zondag 28 maart 2021

What's in a Movie year - 2006

Taking a look at the year 2006, picking my 10 favorite movies from that year in random order.
 
Casino Royale
James Bond takes on the evil underworld banker Le Chiffre at Casino Royale. Not in a firefight, but at the poker table. The producers of the film series have seized the opportunity of the 21st Bond film to re-model and knead their unyielding hero. And with success, because I believe it’s the best Bond film to date. It’s less ironic, more serious, with more emotions and nuances. Daniel Craig was also a very good choice for the role, which he came to reprise four times.
 
Babel
A rich American couple is on vacation in North Africa when a couple of shepherd boys playing around with a gun do something unfortunate. The nanny of the Americans wants to got to her son’s wedding in Mexico, but cannot leave the children on their own. And the daughter of a Japanese tourist gets tangled up with herself. Clever mosaic film by Alejandro G. Iñárritu, that links the fate of people all over the world, with fascinating results. The film got seven Oscar nominations and I think this is a movie that a lot of people forget about. Which is a shame.
 
The Departed
With “The Departed” Martin Scorsese returns to his best, grim film from the seventies, such as “Mean Streets” and “Taxi Driver”. In modern-day Boston, agent Billy Costigan infiltrates the criminal Irish-American world. Mafia boss Frank Costello has an informant with the police. So, two moles, but who makes the first mistake? “The Departed” is a remake of the Hong Kong film hit “Infernal Affairs” and at the same time a rough portrait of contemporary America.
 
The Last King of Scotland
After graduating in the seventies, the Scottish doctor Nicholas Garrigan leaves for Uganda to work in a small clinic. Then he is approached by the charismatic and charming brand new president Idi Amin, who persuades him to become his personal physician, also because he seems to love Scotland enormously. A bond develops between the two, but gradually Nicholas gets to know the true nature of President Idi Amin. Powerful tour de force of Forest Whitaker, who makes a brilliant transformation. He quite rightly won an Oscar for it.
 
The Painted Veil
The marriage between the spoiled Kitty and the workaholic doctor Walter is not exactly happy. When Walter catches Kitty in the arms of someone else he makes a drastic decision. They go to a remote Cihnese village, to fight cholera, but also to teach Kitty a lesson. A beautiful adaptation of the novel written by M. Somerset Maugham. With great performances by Naomi Watts and Edward Norton.
 
V for Vendetta
In the future Great-Britain will be a dictatorship, the restriction of freedoms will be justified by the government by pointing out the danger of terrorism. The young woman Evey stumbles upon the masked V, the only one who seems to resist oppression. Evey is captured, tortured, bald and has to choose whether to take sides with the rebel. The Wachowskis, previously responsible for “The Matrix”, adapted Alan Moore’s graphic novel into a scenario. Moore’s political message was severely watered down, yet this is an intriguing film that still captured the message.
 
Little Miss Sunshine
A dysfunctional American family goes on a road trip in an old, yellow Volkswagen van. They are on their way to California. The sweet, seven-year-old daughter Olive has made it into the finals of the “Little Miss Sunshine” competition. It’s a sweet story, that will guarantee to put a smile on your face. A great ensemble cast in a heartwarming movie.
 
The Descent
A group of six young women go, to help one of them deal with a trauma, on an expedition in a cave system in a gloomy, dark, remote forest. Caving is a dangerous activity, but the dark, narrow spaces are the least of the girl’s  worries. Because hidden within the caves are some unknown creepy crawlers that have adapted to the darkness. This is one of the scariest movies, not only because of the critters, but also because of the constant claustrophobic atmosphere this film caries.
 
The Prestige
One evening in late nineteenth-century London a performance by illusionists Robert Angier and Alfred Borden goes horribly wrong. This is followed by a quarrel, bitterness and rivalry. From now on, the two are rivals a complex film by director Christopher Nolan in which the viewer, just like the magician’s audience, is constantly misled. Great performances by Hugh Jackman and Christian Bale as the two rivaling illusionists, and also a good supporting role by Michael Caine.
 
