Marvel. In “Spider-Man: Homecoming” there are many moments were they show us that. Teen Peter Parker is constantly reminded of his adult colleagues. It’s all sounds like a big marketing trick, but it’s all relevant. Peter struggles with the inner conflict of being the little fish in a small pond.
Tom Holland’s Spider-Man was shortly seen in “Captain America: Civil War”. And that guest appearance is the starting point for “Spider-Man: Homecoming”. In a world where superheroes are common, Peter Parker thinks it’s an honor to work with the team of Avengers. But after an experience like that, it’s hard for Peter to pick up his old life. Especially when Tony Starks tells him that he might receive a call, but Peter never does. Spider-Man is in the Marvel universe, but he is not yet an Avenger.
This is the sixth Spider-Man film in fifteen years, so it isn’t good enough to let the superhero just do his tricks and fight a random villain. Marvel is clever enough and uses a lot of variation. The origin story, of how Peter Parker became Spider-Man, is left behind. And it’s not Spidey just swinging from huge buildings, he goes further than that.
What keeps it all together? Tom Holland! Where predecessors Tobey Maguire and Andrew Garfield were about 10 years to old for the role, the young British actor is perfect to play Peter Parker. His enthusiasm is a breath of fresh air. And his great comedic timing make you almost forget that he is also very capable of performing in more dramatic scenes. Even opposite of veterans like Robert Downey Jr. and Michael Keaton.
Peter Parker still has to prove himself as an Avenger, but this version of Spider-Man promises a very bright future.
Rating: 4,5/ 5
Genre: Action/ Comedy/ Adventure/ Science Fiction
Runtime: 133 minutes
Year: 2017
Starring: Tom Holland, Michael Keaton, Robert Downey Jr., Marisa Tomei, Jon Favreau, Donald Glover, Tony Revolori, Jennifer Connelly, Angourie Rice, Logan Marshall-Green, Martin Starr, Gwyneth Paltrow
Description: Peter Parker (Tom Holland) balances his life as an ordinary high school student in Queens with his superhero alter-ego Spider-Man, and finds himself on the trail of a new menace prowling the skies of New York City.
Review: Spider-Man has always been one of the most popular superheroes. Iron Man got more popular because of the movies and Robert Downey Jr. The two work together in “Spider-Man: Homecoming”.
Spider-Man has had his ups and downs. “Spider-Man 3” couldn’t keep up with the two previous movies. The reboot films did okay, but weren’t as amazing as the title let us believe. Sony and Marvel had to come up with something new to give the popular webslinger the movie he deserves. The result: Spider-Man is part of the shared universe of Marvel. In “Spider-Man: Homecoming” there are many moments were they show us that. Teen Peter Parker is constantly reminded of his adult colleagues. It’s all sounds like a big marketing trick, but it’s all relevant. Peter struggles with the inner conflict of being the little fish in a small pond.
Tom Holland’s Spider-Man was shortly seen in “Captain America: Civil War”. And that guest appearance is the starting point for “Spider-Man: Homecoming”. In a world where superheroes are common, Peter Parker thinks it’s an honor to work with the team of Avengers. But after an experience like that, it’s hard for Peter to pick up his old life. Especially when Tony Starks tells him that he might receive a call, but Peter never does. Spider-Man is in the Marvel universe, but he is not yet an Avenger.
This is the sixth Spider-Man film in fifteen years, so it isn’t good enough to let the superhero just do his tricks and fight a random villain. Marvel is clever enough and uses a lot of variation. The origin story, of how Peter Parker became Spider-Man, is left behind. And it’s not Spidey just swinging from huge buildings, he goes further than that.
What keeps it all together? Tom Holland! Where predecessors Tobey Maguire and Andrew Garfield were about 10 years to old for the role, the young British actor is perfect to play Peter Parker. His enthusiasm is a breath of fresh air. And his great comedic timing make you almost forget that he is also very capable of performing in more dramatic scenes. Even opposite of veterans like Robert Downey Jr. and Michael Keaton.
