Posts tonen met het label Michael Keaton. Alle posts tonen
Posts tonen met het label Michael Keaton. Alle posts tonen

zaterdag 29 augustus 2026

Movie Review - The Whisper Man

Director:
James Ashcroft
Genre: Thriller/ Crime
Runtime: 111 minutes
Year: 2026
Starring: Adam Scott, Michelle Monaghan, Robert De Niro, Hamish Linklater, Michael Keaton,
 
Description: A grieving father (Adam Scott) and his young son relocate to the quiet town of Featherbank, which was terrorized by a serial killer known as The Whisper Man 15 years earlier, while rumors circulate that Whisper man worked with an accomplice.
 
Review: With “The Whisper Man”, director James Ashcroft and his cast aim to create a chilling psychological thriller. The film succeeds in evoking an oppressive and gloomy atmosphere from the very first moment. Unfortunately, the production fails to sustain this carefully built tension until the end. The result is an entertaining but ultimately predictable thriller that ends up falling somewhere in the middle of the pack.

After the sudden death of his wife, Tom decides to move with his young son Jake to the quiet town of Featherbank. They hope to make a fresh start there. However, for decades the town has been haunted by the shadow of a notorious serial  killer known as The Whisper Man. When another boy goes missing and Jake begins to hear strange voices by his bedroom window, it becomes painfully clear that the danger is far from over. Tom must do everything in his power to protect his son from an elusive evil.

“The Whisper man” excels in cinematography and atmosphere; the somber visuals and ominous soundtrack immediately get under your skin. A definite highlights is Michael Keaton’s strong, albeit small, role. He commands attention in every scene and brings much-needed depth to the story. Michaelle Monaghan is also very solid as detective Amanda Beck.

For the seasoned thriller fan, the plot is too predictable, which allowed me to correctly predict the culprit’s identity very early on in the story. This takes the edge off the final and makes the climax rather clichéd. It’s an atmospheric, easy-to-watch film, with a great performance by Michael Keaton, but without any real surprises. I still enjoyed it and would recommend it though.

Rating: 3,5/ 5

zondag 15 december 2024

Movie Review - Beetlejuice Beetlejuice

Director:
Tim Burton
Genre: Comedy/ Fantasy/ Horror
Runtime: 105 minutes
Year: 2024
Starring: Michael Keaton, Catherine O’Hara, Winona Ryder, Jenna Ortega, Monica Belucci, Willem Dafoe, Justin Theroux, Danny DeVito
 
Description: After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice (Michael Keaton), Lydia’s (Winona Ryder) life is turned upside down when her teenage daughter Astrid (Jenna Ortega), accidentally opens the portal to the Afterlife.

Review: “Beetlejuice Beetlejuice” is the long-awaited sequel to “Beetlejuice” from 1988. Lydia Deetz has grown from melancholy goth-teenager to mother with her own television show in which she is a spiritual medium. The she receives word of her father’s death. Together with her stepmother Delia and daughter Astrid, she returns to her haunted house where she grew up. And Beetlejuice is fully aware of it.

Most sequels, that happen so long after the original, make the same mistake. The same story told a just a bit different. When there are some things that you might recognize from the first film, “Beetlejuice Beetlejuice” is completely different from its predecessor.

Some characters we already knew from the previous film. Besides Beetlejuice and his trusty assistant Bob, we see Lydia and Delia Deetz again. But new characters are being introduced as well. Astrid, Lydia’s daughter, portrayed by Jenna Ortega. Ortega fits into Tim Burton’s universe like she was always meant to be apart of it. Her character might be a bit stereotypical, grumpy, rebellious teenager. But she is a nice addition, still. Justin Theroux, as Lydia’s new boyfriend, is also a welcome new character. Kind of a disgusting new-age attention seeker, but really funny. Monica Bellucci’s character Delores doesn’t really add anything. When she is introduced, in a dark but fun scene, she seems like a very important character. But at one point, when she enters a scene again, you realize you had almost forgotten she was also apart of the story. She is supposed to be a huge treat, but she doesn’t feel that way in the end. Willem Dafoe’s character is kinda fun though, an actor/ detective called Wolf Jackson. But his role is fairly small as well. Jeffrey Jones, who played Charles Deetz in the original, doesn’t return due to a scandal, but his character does return in a different form. And I thought Burton was quite clever with this. Michael Keaton, Winona Ryder and Catherine O’Hara are all really good, as they were in the first film.