Pan’s Labyrinth
The eleven-year-old girl Ofelia moves to the house of her new stepfather, a high fascist army officer, with her very pregnant, sick mother in 1944. While he ruthlessly hunts down resistance fighters, she discovers a hidden, magical world, where she meets, among other things, a dragonfly with a human head, an enigmatic Faun n a labyrinth and a gigantic, evil path. It’s a gruesome and dark fairy tale for adults. It won Oscars for make-up, art direction and camera work, which is all obviously well-done.
 

zaterdag 27 maart 2021

20s Movie Review - A Fall From Grace

Director:
Tyler Perry
Genre: Thriller/ Crime/ Drama
Runtime: 120 minutes
Year: 2020
Starring: Crystal Fox, Phylicia Rashid, Bresha Webb, Mehcad Brooks, Cicely Tyson, Tyler Perry, Matthew Law, Donovan Christie Jr., Walter Fauntleroy, Angela Marie Rigsby

Description: Disheartened since her husband’s affair, Grace Waters (Crystal Fox) feels restored by a new romance. But when secrets erode her short-lived joy, Grace’s vulnerable side turns violent.

Review: The story is about Grace Waters. She remains calm when her ex marries his mistress and her son moves out. With the support of her best friend Sarah, she tries to pick up her life and gets into a relationship. Shannon, a new husband to Grace, soon destroys her life, her job and her sanity. She confesses to killing her husband. Her young, inexperienced lawyer is skeptical and determined to find out the truth.
While a film about power women are really something I enjoy, Netflix still manages to pull another old-fashioned thriller about “powerless women versus dominant men” out of the top hat. That’s pretty remarkable, in this day and age. The film has a mediocre cast, with similar acting (sometimes even really bad). Director Tyler Perry also wrote the screenplay and shooting was completed within five days. As a result, we get a long-winding film that is not very strong. Even though the film wants to be original with some plot twist, you could actually see them coming from miles away.
I lost attention half-way through the film. It wasn’t really a good movie, at all.

Rating: 2/ 5

vrijdag 26 maart 2021

Netflix Friday - Volume 47

Some Netflix film tips for the weekend! And there is something for everyone, since I picked a movie for all the different genres.
 
Action: Mortal Kombat (1995)
Three unknowing martial artists (Bridget Wilson, Robin Shou, Linden Ashby) are summoned to a mysterious island to compete in a tournament whose outcome will decide the fate of the world.
 
Drama: On the Basis of Sex (2018)
The true story of Ruth Bader Ginsburg (Felicity Jones), her struggles for equal rights, and the early cases of a historic career that lead to her nomination and confirmation as U.S. Supreme Court Associate Justice.
 
Comedy: The Lady in the Van (2015)
A man (Alex Jennings) forms an unexpected bond with a transient woman (Maggie Smith) living in het van that’s parked in his driveway.  
 
Animation: Despicable Me 3 (2017)
Gru (Steve Carell) meets his long-lost, charming, cheerful, and more successful twin brother Dru (Steve Carell), who wants to team up with him for one last criminal heist.
 
Romance: Forgetting Sarah Marshall (2008)
Devastated Peter (Jason Segel) takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend Sarah (Kristen Bell). Little does he know, Sarah’s traveling to the same resort as her ex and she is bringing along her new boyfriend (Russell Brand).
 
Horror: Annabelle (2014)
A couple begins to experience terrifying supernatural occurrences involving a vintage doll shortly after their home is invaded by satanic cultists.
 
Science Fiction: Total Recall (1990)
When a man (Arnold Schwarzenegger) goes in to have virtual vacation memories of the planet Mars implanted in his mind, an unexpected and harrowing series of events forces him to go to the planet for real. Or is he?
 
Crime: Burden (2018)
When a museum celebrating the Ku Klux Klan opens in a South Carolina town, the idealistic Reverend Kennedy (Forest Whitaker) strives to keep the peace even as he urges the group’s Grand Dragon to disavow his racist past.
 
Thriller: The Life of David Gale (2003)
A man (Kevin Spacey) against capital punishment is accused of murdering a fellow activist and is sent to death row.
 
Documentary
: Operation Varsity Blues: The College Admissions Scandal (2021)
Reenactments drive this documentary investigating the mastermind behind a scam to sneak the kids of rich and famous families into top US universities.
 
Family: A Dog’s Journey (2019)
A dog finds the meaning of his own existence through the lives of the humans he meets.

donderdag 25 maart 2021

90s Movie Review - Apollo 13

Director:
Ron Howard
Genre: Drama/ Adventure
Runtime: 134 minutes
Year: 1995
Starring: Tom Hanks, Bill Paxton, Kevin Bacon, Ed Harris, Gary Sinise, Kathleen Quinlan, Ray McKinnon, Clint Howard

Description: NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.