Peter Parker still has to prove himself as an Avenger, but this version of Spider-Man promises a very bright future.
Rating: 4,5/ 5
maandag 27 november 2017
100 Movie Challenge 2017 - # 121: Murder On the Orient Express
Director: Kenneth Branagh
Genre: Crime/ Drama
Runtime: 114 minutes
Year: 2017
Starring: Kenneth Branagh, Judi Dench, Johnny Depp, Michelle Pfeiffer, Daisy Ridley, Penélope Cruz, Willem Dafoe, Josh Gad, Olivia Colman, Derek Jacobi
Description: When a murder occurs on the train he's travelling on, celebrated detective Hercule Poirot (Kenneth Branagh) is recruited to solve the case.
Review: This is maybe the 6th book to movie adaptation for “Murder On the Orient Express”, I think, The book was released in 1934 and is probably her most known book. And because Agatha Christie’s novel is such a masterpiece when it comes to murder mysteries, many want to turn it into film. It’s a perfect whodunit. In 1974 Albert Finney played the role of Hercule Poirot in Sidney Lumet’s version of the story. Now, 2017, Kenneth Branagh directs and also decided to portray the infamous detective.
Kenneth Branagh has a dramatic style when it comes to acting. It’s perfect for Shakespeare films. And I have to say, his performance as Hercule Poirot is really good.
We know the story. Detective Hercule Poirot is on the Orient Express, enjoying a holiday, when one of the passengers is murdered. One of the twelve passengers is the killer. Time for Poirot to solve the case, while the train is unable to move on due to a snow storm.
Lots of details, trying to find the killer. It’s close to the original, but some things go a bit too fast because they have to stay within the duration of 2 hours. There is also not enough time to develop all the twelve suspected characters. Some we get to know better than others.
Branagh really managed to get a fantastic cast together. Judi Dench, Michelle Pfeifer, Johnny Depp, Willem Dafoe, Penélope Cruz and Daisy Ridley. And they are all solid, but no one really shines. Branagh’s interpretation of Poirot is good, the movie is not great. But very enjoyable and it looks stunning.
Rating: 3/ 5
Genre: Crime/ Drama
Runtime: 114 minutes
Year: 2017
Starring: Kenneth Branagh, Judi Dench, Johnny Depp, Michelle Pfeiffer, Daisy Ridley, Penélope Cruz, Willem Dafoe, Josh Gad, Olivia Colman, Derek Jacobi
Description: When a murder occurs on the train he's travelling on, celebrated detective Hercule Poirot (Kenneth Branagh) is recruited to solve the case.
Review: This is maybe the 6th book to movie adaptation for “Murder On the Orient Express”, I think, The book was released in 1934 and is probably her most known book. And because Agatha Christie’s novel is such a masterpiece when it comes to murder mysteries, many want to turn it into film. It’s a perfect whodunit. In 1974 Albert Finney played the role of Hercule Poirot in Sidney Lumet’s version of the story. Now, 2017, Kenneth Branagh directs and also decided to portray the infamous detective.
Kenneth Branagh has a dramatic style when it comes to acting. It’s perfect for Shakespeare films. And I have to say, his performance as Hercule Poirot is really good.
We know the story. Detective Hercule Poirot is on the Orient Express, enjoying a holiday, when one of the passengers is murdered. One of the twelve passengers is the killer. Time for Poirot to solve the case, while the train is unable to move on due to a snow storm.
Lots of details, trying to find the killer. It’s close to the original, but some things go a bit too fast because they have to stay within the duration of 2 hours. There is also not enough time to develop all the twelve suspected characters. Some we get to know better than others.
Branagh really managed to get a fantastic cast together. Judi Dench, Michelle Pfeifer, Johnny Depp, Willem Dafoe, Penélope Cruz and Daisy Ridley. And they are all solid, but no one really shines. Branagh’s interpretation of Poirot is good, the movie is not great. But very enjoyable and it looks stunning.
