Director: Glenn Ficarra, John Requa
Genre: Drama/ Comedy/ Romance
Runtime: 118 minutes
Year: 2011
Starring: Steve Carell, Ryan Gosling, Emma Stone, Julianne Moore, Marisa Tomei, Kevin Bacon, John Carroll Lynch, Analeigh Tipton, Joey King
Description: A middle-aged husband's (Steve Carell) life changes dramatically when his wife (Julianne Moore) asks him for a divorce. He seeks to rediscover his manhood with the help of a newfound friend, Jacob (Ryan Gosling), learning to pick up girls at bars.
Review: Filmmakers have tried so many times to create a romantic comedy that is liked by women and men. But they have only managed to succeed a couple of times. “Crazy Stupid Love” is one of them.
Cal is a decent, good 40 something guy, with a solid job, nice kids and a beautiful wife. During a nice dinner with his wife Emily, she surprises him with a request for a divorce. Because she slept with someone and they have drifted apart. Cal doesn’t know how to handle the situation and goes to bars, sobbing about his failed marriage. In that bar there also happens to be Jacob, a handsome, smooth talker that can score any woman any night. The two meet each other and Jacob decides to help Cal rediscover his manhood.
Cal and Jacob are the central figures in “Crazy Stupid Love”, but there are other characters struggling with love in many shapes and forms. And it’s one of the strongest elements of the film. All those different characters and their different feelings and emotions, they make sure everyone can relate to someone in this film. “Crazy Stupid Love” is fresh and has some surprising moments.
Every member of this cast seems perfect for their role. There is not one star, they are all equally good. And the humor and drama is in perfect balance.
“Crazy Stupid Love” is probably one of the best film to watch on a date.
Rating: 4,5/ 5
maandag 30 september 2019
dinsdag 24 september 2019
Movie Reviews - The Wolf Hour
Director: Alistair Banks Griffin
Genre: Drama
Runtime: 99 minutes
Year: 2019
Starring: Naomi Watts, Jennifer Ehle, Emory Cohen, Jeremy Bobb, Kelvin Harrison Jr.
Description: June (Naomi Watts) was once a known counter-culture figure, but that was a decade ago. She now lives alone in het South Bronx apartment, having all but cut herself off from the outside world. It’s the notorious “Summer of Sam” and June only has to look out her window to see the violence escalating with the brutal summer heat. The city is on a knife’s edge, a pressure-cooker about the explode into the incendiary 1977 New York blackout riots.
Review: It is the summer of 1977 and it’s hotter than hell. June Leigh sits on her window sill of her Bronx apartment. She once was a successful feminist writer, but now she doesn’t dare to leave her home. Outside, violence erupts and ‘Son of S am’ is murdering women.
“The Wolf Hour” is a peculiar film, but compelling in its own way. Mostly thanks to Naomi Watts’ excellent performance. She is committed to the role as a once-celebrated author, not hemmed in to her apartment by paranoia. Ans although there are other players, this is nearly a one woman show. And it’s set in only one location: June’s apartment. And strangely enough, it’s never boring. It gives you an almost claustrophobic feel throughout.
“The Wolf Hour” will definitely be one of those overlooked films that doesn’t get the attention it deserves. But it’s mainly Naomi Watts who makes this movie great.
Rating: 3,5/ 5
Genre: Drama
Runtime: 99 minutes
Year: 2019
Starring: Naomi Watts, Jennifer Ehle, Emory Cohen, Jeremy Bobb, Kelvin Harrison Jr.
Description: June (Naomi Watts) was once a known counter-culture figure, but that was a decade ago. She now lives alone in het South Bronx apartment, having all but cut herself off from the outside world. It’s the notorious “Summer of Sam” and June only has to look out her window to see the violence escalating with the brutal summer heat. The city is on a knife’s edge, a pressure-cooker about the explode into the incendiary 1977 New York blackout riots.
Review: It is the summer of 1977 and it’s hotter than hell. June Leigh sits on her window sill of her Bronx apartment. She once was a successful feminist writer, but now she doesn’t dare to leave her home. Outside, violence erupts and ‘Son of S am’ is murdering women.
“The Wolf Hour” is a peculiar film, but compelling in its own way. Mostly thanks to Naomi Watts’ excellent performance. She is committed to the role as a once-celebrated author, not hemmed in to her apartment by paranoia. Ans although there are other players, this is nearly a one woman show. And it’s set in only one location: June’s apartment. And strangely enough, it’s never boring. It gives you an almost claustrophobic feel throughout.
“The Wolf Hour” will definitely be one of those overlooked films that doesn’t get the attention it deserves. But it’s mainly Naomi Watts who makes this movie great.
Rating: 3,5/ 5
maandag 23 september 2019
TV Show Review - Mindhunter (Season 1)
Season: 1
Genre: Thriller/ Crime
Number of episodes: 10
Year: 2017
Starring: Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross, Stacey Roca, Cotter Smith
Description: Set in the late 1970s, tow FIB agents are tasked with interviewing serial killers to solve open cases.
Review: “Mindhunter” asks for you patience. The series needs some time to get in to, but it’s clever to stay put. “Mindhunter” is not your typical whodunit type of crime show or one that shows bloody crime scenes. “Mindhunter” focuses on the dialogue about murders and the discovery that the psyche of a serial killer is much more complex than you might have tought.
Director David Fincher, master mind behind movies like “Se7en” and “Zodiac”, is the executive producer of the show and even directed a few episodes. He managed to create tension without the standard approach of a crime thriller.
At the start of each episode we see a somewhat clumsy character with an evil side. It’s clear that the leading characters of the show will eventually encounter him, but the question is when.
Holden Ford, played by Jonathan Groff, is a young and ambitious detective. Always striking a suit, he is the prototype FBI agent. His interest in serial killers is not understood by everyone within the FBI. His co-worker Bill Tench, who studies behavioral science, sees potential in Ford’s theories. This eventually leads to them research and delving into the psyche of serial killers.
Ford and Tench start interviewing serial killers, that have been convicted for their crimes. The first they interview is Ed Kemper, who committed a series of brutal murders.
To improve their interrogation skills, the men get help from Dr. Wendy Carr and she eventually joins them in their research.
Besides focusing on the criminals and their minds, the series also pays attention to the personal lives of the agents. Holden meets a woman, who is his opposite in everything. Holden is pragmatic and introvert, when girlfriend Debbie experiments with drugs and sex and is very extravert. Bill’s situation at home might explain why he is interest in behavioral science. And Wendy, appears to be a lesbian.
“Mindhunter” is a series that has to grow, but the slow pace eventually becomes the show’s strongest trump. The multiple layers of the story make sure for an interesting view and it will fascinate you. The tension between the main characters and the serial killers get under your skin.
If you’re a fan of action packed crime shows, this might not be your cup of tea. But when you’re not easily distracted by complex dialogues and slowly build tension, this is definitely a must-see.
Genre: Thriller/ Crime
Number of episodes: 10
Year: 2017
Starring: Jonathan Groff, Holt McCallany, Anna Torv, Hannah Gross, Stacey Roca, Cotter Smith
Description: Set in the late 1970s, tow FIB agents are tasked with interviewing serial killers to solve open cases.
Review: “Mindhunter” asks for you patience. The series needs some time to get in to, but it’s clever to stay put. “Mindhunter” is not your typical whodunit type of crime show or one that shows bloody crime scenes. “Mindhunter” focuses on the dialogue about murders and the discovery that the psyche of a serial killer is much more complex than you might have tought.
Director David Fincher, master mind behind movies like “Se7en” and “Zodiac”, is the executive producer of the show and even directed a few episodes. He managed to create tension without the standard approach of a crime thriller.
At the start of each episode we see a somewhat clumsy character with an evil side. It’s clear that the leading characters of the show will eventually encounter him, but the question is when.
Holden Ford, played by Jonathan Groff, is a young and ambitious detective. Always striking a suit, he is the prototype FBI agent. His interest in serial killers is not understood by everyone within the FBI. His co-worker Bill Tench, who studies behavioral science, sees potential in Ford’s theories. This eventually leads to them research and delving into the psyche of serial killers.
Ford and Tench start interviewing serial killers, that have been convicted for their crimes. The first they interview is Ed Kemper, who committed a series of brutal murders.
To improve their interrogation skills, the men get help from Dr. Wendy Carr and she eventually joins them in their research.
Besides focusing on the criminals and their minds, the series also pays attention to the personal lives of the agents. Holden meets a woman, who is his opposite in everything. Holden is pragmatic and introvert, when girlfriend Debbie experiments with drugs and sex and is very extravert. Bill’s situation at home might explain why he is interest in behavioral science. And Wendy, appears to be a lesbian.
“Mindhunter” is a series that has to grow, but the slow pace eventually becomes the show’s strongest trump. The multiple layers of the story make sure for an interesting view and it will fascinate you. The tension between the main characters and the serial killers get under your skin.
If you’re a fan of action packed crime shows, this might not be your cup of tea. But when you’re not easily distracted by complex dialogues and slowly build tension, this is definitely a must-see.
zondag 22 september 2019
Movies to Look Forward to - October 2019
It's officially fall time and the perfect moment to go to the theaters. And since October is the month of Halloween, there are quite some scary movies on it. Here are some films to look forward to in October.