Review: Jim Lovell is working at NASA, in 1970s America. He wants only one thing and that is to set foot on the moon. He has therefore had to wait a long time, but now it’s finally  happening. Due to illness of the original flight leader, Jim and his team are deployed on Apollo 13. During the flight, which initially goes well, some major problems arise. Jim and his team now have to do everything to get back to Earth safely. Jim, and his team members Fred and Jack must survive in a hostile environment, with a dwindling supply of oxygen.
“Apollo 13” tells the true story of the failed trip to the moon on the thirteenth Apollo mission. This was to be the third time humans would walk on the moon, but during the trip, all sorts of things went wrong. Commander of the ship, Jim Lovell, wrote about his experiences in the book “Lost Moon: The Perilous Voyage of Apollo 13”. This book was the basis for the film, which was directed by Ron Howard. True-life stories van be bogged down quite often in a heavy dose of sentiment and tear-jerking. “Apollo 13” also has several moments where this applies, but overall it is a film that manages to captivate and entertain. the facts told in the story are exciting and dramatic enough in themselves. I actually thought that the whole family drama at home, took the tempo out of the movie a bit. I was more interested in the space part, not the personal lives.
The cast seems to give their all and is extremely empathetic. The roles of the three astronauts are played by Tom Hanks, Kevin Bacon and Bill Paxton. Hanks is strong as ever, but Paxton and Bacon manage to hold their own alongside him. The trio manages to convey the desperation and mutual tension well. This makes the whole thing come across as authentic and realistic. Ed Harris and Gary Sinise, in smaller roles, also make  an impression.
“Apollo 13” is clearly created with a lot of love and attention to detail and it looks very realistic. It’s an entertaining movie, even on multiple viewings.

Rating: 4 / 5

woensdag 24 maart 2021

10s Movie Review - The Assistant

Director:
Kitty Green
Genre: Drama
Runtime: 87 minutes
Year: 2019
Starring: Julia Garner, Owen Holland, Jon Orsini, Rory Kulz, Migs Govea, Daoud Heidami, Ben Maters, Matthew Macfadyen, Patrick Wilson, Calara Wong, Noah Robbins, Tony Torn, Dagmara Dominczyk, Alexander Chaplin, Bregje Heinen, Devon Caraway, Genny Lis Padilla, James C.B. Gray, Sophie Knapp, Hunter Hojnowski

Description: A searing look at a day in the life of an assistant (Julia Garner) to a powerful executive. As Jane follows her daily routine, she grows increasingly aware of the insidious abuse that threatens every aspect of her position.  