Rating: 3/ 5
zondag 26 november 2017
100 Movie Challenge 2017 - # 120: Office Christmas Party
Director: Josh Gordon, Will Speck
Genre: Comedy
Runtime: 105 minutes
Year: 2016
Starring: Jason Bateman, Olivia Munn, T.J. Miller, Kate McKinnon, Jennifer Aniston, Jillian Bell, Courtney B. Vance, Rob Corddry, Vanessa Bayer
Description: When his uptight CEO sister (Jennifer Aniston) threatens to shut down his branch, the branch manager (T.J. Miller) throws an epic Christmas party in order to land a big client and save the day, but the party gets way out of hand...
Review: Who doesn’t enjoy the Christmas festivities at work? The party they have planned in “Office Christmas Party” is a little wilder than you might want.
We’ve seen it before, party movies like this. Everything revolves around this party and it’s up to the makers to create as many political incorrect situations as possible. But in this movie, that epic Christmas movie is not as epic as you might expect. People copying their privates on a Xerox machine, swinging from Christmas lights, lots of co-workers making out, some booze and drugs. It’s all been done before.
Because of the many subplots, it’s hard to create a solid unity. It’s silly Christmas movie entertainment. Funny at times, mostly thanks to Aniston and McKinnon. But it’s not a very memorable movie.
Rating: 2,5/ 5
Genre: Comedy
Runtime: 105 minutes
Year: 2016
Starring: Jason Bateman, Olivia Munn, T.J. Miller, Kate McKinnon, Jennifer Aniston, Jillian Bell, Courtney B. Vance, Rob Corddry, Vanessa Bayer
Description: When his uptight CEO sister (Jennifer Aniston) threatens to shut down his branch, the branch manager (T.J. Miller) throws an epic Christmas party in order to land a big client and save the day, but the party gets way out of hand...
Review: Who doesn’t enjoy the Christmas festivities at work? The party they have planned in “Office Christmas Party” is a little wilder than you might want.
We’ve seen it before, party movies like this. Everything revolves around this party and it’s up to the makers to create as many political incorrect situations as possible. But in this movie, that epic Christmas movie is not as epic as you might expect. People copying their privates on a Xerox machine, swinging from Christmas lights, lots of co-workers making out, some booze and drugs. It’s all been done before.
Because of the many subplots, it’s hard to create a solid unity. It’s silly Christmas movie entertainment. Funny at times, mostly thanks to Aniston and McKinnon. But it’s not a very memorable movie.
Rating: 2,5/ 5
woensdag 15 november 2017
100 Movie Challenge 2017 - # 119: Tulip Fever
Director: Justin Chadwick
Genre: Drama/ Romance
Runtime: 105 minutes
Year: 2017
Starring: Alicia Vikander, Christoph Waltz, Dane DeHaan, Holiday Grainger, Tom Hollander, Jack O’Connell, Judi Dench, Zach Galifianakis, Matthew Morrison, Kevin McKidd, Cara Delevingne
Description: An artist (Dane DeHaan) falls for a young married woman (Alicia Vikander) while he's commissioned to paint her portrait during the Tulip mania of 17th century Amsterdam.
Review: In the Golden Age, tulip fever drove everyone crazy in The Netherlands. Anyone with enough florins joined the trade. In shady bars the most exotic tulips were auctioned, sometimes even before seeing them. In “Tulip Fever” this sets the background of he story of a forbidden romance between a married woman and an artist. Together they scheme a plan to flee the life they are living now.
Cornelis Sandvoort marries the much younger Sophia. He want a beautiful portrait of them and he hires painter Jan van Loos. A decision he will later regret. Because Jan falls madly in love with Sophia and they start a passionate affair.