October 3rd – Joker
Director: Todd Phillips
Starring: Joaquin Phoenix, Robert De Niro, Bryan Tyree Herny, Zazie Beetz, Marc Maron, Shea Whigham, Brett Cullen
Description: An original standalone origin story of the iconic villain no seen before on the big screen. It’s a gritty character study of Arthur Fleck (Joaquin Phoenix), a man disregarded by society and a broader cautionary tale.
October 9th – A Shaun the Sheep Movie: Farmageddon
Director: Richard Phelan, Will becher
Starring: Justin Fletcher, John Sparkes, Kate Harbour, Chris Morrell
Description: When an alien with amazing powers crash-lands near Mossy Bottom Farm, Shaun the Sheep goes on a mission to shepherd the intergalactic visitor home before a sinister organization can capture her.
October 10th – Gemini Man
Director: Ang Lee
Starring: Will Smith, Elizabeth Winstead, Clive Owen, Benedict Wong
Description: An over-the-hill hitman (Will Smith) faces off against a younger clone of himself.
October 10th – The Goldfinch
Director: John Crowley
Starring: Nicole Kidman, Finn Wolfhard, Sarah Paulson, Ansel Elgort, Luke Wilson, Jeffrey Wright
Description: A boy in New York is taken in by a wealthy Upper East Side family after his mother is killed in a bombing at the Metropolitan Museum of Art.
October 23rd – Terminator – Dark Fate
Director: Tim Miller
Starring: Arnold Schwarzenegger, Linda Hamilton, Mackenzie Davis, Edward Furlong
Description: Plot unknown.
October 31st – Ready or Not
Director: Matt Bettinelli-Olpin, Tyler Gillet
Starring: Samara Weaving, Adam Brody, Mark O’Brien, Andie McDowell
Description: A bride’s wedding night takes a sinister turn when her eccentric new in-laws force her to take part in a terrifying game.
October 17th - Haunt
Director: Scott Beck, Bryan Woods
Starring: Katie Brittain, Will Brittain, Lauryn Alisa McClain, Andrew Caldwell, Shazi Raja, Schuyler Helford, Philip Johnson Richardson
Description: On Halloween, a group of friends encounter an "extreme" haunted house that promises to feed on their darkest fears. The night turns deadly as they come to the horrifying realization that some nightmares are real.
October 24th - Countdown
Director: Justin Deck
Starring: Anne Winters, Elizabeth Lail, Charlie McDermott
Description: When a nurse downloads an app that claims to predict the moment a person will die, it tells her she only has three days to live. With the clock ticking and a figure haunting her, she must find a way to save her life before time runs out.
October 3rd – Joker
Director: Todd Phillips
Starring: Joaquin Phoenix, Robert De Niro, Bryan Tyree Herny, Zazie Beetz, Marc Maron, Shea Whigham, Brett Cullen
Description: An original standalone origin story of the iconic villain no seen before on the big screen. It’s a gritty character study of Arthur Fleck (Joaquin Phoenix), a man disregarded by society and a broader cautionary tale.
October 9th – A Shaun the Sheep Movie: Farmageddon
Director: Richard Phelan, Will becher
Starring: Justin Fletcher, John Sparkes, Kate Harbour, Chris Morrell
Description: When an alien with amazing powers crash-lands near Mossy Bottom Farm, Shaun the Sheep goes on a mission to shepherd the intergalactic visitor home before a sinister organization can capture her.
October 10th – Gemini Man
Director: Ang Lee
Starring: Will Smith, Elizabeth Winstead, Clive Owen, Benedict Wong
Description: An over-the-hill hitman (Will Smith) faces off against a younger clone of himself.
October 10th – The Goldfinch
Director: John Crowley
Starring: Nicole Kidman, Finn Wolfhard, Sarah Paulson, Ansel Elgort, Luke Wilson, Jeffrey Wright
Description: A boy in New York is taken in by a wealthy Upper East Side family after his mother is killed in a bombing at the Metropolitan Museum of Art.
October 23rd – Terminator – Dark Fate
Director: Tim Miller
Starring: Arnold Schwarzenegger, Linda Hamilton, Mackenzie Davis, Edward Furlong
Description: Plot unknown.
October 31st – Ready or Not
Director: Matt Bettinelli-Olpin, Tyler Gillet
Starring: Samara Weaving, Adam Brody, Mark O’Brien, Andie McDowell
Description: A bride’s wedding night takes a sinister turn when her eccentric new in-laws force her to take part in a terrifying game.
October 17th - Haunt
Director: Scott Beck, Bryan Woods
Starring: Katie Brittain, Will Brittain, Lauryn Alisa McClain, Andrew Caldwell, Shazi Raja, Schuyler Helford, Philip Johnson Richardson
Description: On Halloween, a group of friends encounter an "extreme" haunted house that promises to feed on their darkest fears. The night turns deadly as they come to the horrifying realization that some nightmares are real.
October 24th - Countdown
Director: Justin Deck
Starring: Anne Winters, Elizabeth Lail, Charlie McDermott
Description: When a nurse downloads an app that claims to predict the moment a person will die, it tells her she only has three days to live. With the clock ticking and a figure haunting her, she must find a way to save her life before time runs out.
20 Best Quentin Tarantino Characters
With "Once Upon a Time in Hollywood" still in theaters, I decided it would be fun to take a look at all those great character director Quentin Tarantino created over the years.
20. Hugo Stiglitz (Til Schweiger) in “Inglourious Basterds”
Til Schweiger truly puts the ‘glorious’ in his Baserd as a defected German sergeant with a penchant for murdering Nazis in the sickest ways possible.
19. Butch Coolidge (Bruce Willis) in “Pulp Fiction”
Boxer Butch Coolidge ain’t nobody’s bitch. Fleeing from the scene after accidentally killing his opponent in the ring, Coolidge is still the closest thing “Pulp Fiction” has to a good guy. Butch later embraces his bloodlust by slicing and dicing his would-be rapist, who couldn’t have picked a worse guy to screw with.
18. Lt. Aldo Raine (Brad Pitt) in “Inglourious Basterds”
Aldo Raine is the leader of the Basterds and and Apache descendant, who loved killing and scalping Nazis. Not the brightest star in the universe, but he does everything to get to his goal.
17. Vincent Vega (John Travolta) in “Pulp Fiction”
John Travolta pulled a dramatic career U-turn as Vincent Vega, the icy calm at the center of “Pulp Fiction” manic universe. He always remains the picture of coolness. Even when he has to show his moves on the dancefloor with Mia Wallace or when he accidentally shoots a guy in the head.
16. O-Ren Ishii (Lucy Liu) in “Kill Bill”
One of the Deadly Vipers on The bride’s to-do list. O-Ren gets the most fleshed out backstories of all the Kill Bill villains: orphaned by the Yakuza, eventually getting her much needed and deserved revenge. She becomes a master assassin and heads a Tokyo crime syndicate complete with her own Crazy 88 army.
15. Stuntman Mike (Kurt Russell) in “Death Proof”
“Death Proof” is the only Tarantino film that I didn’t like, but Stuntman Mike is its only redeeming feature. A psychopath hard-wired on murdering innocent female passengers by crashing his ‘death proof’ stunt car.
14. Dr. King Schultz (Christoph Waltz) in “Django Unchained”
Schultz is a bounty hunter, but also a righteous campaigner for racial equality. He teams up with ex-slave Django to free his wife from Calvin Candie. A man of tall tales, Schultz is a sharp-shooter but a sharper dresser. King is a man of principle, even when it costs him the ultimate price.
13. Mia Wallace (Uma Thurman) in “Pulp Fiction”
With a wit only as sharp as her bob, Mia Wallace is a very modern gangster’s moll: a thrillseeker whose actions are even more irresponsible than her husband’s. if you ignore the overdose, she’s a delightful dinner companion, able to fill any awkward silence and capable of tearing up the dance floor.
12. Stephen (Samuel L. Jackson) in “Django Unchained”
Calvin Candy is the obvious villain in “Django Unchained”, but there’s something even more insidious about his house slave Stephen: a man who seemingly turned his back on his entire race. Stephen is either a desperate victim forced into the unthinkable by circumstance, or the most insidiously evil character in the movie. I think the latter.
11. Mr. White (Harvey Keitel) in “Reservoir Dogs”
He can’t make a clean getaway. He shows some mercy to his fatally wounded companion Mr. Orange after their diamond heist went wrong. Stoic and composed, Mr. White displays chinks of humanity that the rest of the Reservoir Dogs fill with greed.
10. Rick Dalton (Leonardo DiCaprio) in “Once Upon a Time in Hollywood”
Rick Dalton is a TV actor who’s on his way back and is only playing villains in TV pilots. Dalton would rather self-destruct than acknowledge he doesn’t truly matter anymore. He is so magnetic because he’s also wildly funny. Played by an actor that is not known for his funny roles, Leonardo DiCaprio is completely loveable, ludicrously demanding and he has a child-like sense of wonder.