“Beetlejuice Beetlejuice” did not disappoint. The cast, the jokes, the beautiful images and the physical special effects (including a bit of stop-motion) makes it an entertaining and fun film. But only if you have seen and loved “Beetlejuice” as well. Praise to Tim Burton to not recycling a plot, but actually giving us an original plot. With the characters we’ve came to love so long ago, giving them a new, crazy, creepy and funny adventure.

Rating: 4/ 5

zondag 2 oktober 2022

TV Show Review - Dopesick (Mini Series)

Season:
Mini Series
Genre: Drama
Number of episodes: 8
Year: 2021
Starring: Michael Keaton, Kaitlyn Dever, Rosario Dawson, Michael Stuhlbarg, Peter Sarsgaard, Will Poulter, John Hoogenakker, Will Chase, Mare Winningham, Ray McKinnon

Description: The series takes viewers to the epicenter of America’s struggle with opioid addiction from the boardrooms of Purdue Pharma, to a distressed Virginia mining community to the hallways of the DEA.

Review: When Purdue Pharma introduced its new painkiller OxyContin in the US, the opiate was touted as non-addictive. The result was an epidemic of drug abuse that has destroyed tens of thousand of lives since the late 1990s. “Dopesick” charts the epidemic from different perspective.

For people with chronic pain, OxyContin seemed like a panacea: an effective painkiller that gradually absorbed into the body throughout the day, all without the drawback of habitation or addiction. The pills caught on eagerly, and for patients who still felt pain came pills with the double dose. And then pills with fourfold dose, eightfold dose, and so on. Now the drug is used in the US by eleven million people who have no pain symptoms at all, but are addicted to it.

The question, of course, is how on earth doctors, pharmacists and regulators could let this happen. The eight-part series “Dopesick” tries to answer that question, which is not easy. The creators portray the history through the Sackler family (owners of Purdue Pharma) and the sales representatives who convince doctors to prescribe the pills. In addition, we see the doctors and their patients, the cops who see how addiction in turn leads to crime and the drug enforcement agency DEA doing everything in its power to take down Purdue.

What makes “Dopesick” so brilliant is on the one hand the incredible but true story, and on the other the human way it is told. We are introduced to Samuel Finnix, played excellently by Michael Keaton. He is a family doctor in a mining town who initially gets great results with OxyContin, but then sees how addiction destroys lives and families. Betsy Mallum, played convincingly by Kaitlyn Dever, is one of his patients who slips into an existence as a junkie because of the OxyContin. Both actors shine in their performances and Keaton won an Emmy for his role.

Will Poulter also plays one of the better roles, as the smooth-talking salesmen Billy Cutler, who at first picks up fantastic bonuses, but then slowly  falls into conscience. This does not bother Richard Sackler (Michal Stuhlbarg): as boss of Purdie Pharma, he sees the billions pouring in. Stuhlbarg manages to portray Sackler as an emotionless businessman only wanting more. Furthermore, Peter Sarsgaard, John Hoogenakker and Rosario Dawson, among others, play some of the driven agents who want to take the pills of the market. The good fleshing out of all these characters keeps the series from becoming a documentary.

Based on Beth Macy’s book of the same name, the creators of “Dopesick” so not tell the story neatly in chronological order but jump back and forth in time. And it actually helps to see the big picture and connections without confusion.

While watching “Dopesick” you will most definitely feel many emotions and the one most presence is anger. As in how so many people could be so greedy and corrupt to allow this drama of unprecedented magnitude to happen. We never really get an answer to that, which makes it even more frustrating. But “Dopesick” is one of the most intense and realistic mini series based on true events I have seen in a long time. I loved it.

zondag 8 november 2020

Movie Review - The Trial of the Chicago 7

Director:
Aaron Sorkin
Genre: Drama
Runtime: 129 minutes
Year: 2020
Starring: Sacha Baron Coehn, Eddie Redmayne, Joseph Gordon-Levitt, Alex Sharp, Jeremy Strong, John Carroll Lynch, Yahya Abdul-Mateen II, Mark Rylance, Ben Shekman, J.C. MacKenzie, Frank Langella, Michael Keaton

Description: The story of 7 people on trial stemming from various charges surrounding the uprising at the 1968 Democratic National Convention in Chicago, Illinois.