Cornelis is a old man, who someone you can never sympathize with. He is a cold man who only married Sophia for one reason: to get a son. His personal losses from a previous marriage make him not any more human. It’s not that strange that Sophia seeks the love of another man. But she doesn’t seem this unhappy with Cornelis either. The motives of the characters are so shallow and bland. Sad, because director Justin Chadwick managed to get so many fantastic actors.
Somehow Sophia feels the love for Jan right after the first portrait session and immediately wants to flee from her husband. The chemistry between Alicia Vikander and Dane DeHaan never really convinces. And they hardly pay any attention to Sophia’s conscience, only in the last couple of minutes of the film.
The film rushes, the ‘master plan’ feels a bit improbable and sometimes comes off as ridiculous. “Tulip Fever” lacks of subtlety and the characters are somewhat soulless.
I was so excited for this film, but man did this disappoint me! I hate when that happens.
Rating: 2/ 5
Genre: Drama/ Romance
Runtime: 105 minutes
Year: 2017
Starring: Alicia Vikander, Christoph Waltz, Dane DeHaan, Holiday Grainger, Tom Hollander, Jack O’Connell, Judi Dench, Zach Galifianakis, Matthew Morrison, Kevin McKidd, Cara Delevingne
Description: An artist (Dane DeHaan) falls for a young married woman (Alicia Vikander) while he's commissioned to paint her portrait during the Tulip mania of 17th century Amsterdam.
Review: In the Golden Age, tulip fever drove everyone crazy in The Netherlands. Anyone with enough florins joined the trade. In shady bars the most exotic tulips were auctioned, sometimes even before seeing them. In “Tulip Fever” this sets the background of he story of a forbidden romance between a married woman and an artist. Together they scheme a plan to flee the life they are living now.
Cornelis Sandvoort marries the much younger Sophia. He want a beautiful portrait of them and he hires painter Jan van Loos. A decision he will later regret. Because Jan falls madly in love with Sophia and they start a passionate affair.
Cornelis is a old man, who someone you can never sympathize with. He is a cold man who only married Sophia for one reason: to get a son. His personal losses from a previous marriage make him not any more human. It’s not that strange that Sophia seeks the love of another man. But she doesn’t seem this unhappy with Cornelis either. The motives of the characters are so shallow and bland. Sad, because director Justin Chadwick managed to get so many fantastic actors.
Somehow Sophia feels the love for Jan right after the first portrait session and immediately wants to flee from her husband. The chemistry between Alicia Vikander and Dane DeHaan never really convinces. And they hardly pay any attention to Sophia’s conscience, only in the last couple of minutes of the film.
The film rushes, the ‘master plan’ feels a bit improbable and sometimes comes off as ridiculous. “Tulip Fever” lacks of subtlety and the characters are somewhat soulless.
I was so excited for this film, but man did this disappoint me! I hate when that happens.
Rating: 2/ 5
100 Movie Challenge 2017 - # 118: The Beguiled
Director: Sofia Coppola
Genre: Drama/ Thriller
Runtime: 94 minutes
Year: 2016
Starring: Colin Farrell, Nicole Kidman, Kirsten Dunst, Elle Fanning, Oona Laurence, Angourie Rice
Description: The unexpected arrival of a wounded Union soldier (Colin Farrell) at a girls school in Virginia during the American Civil War leads to jealousy and betrayal.
Review: They are no longer helpless and innocent, the women in corsets. Several costume dramas proved that this year. And “The Beguiled” by Sofia Coppola is also one of them, a dramatic thriller with heaps of estrogen.
“The Beguiled” is based on the novel by Thomas Cullinan. In 1971 it was adapted to a movie for the first time, with Clint Eastwood starring as the wounded soldier. Sofia Coppola follows the story of the original film, but it didn’t become a boring repetition of it. Coppola managed to add themes like abalienation and group dynamic to it they way only she can. It’s clear this film was written from a female perspective.