9. Jackie Brown (Pam Grier) in “Jackie Brown”
The heroine of “Jackie Brown” is a blaxploitation legend of her own right. The stewardess/ smuggler checks in that baggage to her advantage, expertly playing off the cops and criminals, Jacki is one of the baddest asses in the Tarantino universe.
8. Jules Winnfield (Samuel L. Jackson) in “Pulp Fiction”
It’s tough to define cool, particularly in a Tarantino movie that’s super cool. But then there is Jules Winnfield, the coolest of them all. A burger eating and verbally strong hitman, who has some of the most quotable lines in movie history.
7. Elle Driver (Daryl Hannah) in “Kill Bill”
Elle Driver is definitely the coolest of Bill’s hit squad, with a rad accessory: a patch covering the gaping socket from where Pai Mei pulled her eye. Elle is a direct rival of The Bride, mainly for the affections of their master Bill. And the trailer cat-fight is without a doubt a highlight of the film.
6. Shosanna Dreyfuss (Mélanie Laurent) in “Inglourious Basterds”
Revenge is a dish best served cold, or if you’re war survivor Shoshanna, a dish best served roasted and dripping in Nazi blood. Narrowly avoiding being killed, she sets her sight high with the help of the Basterds, brings down Hitler and his Third Reich with a fiery massacre in her own movie theater.
5. Mr. Pink (Steve Buscemi) in “Reservoir Dogs”
Mr. Pink is a nitpicker. He’s not happy with his codename Mr. Pink, he doesn’t tip. He is, however, an utmost professional, and is the only man smart enough to escape with his life. It’s easy to see why Tarantino loved this character so much, he initially wanted to play the role himself.
4. Mr. Blonde (Michael Madsen) in “Reservoir Dogs”
Mr. Blonde is the darkest soul of all of the Reservoir Dogs gang. A man for whom torture is an activity to be set to music. Michael Madsen nails the quesy tone, adding style and swagger to his sadistic deeds. He is Tarantino’s most vicious villain.
3. Cliff Booth (Brad Pitt) in “Once Upon a Time in Hollywood”
Could stuntman Cliff Booth be Brad Pitt’s greatest achievement. He’s certainly on the list. The kind of character that only Pitt could have played in this stage of his life and definitely the best part of “Once Upon a Time in Hollywood”.
2. Col. Hans Landa (Christoph Waltz) in “Inglourious Basterds”
This is the role that introduced Hollywood to Christoph Waltz (and the Oscars). Hans Landa is a once-in-a-lifetime part: a comic book bad guy with a silver tongue. Is he Tarantino’s most detestable character? Certainly up on the list, but he is definitely one of the smartest. Landa is both charming and terrifying at the same part.
1. Beatrix Kiddo aka The Bride (Uma Thurman) in “Kill Bill”
We first meet Beatrix Kiddo at her most vulnerable: pregnant, beaten, shivering and at the mercy of her former lover, she’s staring down the barrel of a gun that’s about to go off. Thus begins the epic journey of The Bride, who never made it down the aisle. Left for dead, but miraculously survived. And she has a hitlist, taking down all the sons of bitches that caused a bloodbath at her wedding (which was actually a rehearsal). With no mercy whatsoever.
Honorable mentions: Louis Gara (Robert De Niro) – Jackie Brown, Ray Nicolette (Michael Keaton) – Jackie Brown, Pai Mei (Gordon Liu) – Kill Bill Vol. 2, Donny Donowitz (Eli Roth) – Inglourious Basterds, Marsellus Wallace (Ving Rhames) – Pulp Fiction, Calvin Candie (Leonardo DiCaprio) - Django Unchained, Ordell Robbie (Samuel L. Jackson) – Jackie Brown, Mr. Orange (Tim Roth) – Reservoir Dogs, Captain Koons (Christopher Walken) – Pulp Fiction
20. Hugo Stiglitz (Til Schweiger) in “Inglourious Basterds”
Til Schweiger truly puts the ‘glorious’ in his Baserd as a defected German sergeant with a penchant for murdering Nazis in the sickest ways possible.
19. Butch Coolidge (Bruce Willis) in “Pulp Fiction”
Boxer Butch Coolidge ain’t nobody’s bitch. Fleeing from the scene after accidentally killing his opponent in the ring, Coolidge is still the closest thing “Pulp Fiction” has to a good guy. Butch later embraces his bloodlust by slicing and dicing his would-be rapist, who couldn’t have picked a worse guy to screw with.
18. Lt. Aldo Raine (Brad Pitt) in “Inglourious Basterds”
Aldo Raine is the leader of the Basterds and and Apache descendant, who loved killing and scalping Nazis. Not the brightest star in the universe, but he does everything to get to his goal.
17. Vincent Vega (John Travolta) in “Pulp Fiction”
John Travolta pulled a dramatic career U-turn as Vincent Vega, the icy calm at the center of “Pulp Fiction” manic universe. He always remains the picture of coolness. Even when he has to show his moves on the dancefloor with Mia Wallace or when he accidentally shoots a guy in the head.
16. O-Ren Ishii (Lucy Liu) in “Kill Bill”
One of the Deadly Vipers on The bride’s to-do list. O-Ren gets the most fleshed out backstories of all the Kill Bill villains: orphaned by the Yakuza, eventually getting her much needed and deserved revenge. She becomes a master assassin and heads a Tokyo crime syndicate complete with her own Crazy 88 army.
15. Stuntman Mike (Kurt Russell) in “Death Proof”
“Death Proof” is the only Tarantino film that I didn’t like, but Stuntman Mike is its only redeeming feature. A psychopath hard-wired on murdering innocent female passengers by crashing his ‘death proof’ stunt car.
14. Dr. King Schultz (Christoph Waltz) in “Django Unchained”
Schultz is a bounty hunter, but also a righteous campaigner for racial equality. He teams up with ex-slave Django to free his wife from Calvin Candie. A man of tall tales, Schultz is a sharp-shooter but a sharper dresser. King is a man of principle, even when it costs him the ultimate price.
13. Mia Wallace (Uma Thurman) in “Pulp Fiction”
With a wit only as sharp as her bob, Mia Wallace is a very modern gangster’s moll: a thrillseeker whose actions are even more irresponsible than her husband’s. if you ignore the overdose, she’s a delightful dinner companion, able to fill any awkward silence and capable of tearing up the dance floor.
12. Stephen (Samuel L. Jackson) in “Django Unchained”
Calvin Candy is the obvious villain in “Django Unchained”, but there’s something even more insidious about his house slave Stephen: a man who seemingly turned his back on his entire race. Stephen is either a desperate victim forced into the unthinkable by circumstance, or the most insidiously evil character in the movie. I think the latter.
11. Mr. White (Harvey Keitel) in “Reservoir Dogs”
He can’t make a clean getaway. He shows some mercy to his fatally wounded companion Mr. Orange after their diamond heist went wrong. Stoic and composed, Mr. White displays chinks of humanity that the rest of the Reservoir Dogs fill with greed.
10. Rick Dalton (Leonardo DiCaprio) in “Once Upon a Time in Hollywood”
Rick Dalton is a TV actor who’s on his way back and is only playing villains in TV pilots. Dalton would rather self-destruct than acknowledge he doesn’t truly matter anymore. He is so magnetic because he’s also wildly funny. Played by an actor that is not known for his funny roles, Leonardo DiCaprio is completely loveable, ludicrously demanding and he has a child-like sense of wonder.
9. Jackie Brown (Pam Grier) in “Jackie Brown”
The heroine of “Jackie Brown” is a blaxploitation legend of her own right. The stewardess/ smuggler checks in that baggage to her advantage, expertly playing off the cops and criminals, Jacki is one of the baddest asses in the Tarantino universe.
8. Jules Winnfield (Samuel L. Jackson) in “Pulp Fiction”
It’s tough to define cool, particularly in a Tarantino movie that’s super cool. But then there is Jules Winnfield, the coolest of them all. A burger eating and verbally strong hitman, who has some of the most quotable lines in movie history.
7. Elle Driver (Daryl Hannah) in “Kill Bill”
Elle Driver is definitely the coolest of Bill’s hit squad, with a rad accessory: a patch covering the gaping socket from where Pai Mei pulled her eye. Elle is a direct rival of The Bride, mainly for the affections of their master Bill. And the trailer cat-fight is without a doubt a highlight of the film.
6. Shosanna Dreyfuss (Mélanie Laurent) in “Inglourious Basterds”
Revenge is a dish best served cold, or if you’re war survivor Shoshanna, a dish best served roasted and dripping in Nazi blood. Narrowly avoiding being killed, she sets her sight high with the help of the Basterds, brings down Hitler and his Third Reich with a fiery massacre in her own movie theater.
5. Mr. Pink (Steve Buscemi) in “Reservoir Dogs”
Mr. Pink is a nitpicker. He’s not happy with his codename Mr. Pink, he doesn’t tip. He is, however, an utmost professional, and is the only man smart enough to escape with his life. It’s easy to see why Tarantino loved this character so much, he initially wanted to play the role himself.