Review: Director Aaron Sorkin wrote the script for “The Trial of the Chicago 7” as early as 2007, but due to the writers’ strike in 2008 the film was cancelled at the time. The fact that the project has now been revived undoubtedly has to do with the spirit of the times. The years 2016 to 2020 have brought back the sixties and seventies, with all their public protest and blurring of political norms. So it’s not a bad idea to translate the important stories of that tie to the big screen. Steven Spielberg did this earlier with “The Post”, which zoomed in on the publication of the Pentagon Papers and thus advocated bold journalism to keep politics in check. “The Trial of the Chicago 7” takes a similar approach. And although the filming took place a year ago, the past months of civil protests and excessive police violence have only made the story more topical.
The so-called Chicago 7 are the leaders of various organizations that travelled to Chicago during the Democratic Convention of 1968 to protest against the Vietnam War. Although this protest was meant to be peaceful, it degenerated into a situation in which activists clashed with the police. They are prosecuted, with the accusation of conspiracy on the table. A rather bizarre accusation, since these people hardly knew each other before they arrived in Chicago. But then again, this is not a well-founded lawsuit conducted for the public interest. This is the newly formed Nixon government that will teach those ‘know-it-all hippies a lesson.  
The intriguing thing about the lawsuit is that the defendants represent totally different organizations and in some ways have a very different way of life, even though they were pursuing the same goal with their protest. During the trial, however, the public prosecutor brings them all together, whether they like it or not. However, there differences in attitude to life mean that not everyone wants to conduct the trial in the same way. Some simply want to prove their innocence, while others see the trial as a good opportunity to publicly make the point they travelled to Chicago for at the time. Sorkin wisely does not take sides in this. It is up to the viewer to decided which is the most appropriate way of protest.
“The Trial od the Chicago 7” is probably one of the purest courtroom dramas ever created. For the most part, the film is set in the courtroom and only shows the story in flashbacks when the details are discussed in the trial. This happened mainly with witness statements, in which there is often a jumping back and forth between different angles.
What makes “The Trial of the Chicago 7”especially worth watching is the impressive line-up of actors that Sorkin has at his disposal. It might not be a real star cast, but it’s one of the strongest ensemble casts we will see this year. Mark Rylance is perfectly cast as a passionate and pragmatic lawyer, Frank Langella puts down a deliciously hating judge and Joseph Gordon-Levitt is allowed to elevate the role of prosecutor to something more human than what is usual in courtroom movies. And while is may seem somewhat lazy to present Eddie Redmayne as a good student and Sacha Baron Cohen as a transverse hippie, as idealistic opposites they end up surprising the most. Their acting duel towards the end is a true highlight.
Overall, “The Trial of the Chicago 7” is a really strong film, with a story set in the past is stull topical today. Especially today.

Rating: 3,5 / 5

zondag 4 augustus 2019

Movie Reviews - Dumbo

Director: Tim Burton
Genre: Family/ Adventure/ Fantasy
Runtime: 112 minutes
Year: 2019
Starring: Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, Alan Arkin, Finley Hobbins, Nico Parker

Description: A young elephant, whose oversized ears enable him to fly, helps save a struggling circus. But when the circus plans a new venture, Dumbo and his friends discover dark secrets beneath its shiny veneer.