It’s great to see how Coppola managed to let lust and envy be defining for the atmosphere. Especially the scene where the women try to trump each other over apple pie, trying to impress the male guest. The camera work is static and music is minimal, this is typical Sofia Coppola. I always loved her timid way of directing.
Nicole Kidman is very strong as Miss Martha, but Kirsten Dunst and Elle Fanning are also solid. Colin Farrell, the only male performer in “The Beguiled” is also the right choice. He can easily be a charming gentleman and a foulmouthed brute. “The Beguiled” is a really good film, a good film to show off the talents of the women in Hollywood.
Rating: 4,5/ 5
Genre: Drama/ Thriller
Runtime: 94 minutes
Year: 2016
Starring: Colin Farrell, Nicole Kidman, Kirsten Dunst, Elle Fanning, Oona Laurence, Angourie Rice
Description: The unexpected arrival of a wounded Union soldier (Colin Farrell) at a girls school in Virginia during the American Civil War leads to jealousy and betrayal.
Review: They are no longer helpless and innocent, the women in corsets. Several costume dramas proved that this year. And “The Beguiled” by Sofia Coppola is also one of them, a dramatic thriller with heaps of estrogen.
“The Beguiled” is based on the novel by Thomas Cullinan. In 1971 it was adapted to a movie for the first time, with Clint Eastwood starring as the wounded soldier. Sofia Coppola follows the story of the original film, but it didn’t become a boring repetition of it. Coppola managed to add themes like abalienation and group dynamic to it they way only she can. It’s clear this film was written from a female perspective.
It’s great to see how Coppola managed to let lust and envy be defining for the atmosphere. Especially the scene where the women try to trump each other over apple pie, trying to impress the male guest. The camera work is static and music is minimal, this is typical Sofia Coppola. I always loved her timid way of directing.
Nicole Kidman is very strong as Miss Martha, but Kirsten Dunst and Elle Fanning are also solid. Colin Farrell, the only male performer in “The Beguiled” is also the right choice. He can easily be a charming gentleman and a foulmouthed brute. “The Beguiled” is a really good film, a good film to show off the talents of the women in Hollywood.
Rating: 4,5/ 5
zondag 12 november 2017
100 Movie Challenge 2017 - # 117: Lion
Director: Garth Davis
Genre: Drama
Runtime: 118 minutes
Year: 2016
Starring: Dev Patel, Rooney Mara, Nicole Kidman, David Wenham
Description: A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he (Dev Patel) sets out to find his lost family.
Review: Image you’re a five year old kid and you get lost from home in India. A country with over a billion citizens and 400 languages. It happened to Saroo, who accidentally got onto the wrong train and ended up on the other side of the country. When he ends up in an orphanage, he is adopted by an Australian couple. Years later, Saroo is determined to find his lost family.
“Lion” is split up in two parts. In the first part, we meet five year old Saroo. Together with his older brother Guddu he steals stones from a train, so they can sell them to provide for their mother and sister. When Saroo is seperated from his family, we see that India isn’t the perfect place for kids on the street. The kids are simply ignored or scared away. And sometimes prey for people with wrong intentions.
In the second part of the film, we jump 20 years in tie and see adult Saroo, adopted by loving parents and leading a happy and fortunate life. Where the first half was about physical survival, the second part is more about the psychological effects of this all. Even though Saroo had a good life in Australia, but memories from his short time in India keep coming back. This leads him to an obsessive search for his biological family.
“Lion” could have easily become a melodramatic, based-on-a-true-story, Oscar material. But director Garth Davis made this movie with lots of integrity and nuance. Of course there is enough emotion involved and you probably will use some tissues here and there, but it’s not overly sentimental. The cast is really strong, especially leading man Dev Patel and his adoption mother played by Nicole Kidman.
Rating: 4/ 5
Genre: Drama
Runtime: 118 minutes
Year: 2016
Starring: Dev Patel, Rooney Mara, Nicole Kidman, David Wenham
Description: A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he (Dev Patel) sets out to find his lost family.