4. Mr. Blonde (Michael Madsen) in “Reservoir Dogs”
Mr. Blonde is the darkest soul of all of the Reservoir Dogs gang. A man for whom torture is an activity to be set to music. Michael Madsen nails the quesy tone, adding style and swagger to his sadistic deeds. He is Tarantino’s most vicious villain.
3. Cliff Booth (Brad Pitt) in “Once Upon a Time in Hollywood”
Could stuntman Cliff Booth be Brad Pitt’s greatest achievement. He’s certainly on the list. The kind of character that only Pitt could have played in this stage of his life and definitely the best part of “Once Upon a Time in Hollywood”.
2. Col. Hans Landa (Christoph Waltz) in “Inglourious Basterds”
This is the role that introduced Hollywood to Christoph Waltz (and the Oscars). Hans Landa is a once-in-a-lifetime part: a comic book bad guy with a silver tongue. Is he Tarantino’s most detestable character? Certainly up on the list, but he is definitely one of the smartest. Landa is both charming and terrifying at the same part.
1. Beatrix Kiddo aka The Bride (Uma Thurman) in “Kill Bill”
We first meet Beatrix Kiddo at her most vulnerable: pregnant, beaten, shivering and at the mercy of her former lover, she’s staring down the barrel of a gun that’s about to go off. Thus begins the epic journey of The Bride, who never made it down the aisle. Left for dead, but miraculously survived. And she has a hitlist, taking down all the sons of bitches that caused a bloodbath at her wedding (which was actually a rehearsal). With no mercy whatsoever.
Honorable mentions: Louis Gara (Robert De Niro) – Jackie Brown, Ray Nicolette (Michael Keaton) – Jackie Brown, Pai Mei (Gordon Liu) – Kill Bill Vol. 2, Donny Donowitz (Eli Roth) – Inglourious Basterds, Marsellus Wallace (Ving Rhames) – Pulp Fiction, Calvin Candie (Leonardo DiCaprio) - Django Unchained, Ordell Robbie (Samuel L. Jackson) – Jackie Brown, Mr. Orange (Tim Roth) – Reservoir Dogs, Captain Koons (Christopher Walken) – Pulp Fiction
woensdag 18 september 2019
Movie Reviews - It Chapter Two
Director: Andy Muschietti
Genre: Horror
Runtime: 169 minutes
Year: 2019
Starring: Jessica Chastain, James McAvoy, Bill Hader, Isaiah Mustafa, Jay Ryan, James Ransone, Andy Bean, Bill Skarsgård, Jaeden Martell, Wyatt Oleff, Jack Dylan Grazer, Finn Wolfhard, Sophia Lillis, Chosen Jacobs, Jeremy Ray Taylor, Teach Grant, Nicholas Hamiltoon, Javier Botet, Xavier Dolan, Taylor Frey, Molly Atkinson
Description: Twenty-seven years after their first encounter with the terrifying Pennywise, the Losers Club have grown up and moved away, until a devastating phone call brings them back.
Review: Twenty-seven years ago, the Losers Club took an oath: if It returns, they will return to Derry and kill It. Most have buried their younger years and all the terrifying happenings, but a phone call from the only one that stayed in Derry brings it all back to them. Only together they can beat It.
Director Andy Muschietti managed to surprise everyone with his version of “It”. It was a stylish coming-of-ages story with jump scares. The movie, based on a novel by Stephen King, wasn’t gruesome horror but it was very well crafted. In “It Chapter Two”, we move on with the story. Mike is the only Loser that stayed in Derry and he definitely didn’t forget about Pennywise. After the brutal murder of one of the citizens, he is sure It returned and he contacts every member of the group in ask to return.
Th first film was a success partially because of the young cast and their recognizable stories and fears. Everyone feels like an outsider at times and together they could face their fears. In “It Chapter Two” that feeling of being connected is strong present again, because when they see each other after so many years it feels like the old days. The resemblance with their younger versions are uncanning and each of them was perfectly cast for the role. Especially Bill Hader as adult Richie, who is the best part of the film.
Their chemistry is here also very strong. Sadly a big chunk of the film is each of them going on a quest on their own. That’s the only negative thing I have to say about the film. Because the film and story are strongest when the group is together. That group dynamic is very important and works well.
The film has some really big jump scares and it has more blood and gore than the first film. But it still shows that Muschietti has love for the craft and for this story. Because the film looks stunning.
Like in most cases, “It Chapter Two” isn’t as good as its predecessor, but it still a really strong film.
Rating: 4/ 5
Genre: Horror
Runtime: 169 minutes
Year: 2019
Starring: Jessica Chastain, James McAvoy, Bill Hader, Isaiah Mustafa, Jay Ryan, James Ransone, Andy Bean, Bill Skarsgård, Jaeden Martell, Wyatt Oleff, Jack Dylan Grazer, Finn Wolfhard, Sophia Lillis, Chosen Jacobs, Jeremy Ray Taylor, Teach Grant, Nicholas Hamiltoon, Javier Botet, Xavier Dolan, Taylor Frey, Molly Atkinson
Description: Twenty-seven years after their first encounter with the terrifying Pennywise, the Losers Club have grown up and moved away, until a devastating phone call brings them back.
Review: Twenty-seven years ago, the Losers Club took an oath: if It returns, they will return to Derry and kill It. Most have buried their younger years and all the terrifying happenings, but a phone call from the only one that stayed in Derry brings it all back to them. Only together they can beat It.
Director Andy Muschietti managed to surprise everyone with his version of “It”. It was a stylish coming-of-ages story with jump scares. The movie, based on a novel by Stephen King, wasn’t gruesome horror but it was very well crafted. In “It Chapter Two”, we move on with the story. Mike is the only Loser that stayed in Derry and he definitely didn’t forget about Pennywise. After the brutal murder of one of the citizens, he is sure It returned and he contacts every member of the group in ask to return.
Th first film was a success partially because of the young cast and their recognizable stories and fears. Everyone feels like an outsider at times and together they could face their fears. In “It Chapter Two” that feeling of being connected is strong present again, because when they see each other after so many years it feels like the old days. The resemblance with their younger versions are uncanning and each of them was perfectly cast for the role. Especially Bill Hader as adult Richie, who is the best part of the film.
Their chemistry is here also very strong. Sadly a big chunk of the film is each of them going on a quest on their own. That’s the only negative thing I have to say about the film. Because the film and story are strongest when the group is together. That group dynamic is very important and works well.
The film has some really big jump scares and it has more blood and gore than the first film. But it still shows that Muschietti has love for the craft and for this story. Because the film looks stunning.
Like in most cases, “It Chapter Two” isn’t as good as its predecessor, but it still a really strong film.
Rating: 4/ 5
maandag 16 september 2019
TV Show Review - Peaky Blinders (Season 3)
Genre: Thriller/ Drama/ Crime
Number of episodes: 6
Year: 2016
Starring: Cillian Murphy, Helen McCrory, Paul Anderson, Annabelle Wallis, Sophie Rundle, Joe Cole, Tom Hardy, Paddy Considine, Natasha O’Keefe, Packy Lee, Finn Cole, Kate Phillips, Gaite Jansen
Description: Set in 1924, two years after the events in series 2. It follows the Shelby family as they enter a dangerous world of international intrigue. Tommy Shelby (Cillian Murphy) and his entire organization are at risk forcing him to question everything about his ambitions and desires.
Review: After two very strong seasons, expectations are very high. And even though it never reaches that same level, “Peaky Blinders” is still one of the best crime series out there. The people Tommy Shelby and his organization have to face this time, are stronger than ever. Series 3 follows the same kind of pattern, but eventually manages to surprise big at the end.
The third season focusses on personal development. A quest for their role in this complete picture. At the start everyone is living their best life: Tommy marries Grace, live in a beautiful mansion and have a son named Charlie. Even the very unstable and aggressive Arthur is married now and has devoted himself to the lord. But in that first episode, they also see that trouble isn’t that far away. And this time it’s the Russians. The Bourgeoisie that were send away from Russia by the communists. They want to return, but need the Peaky Blinders to find weapons. They are represented by a wealthy family, with especially daughter Tatiana playing a confusing role in this all. Driving Tommy crazy.
Arthur is led by his wife Linda. Aunt Polly is in search for love and acknowledgment. She seems weaker then ever and regularly reaches for the bottle. Her son Michael is confronted with a reverend from his past. This same reverend, Hughes, becomes Tommy’s biggest threat.
Series 3 is a filled with political games. Which will intrigue viewers, but misses the sparks from the previous two seasons. But it’s still on top, when it comes to other shows in this genre. The acting is again great. Cillian Murphy’s Tommy shows more weak moments and he loses his cool a couple of times. Which is a Tommy we didn’t see often yet. And we are introduced to Reverend Hughes, played wonderfully by Paddy Considine.
A good third season, I’m ready for season 4.