Review: Disney is trying go through their animations quickly, into creating live-action versions of them. In 2019 alone, we will get 4 of them. The first this year is “Dumbo”, about the little flying elephant. And it’s not a remake, because Tim Burton used his creative mind well.
What the original animation and this version have in common, is that they are both based off of the same children’s book. Director Burton is known for his visual stories with a dark edge and gave this story his signature touch. “Dumbo” has a darker and more cynical look at the circus world.
Circus director Max Medici is trying to keep his head above water in these crisis times, to keep his circus going. His main attraction was his horse act, but he had to sell the horses. When war veteran Holt returns, missing one arm, he is reunited with his children Milly and Joe. They find comfort now he’s back, because in the meantime their mother had died and their horse act has been removed from the program.
Max wants the elephants to be the major act now and he managed to buy a pregnant female. When the baby is born, Max thinks it’s an ugly creates. Baby Dumbo, what they call him later, is born with huge ears and many people mock him for it. But Milly and Joe see something special and find out that Dumbo can actually fly.
Visually this film is beautiful, as we are used to from burton. Dumbo looks adorable. His level of cuteness is very high! What also looked great was Dreamland, the giant circus by Max’ competition V.A. Vandevere. It looks like a typical steampunk fantasy world by Burton and I loved the look of it.
Not only the visuals are amazing. Burton managed to combine it with a heart warming story which had a sincere moral about confidence and the power of money. And there are many moments where you feel warm insight or need tissues for tears. Because even though it has a lot of happy moments, it is a pretty sad story as well.
Dumbo has to share his stage with some human characters and their side stories. They don’t all work, like the story of Eva Green’s character. It’s neglected a bit, which makes it flat.
I was surprised by the many negative reviews, because I think it was a beautiful film. It looks amazing and has a good story. Burton used his dreamy style to turn it into a live-action film and I think he did a wonderful job.

Rating: 4/ 5

donderdag 30 november 2017

100 Movie Challenge 2017 - # 124: The Founder

Director: John Lee Hancock
Genre: Drama
Runtime: 110 minutes
Year: 2016
Starring: Michael Keaton, Nick Offerman, John Carroll Lynch, Linda Cardellini, B.J. Novak, Laura Dern, Patrick Wilson

Description: The story of Ray Kroc (Michael Keaton), a salesman who turned two brothers' (Nick Offerman, John Carroll Lynch) innovative fast food eatery, McDonald's, into the biggest restaurant business in the world, with a combination of ambition, persistence, and ruthlessness.

Review: For over sixty years we’ve been enjoying McDonald’s food now. In that time, the franchise has grown to be THE fast food restaurant. Everywhere in the world the food tasts the same. McDonald’s was a pioneer in developing techniques and strategies to deliver the costumer a burger, fries and milkshake within 30 seconds. This all started in the late ‘40s.
We meet Ray Kroc (played phenomenally by Michael Keaton) who is trying to sell his revolutionary milkshake machine to restaurants, but doesn’t seem to succeed. Even though Kroc is a smooth talker, no one seems to buy it. It comes as a surprise when the owner of a burger restaurant in California wants to buy several from him. Out of curiousity , Kroc visits the restaurant and meets brothers Dick and Mac McDonald. They have developed a method to produce hamburgers fast and they taste amazing. Kroc manages to convince the brothers to work with him, to open more McDonald’s restaurants in America. But the brothers want to call the shots.
John Lee Hancock created a very strong origins story. When you think, from the title alone, that Ray Kroc is the founder of McDonald’s, you’re wrong. At first, the deal is friendly and Kroc listens to the brothers. But eventually Kroc walks away with the success, the money AND the name McDonald’s. A name the actual McDonald brothers weren’t allowed to use anymore. Kroc smelled money and success and became greedy and ruthless.
Michael Keaton really got his comeback since he starred in “Birdman”. Again he shows us what a fabulous actor he is. He steals the show in “The Founder”, he makes it a good movie. At first you sympathize with Kroc, you wish him fortune. But eventually you feel some aversion towards him.
The film might not be very surprising plot wise, but the way to success is told very well. But especially Keaton’s performance is a reason to watch “The Founder”.

Rating: 4/ 5

dinsdag 28 november 2017

100 Movie Challenge 2017 - # 122: Spider-Man: Homecoming

Director: Jon Watts
Genre: Action/ Comedy/ Adventure/ Science Fiction
Runtime: 133 minutes
Year: 2017
Starring: Tom Holland, Michael Keaton, Robert Downey Jr., Marisa Tomei, Jon Favreau, Donald Glover, Tony Revolori, Jennifer Connelly, Angourie Rice, Logan Marshall-Green, Martin Starr, Gwyneth Paltrow

Description: Peter Parker (Tom Holland) balances his life as an ordinary high school student in Queens with his superhero alter-ego Spider-Man, and finds himself on the trail of a new menace prowling the skies of New York City.