Review: Image you’re a five year old kid and you get lost from home in India. A country with over a billion citizens and 400 languages. It happened to Saroo, who accidentally got onto the wrong train and ended up on the other side of the country. When he ends up in an orphanage, he is adopted by an Australian couple. Years later, Saroo is determined to find his lost family.
“Lion” is split up in two parts. In the first part, we meet five year old Saroo. Together with his older brother Guddu he steals stones from a train, so they can sell them to provide for their mother and sister. When Saroo is seperated from his family, we see that India isn’t the perfect place for kids on the street. The kids are simply ignored or scared away. And sometimes prey for people with wrong intentions.
In the second part of the film, we jump 20 years in tie and see adult Saroo, adopted by loving parents and leading a happy and fortunate life. Where the first half was about physical survival, the second part is more about the psychological effects of this all. Even though Saroo had a good life in Australia, but memories from his short time in India keep coming back. This leads him to an obsessive search for his biological family.
“Lion” could have easily become a melodramatic, based-on-a-true-story, Oscar material. But director Garth Davis made this movie with lots of integrity and nuance. Of course there is enough emotion involved and you probably will use some tissues here and there, but it’s not overly sentimental. The cast is really strong, especially leading man Dev Patel and his adoption mother played by Nicole Kidman.
Rating: 4/ 5
vrijdag 10 november 2017
100 Movie Challenge 2017 - # 116: Thor: Ragnarok
Director: Taika Waititi
Genre: Action/ Science Fiction/ Adventure
Runtime: 130 minutes
Year: 2017
Starring: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum, Mark Ruffalo, Anthony Hopkins, Benedict Cumberbatch, Tessa Thomspon, Karl Urban, Ray Stevenson, Clancy Brown
Description: Imprisoned, the almighty Thor (Chris Hemsworth) finds himself in a lethal gladiatorial contest against the Hulk (Mark Ruffalo), his former ally. Thor must fight for survival and race against time to prevent the all-powerful Hela (Cate Blanchett) from destroying his home and the Asgardian civilization.
Review: Innovation and variation is becoming harder within the superhero genre. In the past 10 years, Marvel has brought us 17 movies. Because the characters keep meeting each other in each other’s movies, there is a chance the films lose their identity and become disposable. But Marvel has realized this and are heading into a different direction.
“Thor”Ragnarok” is a bit of a gamble. It’s a complete different route for the God of thunder, because it’s an unprecedented humoristic trip through the cosmos. And it’s a very welcome surprise, because continuing on the same way as “Thor: The Dark World” is simply not an option. Because that would mean that naïve Thor would fall for Loki’s shams all over again, when at the end of the first Avengers film, this relationship has been settled more the less.
All elements that are a threat to the levity of the film, have been removes and are just side issues. For instance, love interest Jane Foster isn’t in it and I’m not missing her.
“Thor: Ragnarok” left all seriousness aside, which makes it a good comedy with action in it. And that's all thanks to New Zealander Taika Waititi, who also directed “Hunt For the Winlderpeople”. And I love this director’s humor. He also voices one of the funnier characters in the movie.
Most memorable is the scene where Thor sees Hulk in the arena and adding the green hero to this film is a great addition. It’s fun to see a different side from him.
The biggest plus is that the world of Thor has become more colorful, in every way of the word. “Thor: Ragnarok” is the best in the trilogy and one of the best in the Marvel Cinemativ Universe. What an awesome movie!
Rating: 4,5/ 5
Genre: Action/ Science Fiction/ Adventure
Runtime: 130 minutes
Year: 2017
Starring: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum, Mark Ruffalo, Anthony Hopkins, Benedict Cumberbatch, Tessa Thomspon, Karl Urban, Ray Stevenson, Clancy Brown
Description: Imprisoned, the almighty Thor (Chris Hemsworth) finds himself in a lethal gladiatorial contest against the Hulk (Mark Ruffalo), his former ally. Thor must fight for survival and race against time to prevent the all-powerful Hela (Cate Blanchett) from destroying his home and the Asgardian civilization.