Number of episodes: 6
Year: 2016
Starring: Cillian Murphy, Helen McCrory, Paul Anderson, Annabelle Wallis, Sophie Rundle, Joe Cole, Tom Hardy, Paddy Considine, Natasha O’Keefe, Packy Lee, Finn Cole, Kate Phillips, Gaite Jansen
Description: Set in 1924, two years after the events in series 2. It follows the Shelby family as they enter a dangerous world of international intrigue. Tommy Shelby (Cillian Murphy) and his entire organization are at risk forcing him to question everything about his ambitions and desires.
Review: After two very strong seasons, expectations are very high. And even though it never reaches that same level, “Peaky Blinders” is still one of the best crime series out there. The people Tommy Shelby and his organization have to face this time, are stronger than ever. Series 3 follows the same kind of pattern, but eventually manages to surprise big at the end.
The third season focusses on personal development. A quest for their role in this complete picture. At the start everyone is living their best life: Tommy marries Grace, live in a beautiful mansion and have a son named Charlie. Even the very unstable and aggressive Arthur is married now and has devoted himself to the lord. But in that first episode, they also see that trouble isn’t that far away. And this time it’s the Russians. The Bourgeoisie that were send away from Russia by the communists. They want to return, but need the Peaky Blinders to find weapons. They are represented by a wealthy family, with especially daughter Tatiana playing a confusing role in this all. Driving Tommy crazy.
Arthur is led by his wife Linda. Aunt Polly is in search for love and acknowledgment. She seems weaker then ever and regularly reaches for the bottle. Her son Michael is confronted with a reverend from his past. This same reverend, Hughes, becomes Tommy’s biggest threat.
Series 3 is a filled with political games. Which will intrigue viewers, but misses the sparks from the previous two seasons. But it’s still on top, when it comes to other shows in this genre. The acting is again great. Cillian Murphy’s Tommy shows more weak moments and he loses his cool a couple of times. Which is a Tommy we didn’t see often yet. And we are introduced to Reverend Hughes, played wonderfully by Paddy Considine.
A good third season, I’m ready for season 4.
dinsdag 10 september 2019
Movie Reviews - Can You Ever Forgive Me?
Director: Marielle Heller
Genre: Drama/ Comedy
Runtime: 109 minutes
Year: 2018
Starring: Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone, Jane Curtin
Description: When writer Lee Israel (Melissa McCarthy) falls out of step with current taste, she turns her art form to deception.
Review: Author Lee Israel called it her best work: the letters that got her arrested. To get by, Israel sold letters from famous writers like Noël Coward, Dorothy Parker and Ernest Hemmingway. She wrote them herself, on old typewriters, in the style of the sender. And she did it well, that even highly trained literary collectors didn’t see they were forged. She eventually managed to sell around 400 letters.
Israel had some success in the seventies and eighties, with two well received biographies. After her book about Estée Lauder didn’t become a bestselling novel, writer’s block hit her right in the face. And she lost total grace in the literary world. But this was also her character. Israel was a complex and difficult to deal with woman. A mundane job was not for her. When she hit rock bottom, forging letters was her way out.
It took her a year and a half to be discovered by the FBI. “Can You Ever Forgive Me?” is based on Israel’s memoires, and shows how she worked. But most of all how pigheaded, weary and witty she actually was. It’s an alluring portrait of an anything but alluring woman. And she isn’t your typical main character, definitely not as a woman. That the film makers decided not to make her more sympathetic, is a very bold move. But it works very well because of it.
Melissa McCarthy is mostly known for her comedy roles and she often is very over the top. But in “Can You Ever Forgive Me” she is admirably modest. And because they don’t put the focus on the laughs, the jokes work better and Israel’s harrowing loneliness is more perceptible. Richard E. Grant plays Jack Hock, a similar type of outcast who befriends Israel. And his performance is super strong as well. Both actors were nominated for an Academy Award for their roles.
Touching moments and harsh humor vary and the film is wonderfully crafted.
Rating: 4,5/ 5
Genre: Drama/ Comedy
Runtime: 109 minutes
Year: 2018
Starring: Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone, Jane Curtin
Description: When writer Lee Israel (Melissa McCarthy) falls out of step with current taste, she turns her art form to deception.
Review: Author Lee Israel called it her best work: the letters that got her arrested. To get by, Israel sold letters from famous writers like Noël Coward, Dorothy Parker and Ernest Hemmingway. She wrote them herself, on old typewriters, in the style of the sender. And she did it well, that even highly trained literary collectors didn’t see they were forged. She eventually managed to sell around 400 letters.
Israel had some success in the seventies and eighties, with two well received biographies. After her book about Estée Lauder didn’t become a bestselling novel, writer’s block hit her right in the face. And she lost total grace in the literary world. But this was also her character. Israel was a complex and difficult to deal with woman. A mundane job was not for her. When she hit rock bottom, forging letters was her way out.
It took her a year and a half to be discovered by the FBI. “Can You Ever Forgive Me?” is based on Israel’s memoires, and shows how she worked. But most of all how pigheaded, weary and witty she actually was. It’s an alluring portrait of an anything but alluring woman. And she isn’t your typical main character, definitely not as a woman. That the film makers decided not to make her more sympathetic, is a very bold move. But it works very well because of it.
Melissa McCarthy is mostly known for her comedy roles and she often is very over the top. But in “Can You Ever Forgive Me” she is admirably modest. And because they don’t put the focus on the laughs, the jokes work better and Israel’s harrowing loneliness is more perceptible. Richard E. Grant plays Jack Hock, a similar type of outcast who befriends Israel. And his performance is super strong as well. Both actors were nominated for an Academy Award for their roles.
Touching moments and harsh humor vary and the film is wonderfully crafted.
Rating: 4,5/ 5
donderdag 5 september 2019
All Quentin Tarantino Movies Ranked
With "Once Upon a Time in Hollywood" now in theaters, I decided to evaluate my all-time favorite director: Quentin Tarantino. Known for his powerful dialogues, structure in narrative and storyline and memorable characters. I ranked all of his movies, from least favorite to most favorite. I counted the "Kill Bill" movies as two seperated movies, because they are different from each other. What's yor favorite Quentin Tarantino movie?
10. Death Proof (2007)
“Death Proof” is erratic and oversaturated, even by Tarantino standards. An extended opening introduces us to Kurt Russell’s Stuntman Mike and a handful of coeds who spit one-liners as they inch towards inevitable death. Russell was the best part of the film and “Death Proof” is, to the day, the only Quentin Tarantino movie I didn’t like. “Death Proof” is too busy to adhering to the “Grindhouse” blueprint that the final product feels like a black sheep in the Tarantino mold.
9. Jackie Brown (1997)
Tarantino already had his career in the bag by the time he got to “Jackie Brown”. With anticipation comes pressure and “Jackie Brown” stood every chance of repeating formulas. But thankfully that didn’t happen. Based on Elmore Leonard’s novel “Rum Punch”, “Jackie Brown” follows a flight attendant whose secondary source of income is strictly under the table: smuggling money between Mexico and the US. “Jackie Brown” doesn’t only take its time with its characters, it replaces all the colorful bells and whistles that tend to show up in Tarantino movies and trims all excess. This film is tight, clever and brutal. And it’s from its grounded lack of showiness that “Jackie Brown” ends up leaving such a resounding impression.
8. The Hateful Eight (2015)
Tarantino’s take on a Western meets whodunnit. “The Hateful Eight” follows eight strangers who get stranded in a stagecoach stop during a blizzard. With its nearly three hour runtime, it can at times be a drag. But some truly tense moments, it being set in one location and a soundtrack by Ennio Morricone, make this a solid movie in general terms.
7. Django Unchained (2012)
Tarantino has no problem rewriting the past. In fact, he’s happy to create a character whose sole purpose is to directly influence some of the darkest moments in history. In “Django Unchained” his target is African-American slavery in the United States. The film revolves around the titular Django, who embarks on a life bounty hunt with the lively Dr. King Shultz, in order to find and rescue his wife Broomhilda. The revenge tale is as satisfying as it is deserved. Movies are often an arena where justice is served at the end of a bullet, and while many offer cathartic satisfaction, “Django Unchained” unites rage with heroism. Tarantino didn’t just craft a simple revenge fantasy, but a quest.
6. Kill Bill: Vol. 1 (2003)
“Kill Bill: Vol.1” marked a new era for Tarantino. With the biggest budget of his career, he had the money and freedom to make the action film he’d always wanted to see. Every frame is overloaded with references and the heart of a man who just loves movies. That joy of film making and obsession with pop culture is the heart of “Kill Bil:l Vol. 1”. It remains one of the greatest action movies of all time.
5. Kill Bill: Vol. 2 (2004)
What began as a bloodbath, finishes in the sequel “Kill Bill: Vol. 2” as more restrained and beautiful. This film adds emotional depth to its characters while gracefully expanding the story and universe of Tarantino, built in “Kill Bill: Vol. 1”.
4. Once Upon a Time in Hollywood (2019)
It’s impossible to ignore that “Once Upon a Time in Hollywood” is Tarantino’s most emotionally honest, his most beautiful looking and his funniest film. Brad Pitt (especially) and Leonardo DiCaprio are an absolute delight. “Once Upon a Time in Hollywood” shows again the love Tarantino has for movies and even though it’s long, it never suffers from that.