Review: Spider-Man has always been one of the most popular superheroes. Iron Man got more popular because of the movies and Robert Downey Jr. The two work together in “Spider-Man: Homecoming”.
Spider-Man has had his ups and downs. “Spider-Man 3” couldn’t keep up with the two previous movies. The reboot films did okay, but weren’t as amazing as the title let us believe. Sony and Marvel had to come up with something new to give the popular webslinger the movie he deserves. The result: Spider-Man is part of the shared universe of Marvel. In “Spider-Man: Homecoming” there are many moments were they show us that. Teen Peter Parker is constantly reminded of his adult colleagues. It’s all sounds like a big marketing trick, but it’s all relevant. Peter struggles with the inner conflict of being the little fish in a small pond.
Tom Holland’s Spider-Man was shortly seen in “Captain America: Civil War”. And that guest appearance is the starting point for “Spider-Man: Homecoming”. In a world where superheroes are common, Peter Parker thinks it’s an honor to work with the team of Avengers. But after an experience like that, it’s hard for Peter to pick up his old life. Especially when Tony Starks tells him that he might receive a call, but Peter never does. Spider-Man is in the Marvel universe, but he is not yet an Avenger.
This is the sixth Spider-Man film in fifteen years, so it isn’t good enough to let the superhero just do his tricks and fight a random villain. Marvel is clever enough and uses a lot of variation. The origin story, of how Peter Parker became Spider-Man, is left behind. And it’s not Spidey just swinging from huge buildings, he goes further than that.
What keeps it all together? Tom Holland! Where predecessors Tobey Maguire and Andrew Garfield were about 10 years to old for the role, the young British actor is perfect to play Peter Parker. His enthusiasm is a breath of fresh air. And his great comedic timing make you almost forget that he is also very capable of performing in more dramatic scenes. Even opposite of veterans like Robert Downey Jr. and Michael Keaton.
Peter Parker still has to prove himself as an Avenger, but this version of Spider-Man promises a very bright future.

Rating: 4,5/ 5

dinsdag 3 oktober 2017

100 Movie Challenge 2017 - # 105: Need For Speed

Director: Scott Waugh
Genre: Action/ Crime
Runtime: 131 minutes
Year: 2014
Starring: Aaron Paul, Dominic Cooper, Imogen Poots, Rami Malek, Dakota Johnson, Michael Keaton

Description: Fresh from prison, a street racer (Aaron Paul) who was framed by a wealthy business associate (Dominic Cooper) joins a cross country race with revenge in mind. His ex-partner, learning of the plan, places a massive bounty on his head as the race begins.

Review: Movies based on videogames don’t have a good reputation. When it’s a race game where the story barely even matters, the fans are skeptic. But “Need For Speed” has some tricks up its sleeve: a big budget, a talented cast and an ambitious director.
“Need For Speed” is based on the game with the same name, where the first part came out in 1994. The story is about Tobey Marshall, the owner of a garage and a talented street racer. When his garage has financial struggles, his arrogant rival Dino Brewster gets him to join an illegal street race, where the winner gets a large amount of money. The race ends up in disaster, when one of the cars makes a fatal crash. Dino gets out before he gets in trouble, but Tobey gets the blame for it. After two years of prison, he is determined to clear his name and take revenge on Dino.
Action movies like this don’t really need an intelligent plot or a surprising course of events. Beautiful cars and spectacular races and chases are enough. Director Waugh experimented with angles while filming those races: from the first person, from the sky, far away and up close. And he manages to make you feel that speed. And the stunts are real, no green screens. “Need For Speed” is visually very well done.
Aaron Paul does a good job and I really liked his chemistry with Imogen Poots. But the dialogue is so silly and clumsy sometimes. Michael Keaton is one of my favorites, but his role is a bit strange and I don’t know why he is in this film. His character seems unnecessary. And that strip scene by Rami Malek didn’t belong here either.
“Need For Speed” is filled with clichés, but this film does have something. The film never bored me, even though I have no connection with cars whatsoever. Maybe it was Aaron Paul…

Rating: 3/ 5

donderdag 16 februari 2017

100 Movie Challenge 2017 - # 27: Night Shift

Director: Ron Howard
Genre: Comedy
Runtime: 106 minutes
Year: 1982
Starring: Henry Winkler, Michael Keaton, Shelley Long, Clint Howard

Description: A morgue attendant (Henry Winkler) is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.