Review: Innovation and variation is becoming harder within the superhero genre. In the past 10 years, Marvel has brought us 17 movies. Because the characters keep meeting each other in each other’s movies, there is a chance the films lose their identity and become disposable. But Marvel has realized this and are heading into a different direction.
“Thor”Ragnarok” is a bit of a gamble. It’s a complete different route for the God of thunder, because it’s an unprecedented humoristic trip through the cosmos. And it’s a very welcome surprise, because continuing on the same way as “Thor: The Dark World” is simply not an option. Because that would mean that naïve Thor would fall for Loki’s shams all over again, when at the end of the first Avengers film, this relationship has been settled more the less.
All elements that are a threat to the levity of the film, have been removes and are just side issues. For instance, love interest Jane Foster isn’t in it and I’m not missing her.
“Thor: Ragnarok” left all seriousness aside, which makes it a good comedy with action in it. And that's all thanks to New Zealander Taika Waititi, who also directed “Hunt For the Winlderpeople”. And I love this director’s humor. He also voices one of the funnier characters in the movie.
Most memorable is the scene where Thor sees Hulk in the arena and adding the green hero to this film is a great addition. It’s fun to see a different side from him.
The biggest plus is that the world of Thor has become more colorful, in every way of the word. “Thor: Ragnarok” is the best in the trilogy and one of the best in the Marvel Cinemativ Universe. What an awesome movie!
Rating: 4,5/ 5
maandag 6 november 2017
100 Movie Challenge 2017 - # 115: Toni Erdmann
Director: Maren Ade
Genre: Drama/ Comedy
Runtime: 162 minutes
Year: 2016
Starring: Peter Simonischek, Sandra Hüller, Michael Wittenborn, Thomas Loibl, Trystan Pütter, Hadewych Minis, Lucy Russell, Ingrid Bisu, Vlad Ivanoc, Victoria Cocias, Radu Banzuru, Anna Maria Bergold, Ingrid Burkhard, Manuela Ciucur, Cezara Dafinescu, Julischka Eichel, Klafa Höfels
Description: A practical joking father (Peter SImonischek) tries to reconnect with his hard working daughter (Sandra Hüller) by creating an outrageous alter ego and posing as her CEO's life coach.
Review: Inspired by her own father, a joker, director Maren Ade created a very personal project. He was the one that thought her not to take life too seriously. And this message is clear in “Toni Erdmann”.
The title figure, based on Ades father, is a created character. His actual name is Winfried. He didn’t really make it in life, but loves it anyway, with his absurd sense of humor. Winfried is very different from his daughter Ines, who is a hard working business woman. They don’t have a lot in common. And that becomes painfully clear for Winfried, when he visits Ines in Boekarest, where she works. Ines hardly has any time for her dad, he just gets in her way. Winfried sees how Ines grew to be a woman without humor and who is relentless on the work floor. He has to do something, but only Toni Erdmann can help.
Erdmann is simply Winfried with fake teeth and a black wig. Off course Ines knows this, but she allows this character to enter her high society business life. And Erdmann manages to win over the big shots, with his crazy charisma and bizarre anecdotes.
Toni Erdmann/ Winfried is one of the most magical characters I have seen in a while. That’s all thanks to Peter Simonischek, who portrays him masterfully. And Sandra Hüller, who plays daughter Ines, can easily keep up with him.
“Toni Erdmann” is about two completely different people, both broken in their own way, whose relationship has to be rebuild. The creation of Toni Erdmann has to make this happen.
The film has a good balance between drama and comedy and it’s one of the most original and surprising films I have seen this year.