3. Inglourious Basterds (2009)
It might not be as cohesive as other Tarantino films, “Inglourious Basterds” is probably the most entertaining of the bunch. With scenes of high-tension, verbal sparring and scalp-smashing mayhem. The film is also notable for introducing us to Christoph Waltz as silver-tongued sociopath Hans Landa, one of the most compelling film villains in forever. And the movie’s opening scene, which is a 15 minute long verbal chess match, is one of the best opening scenes I have ever seen.
2. Pulp Fiction (1994)
My love for this movie is big and goes way back. It rewrote the formula for movie making and redefined the structure, language and rhythm of film making. Tarantino single-handedly redirected the future of independent cinema while creating a new standard of “cool” in movies. And “Pulp Fiction” has inspired multiple generations of film makers.
1. Reservoir Dogs (1992)
Tarantino’s full-length debut remains a masterclass example of a film maker who arrived in this world fully formed as both a writer and director. He immediately defined himself as a masterful writer, able to craft mind-bending scripts that play with time and traditional narrative structure. Tense writing, smart scenes filled to the brim with fast-paced dialogue covered in wit. That Steve Buscemi monologue is a great exampled of how Tarantino can make even the most mundane of conversations completely unforgettable.
10. Death Proof (2007)
“Death Proof” is erratic and oversaturated, even by Tarantino standards. An extended opening introduces us to Kurt Russell’s Stuntman Mike and a handful of coeds who spit one-liners as they inch towards inevitable death. Russell was the best part of the film and “Death Proof” is, to the day, the only Quentin Tarantino movie I didn’t like. “Death Proof” is too busy to adhering to the “Grindhouse” blueprint that the final product feels like a black sheep in the Tarantino mold.
9. Jackie Brown (1997)
Tarantino already had his career in the bag by the time he got to “Jackie Brown”. With anticipation comes pressure and “Jackie Brown” stood every chance of repeating formulas. But thankfully that didn’t happen. Based on Elmore Leonard’s novel “Rum Punch”, “Jackie Brown” follows a flight attendant whose secondary source of income is strictly under the table: smuggling money between Mexico and the US. “Jackie Brown” doesn’t only take its time with its characters, it replaces all the colorful bells and whistles that tend to show up in Tarantino movies and trims all excess. This film is tight, clever and brutal. And it’s from its grounded lack of showiness that “Jackie Brown” ends up leaving such a resounding impression.
8. The Hateful Eight (2015)
Tarantino’s take on a Western meets whodunnit. “The Hateful Eight” follows eight strangers who get stranded in a stagecoach stop during a blizzard. With its nearly three hour runtime, it can at times be a drag. But some truly tense moments, it being set in one location and a soundtrack by Ennio Morricone, make this a solid movie in general terms.
7. Django Unchained (2012)
Tarantino has no problem rewriting the past. In fact, he’s happy to create a character whose sole purpose is to directly influence some of the darkest moments in history. In “Django Unchained” his target is African-American slavery in the United States. The film revolves around the titular Django, who embarks on a life bounty hunt with the lively Dr. King Shultz, in order to find and rescue his wife Broomhilda. The revenge tale is as satisfying as it is deserved. Movies are often an arena where justice is served at the end of a bullet, and while many offer cathartic satisfaction, “Django Unchained” unites rage with heroism. Tarantino didn’t just craft a simple revenge fantasy, but a quest.
6. Kill Bill: Vol. 1 (2003)
“Kill Bill: Vol.1” marked a new era for Tarantino. With the biggest budget of his career, he had the money and freedom to make the action film he’d always wanted to see. Every frame is overloaded with references and the heart of a man who just loves movies. That joy of film making and obsession with pop culture is the heart of “Kill Bil:l Vol. 1”. It remains one of the greatest action movies of all time.
5. Kill Bill: Vol. 2 (2004)
What began as a bloodbath, finishes in the sequel “Kill Bill: Vol. 2” as more restrained and beautiful. This film adds emotional depth to its characters while gracefully expanding the story and universe of Tarantino, built in “Kill Bill: Vol. 1”.
4. Once Upon a Time in Hollywood (2019)
It’s impossible to ignore that “Once Upon a Time in Hollywood” is Tarantino’s most emotionally honest, his most beautiful looking and his funniest film. Brad Pitt (especially) and Leonardo DiCaprio are an absolute delight. “Once Upon a Time in Hollywood” shows again the love Tarantino has for movies and even though it’s long, it never suffers from that.
3. Inglourious Basterds (2009)
It might not be as cohesive as other Tarantino films, “Inglourious Basterds” is probably the most entertaining of the bunch. With scenes of high-tension, verbal sparring and scalp-smashing mayhem. The film is also notable for introducing us to Christoph Waltz as silver-tongued sociopath Hans Landa, one of the most compelling film villains in forever. And the movie’s opening scene, which is a 15 minute long verbal chess match, is one of the best opening scenes I have ever seen.
2. Pulp Fiction (1994)
My love for this movie is big and goes way back. It rewrote the formula for movie making and redefined the structure, language and rhythm of film making. Tarantino single-handedly redirected the future of independent cinema while creating a new standard of “cool” in movies. And “Pulp Fiction” has inspired multiple generations of film makers.
1. Reservoir Dogs (1992)
Tarantino’s full-length debut remains a masterclass example of a film maker who arrived in this world fully formed as both a writer and director. He immediately defined himself as a masterful writer, able to craft mind-bending scripts that play with time and traditional narrative structure. Tense writing, smart scenes filled to the brim with fast-paced dialogue covered in wit. That Steve Buscemi monologue is a great exampled of how Tarantino can make even the most mundane of conversations completely unforgettable.
woensdag 4 september 2019
Movie Reviews - Once Upon a Time in Hollywood
Director: Quentin Tarantino
Genre: Drama/ Comedy
Runtime: 161 minutes
Year: 2019
Starring: Leonardo DiCaprio, Bradd Pitt, Margot Robbie, Emile Hirsch, Timothy Olyphant, Dakota Fanning, Al Pacino, Luke Perry, Kurt Russell, Scoot McNairy, Clifton Collins Jr. Rumer Willis, Zoë Bell, Michael Madsen, Bruce Dern
Description: A faded television star (Leonardo DiCaprio) and his stunt double (Brad Pitt) strive to achieve fame and success in the film industry during the final years of Hollywood’s Golden Age in 1969 Los Angeles.
Review: It’s the end of the 60s and we meet television actor Rick Dalton and his stunt double Cliff Booth. Dalton sees his career fade and has to deal with the villain roles in cheap TV pilots.
Dalton’s next door neighbors are director Roman Polanski and his beautiful wife Sharon Tate. And when you think of Hollywood in 1969, you think of Charles Manson and his cult, who left a trail of blood in L.A. at the time.
When Tarantino’s ninth film was announced, and it became clear that the ‘Manson family’ was a part of it, people were afraid that he was going to exploit the murder of Sharon Tate. But Tarantino wouldn’t be Tarantino, if he didn’t use his revisionary spin on it and mix fiction with reality.
If you would ask anyone what “Once Upon a Time in Hollywood” is about, I don’t think many people could give you an exact answer. Because it’s mostly people talking and it’s more ‘a day in the life’ kind of story. We follow Cliff who is on his way to feed his dog, we see how Sharon Tate visits who visit a theater to watch her own movie. It’s a hangout-film, who can mostly be compared to Tarantino’s “Jacki Brown”. But even better.
Most of Tarantino’s movies are very violent. And overall, “Once Upon a Time in Hollywood” isn’t a very violent film. But when you get to the final twenty minutes, the violence gets really violent! And this scene is simply brilliant.
“Once Upon a Time in Hollywood” is definitely Tarantino’s funniest film, it can in fact be called a comedy. Even Leonardo DiCaprio is funny here. He shows great and awkward moments, where he feels an insecurity inside thinking his hay days are over. But the best part of the film is definitely Brad Pitt, as Cliff Booth, who I will say is one of Tarantino’s best characters. At first he seems like just a stunt double to DiCaprio’s Rick Dalton, but digging deeper he is a more complex character. And Pitt is hilarious in his role. Margot Robbie, who plays Sharon Tate, doesn’t get that much to do. And I would say that some of her scene could have been cut, without it having any effect on the story.
“Once Upon a Time in Hollywood” definitely didn’t disappoint and it’s up there on my favorites list of best Tarantino movies. A great portrait of the golden days in Hollywood and in my eyes the most beautifully shot Tarantino movie.
Rating: 5/ 5
Genre: Drama/ Comedy
Runtime: 161 minutes
Year: 2019
Starring: Leonardo DiCaprio, Bradd Pitt, Margot Robbie, Emile Hirsch, Timothy Olyphant, Dakota Fanning, Al Pacino, Luke Perry, Kurt Russell, Scoot McNairy, Clifton Collins Jr. Rumer Willis, Zoë Bell, Michael Madsen, Bruce Dern
Description: A faded television star (Leonardo DiCaprio) and his stunt double (Brad Pitt) strive to achieve fame and success in the film industry during the final years of Hollywood’s Golden Age in 1969 Los Angeles.