Review: “Night Shift” will not be in the AFI’s top 100 list, but it is funny. Chuck works in a morgue. His friend Bill talks him into running a brothel at his workplace, after a deceased pimp is sent there. Silly story, but pretty original if you ask me.
Why is this movie funny? I got two words: Michael Keaton! He is hilarious. His character Bill is very annoying, but Keaton made him loveable. Henry Winkler is okay and so is Shelley Long, but the constantly stand in Keaton’s shadow.
The plot is a bit silly, like I stated before. And the film targets a 17 to 25 year old male audience. “Night Shift” probably doesn’t hold up as well, its typical eighties humor.

Rating: 3/ 5

maandag 14 maart 2016

100 Movie Challenge 2016 - # 35: Minions

Director: Kyle Balda, Pierre Coffin
Genre: Animation/ Comedy/ Family
Runtime: 91 minutes
Year: 2015
Starring: Sandra Bullock, Jon Hamm, Michael Keaton, Allison Janney, Steve Coogan, Jennifer Saunders, Geoffrey Rush, Steve Carell, Pierre Coffin

Description: Minions Stuart, Kevin and Bob are recruited by Scarlet Overkill (Sandra Bullock), a super-villain who, alongside her inventor husband Herb (Jon Hamm), hatches a plot to take over the world.

Review: After the successful animation “Despicable Me” it was expected that there was going to be a spin-off/ origin story about the cute little yellow helpers: the minions. And they are capable of carrying their own movie.
In ”Minions” we see that the yellow men have been around for millions of years and they don’t grow older or reproduce. The minions always want to serve the biggest and most evil villain. After a war, they decide to build their own life in a cave. But after many years, they think it’s time to find a new master.
Three of the minions are send out for this mission. The relatively serious Kevin, the stubborn Stuart and the childish Bob. To focus on only three of them it’s easier to follow for kids and because of the three different characters there is a certain group dynamic. The fact that the minions speak an unknown language could be the films handicap, but interesting enough it isn’t. Their tone and body language often say enough for us to understand them. The comedy of the film is of the slapstick kind, for young viewers it’s a hilarious film.
I read several bad reviews for “Minions”, but I think it’s a perfect film for the targeted audience and I enjoyed the animation.

Rating: 3,5/ 5

donderdag 18 februari 2016

100 Movie Challenge 2016 - # 24: Spotlight

Director: Tom McCarthy
Genre: Drama/ Thriller
Runtime: 128 minutes
Year: 2015
Starring: Michael Keaton, Mark Ruffalo, Rachel McAdams, Live Schreiber, John Slattery, Brian D’Arcy James, Stanley Tucci, Billy Crudup

Description: The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.

Review: Marty Baron, the new boss at The Boston Globe, is very honest on his first day: he wants to write a story about the sexual abuse by Catholic priests and he wants the whole world to know about it. That’s easy to say for Baron, because not only is he Jewish, he also has no connection to the conservative and close community that is Boston.
The journalist team Spotlight notices that people have looked the other way for many years, when local priest John Geoghan structurally molested children in various parishes. And when they dig deeper, they stumble upon more priests. The church settled with many victims and their parents, but some priest just joined another parish. It’s clear that the church has power.
Director Tom McCarthy isn’t so much attacking the Catholic church with “Spotlight”, but he is raising questions to why no one did anything, when lots of people clearly knew about it. We also learn that many of the victims didn’t want any publicity or were afraid.
“Spotlight” is very detailed, just look at the hundreds of cubicles at The Boston Globe. And the actors had an eye for detail while preparing for their roles. This film is made with a lot of dedication.
Michael Keaton, who already played a convincing editor in “The Paper”, succeeds again in his role as Walter Robinson in “Spotlight”. His most fanatic journalist is Michael Rezendes who focuses on the legal side of everything. He is played by Mark Ruffalo. This is the best performance in the film. Rachel McAdams plays Sacha Pfeiffer. She gets the tough task to interview the victims. Also a very strong performance.
“Spotlight” is a strong biographical drama about investigative journalism, with strong performances and a disturbing story.