Rating: 4,5/ 5
Genre: Drama/ Comedy
Runtime: 162 minutes
Year: 2016
Starring: Peter Simonischek, Sandra Hüller, Michael Wittenborn, Thomas Loibl, Trystan Pütter, Hadewych Minis, Lucy Russell, Ingrid Bisu, Vlad Ivanoc, Victoria Cocias, Radu Banzuru, Anna Maria Bergold, Ingrid Burkhard, Manuela Ciucur, Cezara Dafinescu, Julischka Eichel, Klafa Höfels
Description: A practical joking father (Peter SImonischek) tries to reconnect with his hard working daughter (Sandra Hüller) by creating an outrageous alter ego and posing as her CEO's life coach.
Review: Inspired by her own father, a joker, director Maren Ade created a very personal project. He was the one that thought her not to take life too seriously. And this message is clear in “Toni Erdmann”.
The title figure, based on Ades father, is a created character. His actual name is Winfried. He didn’t really make it in life, but loves it anyway, with his absurd sense of humor. Winfried is very different from his daughter Ines, who is a hard working business woman. They don’t have a lot in common. And that becomes painfully clear for Winfried, when he visits Ines in Boekarest, where she works. Ines hardly has any time for her dad, he just gets in her way. Winfried sees how Ines grew to be a woman without humor and who is relentless on the work floor. He has to do something, but only Toni Erdmann can help.
Erdmann is simply Winfried with fake teeth and a black wig. Off course Ines knows this, but she allows this character to enter her high society business life. And Erdmann manages to win over the big shots, with his crazy charisma and bizarre anecdotes.
Toni Erdmann/ Winfried is one of the most magical characters I have seen in a while. That’s all thanks to Peter Simonischek, who portrays him masterfully. And Sandra Hüller, who plays daughter Ines, can easily keep up with him.
“Toni Erdmann” is about two completely different people, both broken in their own way, whose relationship has to be rebuild. The creation of Toni Erdmann has to make this happen.
The film has a good balance between drama and comedy and it’s one of the most original and surprising films I have seen this year.
Rating: 4,5/ 5
donderdag 2 november 2017
Top 5 Thursday: Movies I Watched For My Challenge (October 2017)
A pretty mediocre month for movies. Did some rewatches, but also watched some crappy ones. Thank goodness for a few good film. Here are my favorites, that I watched for my challenge for the month of October.
5. Need For Speed
I thought it was going to be a sad repetition of the “Fast & Furious” movies. Well, no. It was more enjoyable then I expected it to be. And Aaron Paul….
4. Ghost in the Shell
This movie is mostly great because of its visuals and because of Scarlett Johansson. I don’t think it’s a very memorable movie, but I’m definitely happy about watching it.
3. Starter For 10
I like these stories. Nothing special, just a boy next door kind of story. And I really enjoyed it.
2. Going in Style
This film could easily be super cheesy. But it’s a really good comedy. Zach Braff did a good job directing, but if it weren’t for Morgan Freeman, Michael Caine and Alan Arkin, it would just be like any other comedy. So much fun!
1. Boyz n the Hood
What a good film. I love the nineties vibe, strong story and solid performances. Never saw it complete, I’m glad I did now.
They Almost Made the Top 5: Little Evil
5. Need For Speed
I thought it was going to be a sad repetition of the “Fast & Furious” movies. Well, no. It was more enjoyable then I expected it to be. And Aaron Paul….
4. Ghost in the Shell
This movie is mostly great because of its visuals and because of Scarlett Johansson. I don’t think it’s a very memorable movie, but I’m definitely happy about watching it.
3. Starter For 10
I like these stories. Nothing special, just a boy next door kind of story. And I really enjoyed it.
2. Going in Style
This film could easily be super cheesy. But it’s a really good comedy. Zach Braff did a good job directing, but if it weren’t for Morgan Freeman, Michael Caine and Alan Arkin, it would just be like any other comedy. So much fun!
1. Boyz n the Hood
What a good film. I love the nineties vibe, strong story and solid performances. Never saw it complete, I’m glad I did now.
They Almost Made the Top 5: Little Evil
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