Review: It’s the end of the 60s and we meet television actor Rick Dalton and his stunt double Cliff Booth. Dalton sees his career fade and has to deal with the villain roles in cheap TV pilots.
Dalton’s next door neighbors are director Roman Polanski and his beautiful wife Sharon Tate. And when you think of Hollywood in 1969, you think of Charles Manson and his cult, who left a trail of blood in L.A. at the time.
When Tarantino’s ninth film was announced, and it became clear that the ‘Manson family’ was a part of it, people were afraid that he was going to exploit the murder of Sharon Tate. But Tarantino wouldn’t be Tarantino, if he didn’t use his revisionary spin on it and mix fiction with reality.
If you would ask anyone what “Once Upon a Time in Hollywood” is about, I don’t think many people could give you an exact answer. Because it’s mostly people talking and it’s more ‘a day in the life’ kind of story. We follow Cliff who is on his way to feed his dog, we see how Sharon Tate visits who visit a theater to watch her own movie. It’s a hangout-film, who can mostly be compared to Tarantino’s “Jacki Brown”. But even better.
Most of Tarantino’s movies are very violent. And overall, “Once Upon a Time in Hollywood” isn’t a very violent film. But when you get to the final twenty minutes, the violence gets really violent! And this scene is simply brilliant.
“Once Upon a Time in Hollywood” is definitely Tarantino’s funniest film, it can in fact be called a comedy. Even Leonardo DiCaprio is funny here. He shows great and awkward moments, where he feels an insecurity inside thinking his hay days are over. But the best part of the film is definitely Brad Pitt, as Cliff Booth, who I will say is one of Tarantino’s best characters. At first he seems like just a stunt double to DiCaprio’s Rick Dalton, but digging deeper he is a more complex character. And Pitt is hilarious in his role. Margot Robbie, who plays Sharon Tate, doesn’t get that much to do. And I would say that some of her scene could have been cut, without it having any effect on the story.
“Once Upon a Time in Hollywood” definitely didn’t disappoint and it’s up there on my favorites list of best Tarantino movies. A great portrait of the golden days in Hollywood and in my eyes the most beautifully shot Tarantino movie.
Rating: 5/ 5
maandag 2 september 2019
10s Movie Review - Black Mirror: Bandersnatch
Director: David Slade
Genre: Thriller
Runtime: 40-150 minutes
Year: 2018
Starring: Fionn Whitehead, Craig Parkinson, Alice Lowe, Asim Chaudry, Will Poulter
Description: In 1984, a young programmer begins to question reality as he works to adapt a fantasy novel into a video game.
Review: Netflix approached Charlie Brooker, the writer of the dark dystopian anthology series “Black Mirror”, with the question if he could develop an interactive adventure and make it a part of “Black Mirror” season 5. At first, he declined. It would be too complex and probably not interesting. Until Brooker started writing season 5 and he realized it would work. And since December 2018 you can stream the first interactive film on Netflix.
In “Bandersnatch”, that is set in the 80s, we follow Stefan Butler. He works from home, where he lives with his father. He is trying to create a video game based on the book Bandersnatch. And this is a book where you can choose your own story, just like the concept of this film. Its writer completely lost it and eventually murdered his wife and ended up in jail. For Stefan the content of the book is perfecet for a video game and he sells it to a gaming company, where his hero Colin Ritman works. Filled with excitement Stefan starts with the development, but it’s not easy. Especially if you, the viewer, make the wrong choices. Making choices is a big part of the film. The film revolves around free will, if we have it or not. As a viewer, you get to make some choices for Stefan. It starts with minor choices, like what cereal to eat for breakfast and what music to listen to on the bus. But as the film progresses, the choices become more difficult.
Each choice has impact on the story and leads the film to different endings. There are five. And because of all those different choices you can make, there are many ways to get to these endings. And this also makes for the fact that not everyone gets the same runtime. The shortest route takes 40 minutes, but overall it’s about 90 minutes long. There is even a 150 minute option. Everything depends on your decisions and the question you ask yourself is if these choices really had an impact. Sometimes you make a wrong choice and you go back. And sometimes it feels like both options aren’t the right one.
“Bandersnatch” is a very interesting and a unique concept. Because of the interactive aspect, this film feels like no other. But at the end, you kind of lose interest, because you have to go back again, because you made one minor choice that wasn’t the best option.
I hope Netflix brings us another film like this, because it was a lot of fun and a great modern movie experience.
Rating: 4/ 5
Genre: Thriller
Runtime: 40-150 minutes
Year: 2018
Starring: Fionn Whitehead, Craig Parkinson, Alice Lowe, Asim Chaudry, Will Poulter
Description: In 1984, a young programmer begins to question reality as he works to adapt a fantasy novel into a video game.
Review: Netflix approached Charlie Brooker, the writer of the dark dystopian anthology series “Black Mirror”, with the question if he could develop an interactive adventure and make it a part of “Black Mirror” season 5. At first, he declined. It would be too complex and probably not interesting. Until Brooker started writing season 5 and he realized it would work. And since December 2018 you can stream the first interactive film on Netflix.
In “Bandersnatch”, that is set in the 80s, we follow Stefan Butler. He works from home, where he lives with his father. He is trying to create a video game based on the book Bandersnatch. And this is a book where you can choose your own story, just like the concept of this film. Its writer completely lost it and eventually murdered his wife and ended up in jail. For Stefan the content of the book is perfecet for a video game and he sells it to a gaming company, where his hero Colin Ritman works. Filled with excitement Stefan starts with the development, but it’s not easy. Especially if you, the viewer, make the wrong choices. Making choices is a big part of the film. The film revolves around free will, if we have it or not. As a viewer, you get to make some choices for Stefan. It starts with minor choices, like what cereal to eat for breakfast and what music to listen to on the bus. But as the film progresses, the choices become more difficult.
Each choice has impact on the story and leads the film to different endings. There are five. And because of all those different choices you can make, there are many ways to get to these endings. And this also makes for the fact that not everyone gets the same runtime. The shortest route takes 40 minutes, but overall it’s about 90 minutes long. There is even a 150 minute option. Everything depends on your decisions and the question you ask yourself is if these choices really had an impact. Sometimes you make a wrong choice and you go back. And sometimes it feels like both options aren’t the right one.
“Bandersnatch” is a very interesting and a unique concept. Because of the interactive aspect, this film feels like no other. But at the end, you kind of lose interest, because you have to go back again, because you made one minor choice that wasn’t the best option.
I hope Netflix brings us another film like this, because it was a lot of fun and a great modern movie experience.
Rating: 4/ 5
10s Movie Review - The Hollars
Director: John Krasinski
Genre: Drama/ Comedy
Runtime: 85 minutes
Year: 2016
Starring: John Krasinski, Anna Kendrick, Margo Martindale, Sharlto Copley, Richard Jenkins, Randall Park, Josh Groban, Charlie Day, Mary Elizabeth Winstead
Description: John (John Krasinski) returns to his small hometown after learning that his mother has fallen ill and is about to undergo surgery.
Review: In “The Hollars” we meet John Hollar, who returns to his family home after his mother was diagnosed with a brain tumor. His pregnant girlfriend stays ack in New York. When he comes home, he walks into his ex-girlfriend and has to face the trouble he has with his brother and father.
The film shows the life of an everyday family, each member with their own problems. Because the family isn’t extremely rich and maybe even closer to being poor, people can easily identify with them. The problems the Hollar family is dealing with, are ones that we can have and it makes the film realistic.
Although the film touches a very heavy theme, the humor is still there. Very dry humor, just how I like it. In the 80 minute runtime, we see a lot of different emotions. It’s not a lame comedy, it is in balance with the drama. But never gets to sobby (even though I cried).
The acting is great. John Krasinksi, who also directs this film, takes on the lead and does a wonderful job. I’ve always loved Krasinski and roles like this are perfect for him. The same goes for Anna Kendrick. Richard Jenkins and Sharlto Copley are fantastic as well, ad John father and brother. But it’s Margo Martindale that steals the show. She is so amazing. And with all this star power, I don’t understand why this film was so overlooked.
The story doesn’t follow the standard paths and it has some surprising moments. The storyline of John’s ex-girlfriend is added, but it could have been left out. At least the moments between John and her. The ones between John and Gwen’s new husband are fun.
This is the genre I love the most, a good mix of drama and comedy. And it was very well executed. I really loved “The Hollars”.
Rating: 4 / 5
Genre: Drama/ Comedy
Runtime: 85 minutes
Year: 2016
Starring: John Krasinski, Anna Kendrick, Margo Martindale, Sharlto Copley, Richard Jenkins, Randall Park, Josh Groban, Charlie Day, Mary Elizabeth Winstead
Description: John (John Krasinski) returns to his small hometown after learning that his mother has fallen ill and is about to undergo surgery.
Review: In “The Hollars” we meet John Hollar, who returns to his family home after his mother was diagnosed with a brain tumor. His pregnant girlfriend stays ack in New York. When he comes home, he walks into his ex-girlfriend and has to face the trouble he has with his brother and father.