Rating: 5/ 5

vrijdag 15 mei 2015

Marry, Kiss, Cliff - Round 9

Round 9: Will Hunting (“Good Will Hunting”), Bruce Wayne (“Batman”) and Leonard (“Memento”)
 
Marry: To be honest Will Hunting is the only one with a somewhat normal life. He’s well-read and I like him. He’s nice.

Kiss: Bruce Wayne is loaded and also a little bit of a ladies man. Just one kiss would be enough and he would probably move on to the next girl or start chasing people dressed as penguins and cats. (Yes, I choose a Michael Keaton picture because he’s the best Batman. I love Christian Bale, but when I think of Batman I think of Keaton)

Cliff: Leonard would probably forget about me. Or he would kill me and then forget that as well. No, Leonard isn’t the perfect guy.

zondag 18 januari 2015

100 Movie Challenge 2015 - # 12: Birdman

Director: Alejandro González Iñárritu
Genre: Drama/ Comedy
Runtime: 119 minutes
Year: 2014
Starring: Michael Keaton, Emma Stone, Edward Norton, Naomi Watts, Zach Galifianakis, Andrea Riseborough, Amy Ryan

Description: Washed up actor Riggan Thomson (Michael Keaton), who once played an iconic superhero, battles his ego and attempts to recover his family, his career and himself in the days leading up to the opening of a Broadway play.

Review: Movies by Alejandro González Iñárritu were characterized by the way the story was told. A puzzle of unlucky, life changing decisions and what consequences they had on life. The characters put the pieces of the puzzle together. When Iñárritu made “Biutiful”, he focused on only one character. With “Birdman” the director decided to go further with that more intimate approach.
Riggan Thomson is loved by the audience for his role of Birdman. That character still lives in his head. As the actor of the fictional Birdman trilogy, he got the fame. But he wants to be adored by the whole world, so he wants to break through on Broadway as well. But before the play ‘What We Talk About, When We Talk About Love’ premieres, there are a lot of obstacle to overthrow. “Birdman” is self-conscious and has a lot of double layers. Choosing Michael Keaton to play an actor who used to play a superhero, was off course a deliberate choice, he got fame for playing “Batman”. There is a thin line between fiction and reality.
The cinematography is excellent. Iñárritu hardly used any montages, the movie looks like it was filmed in only one take. It seems like one long continuous shot.
Michael Keaton is sublime in his role as Riggan Thomson. It looks like Keaton will finally get the recognition he deserves, because he’s always been a fantastic actor. And Keaton is surrounded by an amazing supporting cast: Emma Stone, Edward Norton, Naomi Watts and Zach Galifianakis are all at the top of their game. Especially the last two should get more credit for their roles, Stone and Norton already did by receiving an Academy Award nomination as well as Keaton.
Alejandro González Iñárritu manages to keep “Birdman” light, with the dark humor. The cast performs incredibly well and visually this movie is an actual movie experience. “Birdman” is a fantastic film.

Rating: 5/ 5

donderdag 15 januari 2015

Oscar Predictions 2015

I'm going to give it a shot again. Today the nominees for the 87th annual Academy Awards were announced and I've been predicting the winners for a couple of years now. So this year is no different. Some really great nominees this year, but as usual I don't agree with every all the winners. So, here are my prediction on who will win and who I think should win the awards.

Best Motion Picture of the Year
Should Win: "The Grand Budapest Hotel" or "Whiplash"
Would Win: "Boyhood"

Best Performance by an Actor in a Leading Role
Should Win: Benedict Cumberbatch for "The Imitation Game" or Michael Keaton for "Birdman" 
Would Win: Eddie Redmayne for "The Theory of Everything"

Best Performance by an Actress in a Leading Role
Should Win: Rosamund Pike for "Gone Girl"
Would Win: Julianne Moore for "Still Alice"

Best Performance by an Actor in a Supporting Role
Should Win: J.K. Simmons for "Whiplash"
Would Win: J.K. Simmons for "Whiplash"

Best Performance by an Actress in a Supporting Role
Should Win: Emma Stone for "Birdman" or Keira Knightley for "The Imitation Game"
Would Win: Patricia Arquette for "Boyhood"

Best Achievement in Directing Should Win: Wes Anderson for "The Grand Budapest Hotel"
Would Win: Richard Linklater for "Boyhood"