The film shows the life of an everyday family, each member with their own problems. Because the family isn’t extremely rich and maybe even closer to being poor, people can easily identify with them. The problems the Hollar family is dealing with, are ones that we can have and it makes the film realistic.
Although the film touches a very heavy theme, the humor is still there. Very dry humor, just how I like it. In the 80 minute runtime, we see a lot of different emotions. It’s not a lame comedy, it is in balance with the drama. But never gets to sobby (even though I cried).
The acting is great. John Krasinksi, who also directs this film, takes on the lead and does a wonderful job. I’ve always loved Krasinski and roles like this are perfect for him. The same goes for Anna Kendrick. Richard Jenkins and Sharlto Copley are fantastic as well, ad John father and brother. But it’s Margo Martindale that steals the show. She is so amazing. And with all this star power, I don’t understand why this film was so overlooked.
The story doesn’t follow the standard paths and it has some surprising moments. The storyline of John’s ex-girlfriend is added, but it could have been left out. At least the moments between John and her. The ones between John and Gwen’s new husband are fun.
This is the genre I love the most, a good mix of drama and comedy. And it was very well executed. I really loved “The Hollars”.
Rating: 4 / 5
Movie Reviews - Three Identical Strangers
Director: Tim Wardle
Genre: Documentary
Runtime: 96 minutes
Year: 2018
Starring: Robert Shafran, David Kellman, Michael Domnitz, Howard Schneider, Ellen Cervone, Alan Luchs, Hedy Page, Alice Shafran, Elliott Galland, Eddy Galland, Richard Kellman, Justine Wise Polier, Mort Shafran, Ilene Shafran, Janet Kellman, Brenda Galland, Lawrence Wright, Natasha Josefowitz, Elyse Schein, Peter Neubauer, Lawrence Perlman
Description: In 1980 New York, three young men who were all adopted meet each other and find out they’re triplets who were separated at birth. But their quest to find out who turns into a bizarre and sinister mystery.
Review: What’s the most important thing that forms you and makes you into who you are? Our nature, our upbringing, our education? Is it set in stone from the beginning how we develop to the person we are now? Or is it formed by our environment? This is the theme in “Three identical Strangers”, a documentary that at first seems to be pointless. But it’s a true story that eventually turns into a thriller filled with surprises, that can be compelling and manipulative.
It seems too good to be true: in 1980 a young man discovers he has a twin brother. They make it to the papers and a third man recognizes himself and is identified as the third brother: they are triplets! In 1961, Eddy Galland, David Kellman and Bobby Shafran are separated at birth and eventually all three were adopted by different families.
Their reunion is a happy one: they move in together in New York and become a media sensation. They appear on television where their unbelievable story is told. Not only the way they look, but also the way they talk, move and act are things that stand out.
When the boy’s parents, and later themselves, start investigating, there is a sinister truth behind their separation. After the happy first act of the documentary, a series of revelations unfold and surprises that become darker and darker.
The documentary is following the ‘talking heads’ format, where it’s the people involved in the story talking directly to the camera. Nothing sensational there, but the content of the story and all the revelations are what make this film strong. Questions that you start asking yourself about genetics and upbringing, but also the ethics around the scientific research that the boys were a part of.
“Three Identical Strangers” stays a bit on the surface and a lot of open doors are kicked in. But the content of the story is so compelling that it keeps your attention.
Rating: 3/ 5
Genre: Documentary
Runtime: 96 minutes
Year: 2018
Starring: Robert Shafran, David Kellman, Michael Domnitz, Howard Schneider, Ellen Cervone, Alan Luchs, Hedy Page, Alice Shafran, Elliott Galland, Eddy Galland, Richard Kellman, Justine Wise Polier, Mort Shafran, Ilene Shafran, Janet Kellman, Brenda Galland, Lawrence Wright, Natasha Josefowitz, Elyse Schein, Peter Neubauer, Lawrence Perlman
Description: In 1980 New York, three young men who were all adopted meet each other and find out they’re triplets who were separated at birth. But their quest to find out who turns into a bizarre and sinister mystery.
Review: What’s the most important thing that forms you and makes you into who you are? Our nature, our upbringing, our education? Is it set in stone from the beginning how we develop to the person we are now? Or is it formed by our environment? This is the theme in “Three identical Strangers”, a documentary that at first seems to be pointless. But it’s a true story that eventually turns into a thriller filled with surprises, that can be compelling and manipulative.
It seems too good to be true: in 1980 a young man discovers he has a twin brother. They make it to the papers and a third man recognizes himself and is identified as the third brother: they are triplets! In 1961, Eddy Galland, David Kellman and Bobby Shafran are separated at birth and eventually all three were adopted by different families.
Their reunion is a happy one: they move in together in New York and become a media sensation. They appear on television where their unbelievable story is told. Not only the way they look, but also the way they talk, move and act are things that stand out.
When the boy’s parents, and later themselves, start investigating, there is a sinister truth behind their separation. After the happy first act of the documentary, a series of revelations unfold and surprises that become darker and darker.
The documentary is following the ‘talking heads’ format, where it’s the people involved in the story talking directly to the camera. Nothing sensational there, but the content of the story and all the revelations are what make this film strong. Questions that you start asking yourself about genetics and upbringing, but also the ethics around the scientific research that the boys were a part of.
“Three Identical Strangers” stays a bit on the surface and a lot of open doors are kicked in. But the content of the story is so compelling that it keeps your attention.
Rating: 3/ 5
zondag 1 september 2019
TV Show Review - Peaky Blinders (Season 2)
Season: 2
Genre: Thriller/ Drama/ Crime
Number of episodes: 6
Year: 2014
Starring: Cillian Murphy, Sam Neill, Helen McCrory, Paul Anderson, Annabelle Wallis, Sophie Rundle, Joe Cole, Tom Hardy
Description: A gangster family epic set in 1919 Birmingham, England; centered on a gang who sew razor blades in the peaks of their caps, and their fierce boss Tommy Shelby (Cillian Murphy)
Review: “Peaky Blinders” has a strong first season, that made me jump into season 2 immediately. And it’s even better! More locations are used and new characters are added, with the most important ones being Alfie Solomons (played by Tom Hardy) and Darby Sabini (played by Noah Taylor). Real personalities.
Tommy Shelby could use some opponents that are a serious threat. Where in the first season Tommy tries to own Birmingham, he now tries to take over London. But London just happens to be the terrain for Solomons and Sabini. Tommy is even more ambitious in season 2. He buys a race horse and meets some elites, which he manages to win for him. And even Winston Churchill wants to work with him. Tommy has to deal with Chester Campbell again as well, but this season focusses on the expansion of the Shelby family.
Arthur and John get more responsibilities. Paul Anderson, who portrays Arthur, gets more interesting things to do with his character. And the same goes for Helen McCrory, as Aunt Polly, who starts a search for her long lost children that were taken from her. But her storyline is the least interesting. I also found the romance story of Tommy and his old love a bit rushed this time.
Cillian Murphy is again the man that carries the series, as Tommy. But he is very well assisted by Tom Hardy this time. He’s only in a few scenes, but he steels them all. He has such charisma, it almost makes Murphy fade away.
The most epic moments of this season are definitely the ambush by Sabini in the first episode and the big fight scene in Sabini’s London club.
The second season did it again and was very strong. Let season 3 begin!
Genre: Thriller/ Drama/ Crime
Number of episodes: 6
Year: 2014
Starring: Cillian Murphy, Sam Neill, Helen McCrory, Paul Anderson, Annabelle Wallis, Sophie Rundle, Joe Cole, Tom Hardy
Description: A gangster family epic set in 1919 Birmingham, England; centered on a gang who sew razor blades in the peaks of their caps, and their fierce boss Tommy Shelby (Cillian Murphy)
Review: “Peaky Blinders” has a strong first season, that made me jump into season 2 immediately. And it’s even better! More locations are used and new characters are added, with the most important ones being Alfie Solomons (played by Tom Hardy) and Darby Sabini (played by Noah Taylor). Real personalities.
Tommy Shelby could use some opponents that are a serious threat. Where in the first season Tommy tries to own Birmingham, he now tries to take over London. But London just happens to be the terrain for Solomons and Sabini. Tommy is even more ambitious in season 2. He buys a race horse and meets some elites, which he manages to win for him. And even Winston Churchill wants to work with him. Tommy has to deal with Chester Campbell again as well, but this season focusses on the expansion of the Shelby family.
Arthur and John get more responsibilities. Paul Anderson, who portrays Arthur, gets more interesting things to do with his character. And the same goes for Helen McCrory, as Aunt Polly, who starts a search for her long lost children that were taken from her. But her storyline is the least interesting. I also found the romance story of Tommy and his old love a bit rushed this time.
Cillian Murphy is again the man that carries the series, as Tommy. But he is very well assisted by Tom Hardy this time. He’s only in a few scenes, but he steels them all. He has such charisma, it almost makes Murphy fade away.
The most epic moments of this season are definitely the ambush by Sabini in the first episode and the big fight scene in Sabini’s London club.
The second season did it again and was very strong. Let season 3 begin!
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