Review: “The Assistant” works best when you go into it as blindly as possible. Not because of big plot twists, but simple because the film only reveals what it’s about bit by bit. However, since it is quite difficult to review a film without being able to elaborate on something, reading the rest of this review is at your own risk. Thematically, the film revolves around the clogged system that resulted in numerous “MeToo outbursts in 2017, which comes as a surprise to both the viewer and the protagonist. Indeed, hints are not exactly sprinkled throughout, although the story does revolve around the details.
The film covers a full work day of a young woman working in a New York office building, where she is the first to arrive and will eventually be the last to leave. Not an unusual day for her. When she asks a co-worker how his weekend was, he asks her the same question. Her answer, “I was here”. Clearly, her work does not allow her a private life. However, the work she does is simple something her superiors feel to good for: from arranging cabs and ordering lunch to doing the dishes and preparing bottles of water for a meeting. All sorts of thankless work for which she is actually overqualified.
Between her activities it gradually becomes clear that she works for a large film company, as an assistant to a powerful film producer. This comes as a surprise, because visually there is nothing to indicate that. The office building shows no trace od the glitz and glamour that we associate with the film industry. There is not even a movie poster on the wall. If Hollywood is the show window of the film industry, then this chilly workplace is the warehouse. The snippets of conversations she overhears are thus not about the creative aspect of the film world, but purely about the business side: markets, contracts and reports. Her job as an assistant is a first step toward a career as a film producer, but it seems that her work is not so much a test of ability as a test of her loyalty.
Remarkably, in carrying out her daily activity, she has virtually no contact with her boss. The man in question is never seen on screen. He is only referred to with ‘he’ and ‘him’. Everyone on the work floor knows who is meant by that. All sorts of things are expected of Jane at work, but perhaps most important is that she is as invisible as possible. So she is quite surprised when in the middle of the day a girl suddenly reports as the new assistant. A strikingly young and attractive girl with no relevant work experience. Add to that the fact that Jane earlier in the office of her boss, found an earring and it suddenly begins to dawn on us what kind of man her boss is. All of this comes together wonderfully in a scene where the assistant wants to blow the whistle on an HR manager. Right at the start of the conversation, the man reassures her, “whatever it is, you can tell me.” And she does, but nothing she says makes an impression on him, after which the conversation soon becomes not about her boss but about herself. It is constantly clear which of the two has the reigns in this conversation. During her long working days, there is never any sign of thanks or appreciation from her co-workers. But at the end of this conversation, she is the one who thanks her interlocutor. For what exactly? Probably out of nothing but simple politeness, which shows that she still has a long way to go in the film industry.
In an earlier scene, we see Jane on the phone speaking to her boss’s complaining wife. The little she says in the process is enough for her to then be scolded by her boss over the phone. In response, she starts writing an apology e-mail, whereupon a co-worker immediately tells her what should be in it. Apparently he knows the drill. He also asks her if she is okay after the telephone tirade, but the question does not seem to come from a genuine interest. He only offers her the opportunity to confirm out loud that nothing is wrong, which she does immediately. Nothing to worry about: the mantra of both power abusers and look-aways.
“The Assistant” is a small film, but because of its realistic portrayal it really makes a great impression.

Rating: 5 / 5

00s Movie Review - Inside Man

Director:
Spike Lee
Genre: Thriller/ Crime/ Drama
Runtime: 129 minutes
Year: 2006
Starring: Denzel Washington, Jodie Foster, Clive Owen, Willem Dafoe, Chiwetel Ejiofor, Christopher Plummer

Description: A police detective (Denzel Washington), a bank robber (Clive Owen), and a high-power broker (Jodie Foster) enter high-stakes negotiations after the criminal’s brilliant heist spirals into a hostage situation.  

I WATCHED THIS MOVIE FOR MY 2021 MOVIE CHALLENGE.
WEEK 12: A CRIME THRILLER

Review: A poetic talk by the bank robber, followed by simple yet atmospheric images of New York and a wonderful opening song, make for a good first impression. And director Spike Lee managed to maintain that, leaving the audience with a satisfied feeling at the end. and the plot is not entirely unoriginal, although it deals with a much used subject in Hollywood: a bank robbery.
These bank robbers dress all the hostages in the same clothes they have on: a painter’s overall with hood and a white cloth over the mouth. As a result, detective Keith Frazier has difficulty distinguishing friend from foe. But this is not the only thig. He also has to deal with Madeleine White, who has been hired by the owner of the bank to retrieve something sensitive out of the building. But the reason why the robbers are doing this are not as obvious as they think.
With a great and strong cast like this, it’s easier to make a good movie. Especially Denzel Washington and Clive Owen are really good. Willem Dafoe sadly only has a small role, but makes the best of it.
“Inside Man” is a well-executed film and there is really nothing to complain about.

Rating: 3,5/ 5

zaterdag 20 maart 2021

10s Movie Review - Sound of Metal

Director:
Darius Marder
Genre: Drama
Runtime: 120 minutes
Year: 2019
Starring: Riz Ahmed, Olivia Cooke, Paul Raci, Lauren Ridloff, Mathieu Alalric, Domenico Toledo, Chelsea Lee, Shaheem Sanchez, Chris Perfetti, Bill Thorpe, Michael Tow, William Xifaras, Rena Maliszewski, Tom Kemp

Description: A heavy-metal drummer’s (Riz Ahmed) life is thrown into freefall when he begins to lose his hearing.

Review: Losing one of your senses must be a frightening and terrible experience. There are all kinds od ways in which you, as the possessor of all still working senses, can get an idea of what is must be like to be blind or deaf. For example, you can eat in the dark in certain restaurants and there is a museum in Nijmegen especially for people who want to experience what it is like to be blind. But what is it like to be deaf or even worse, what is is like for a musician to go deaf?
For Ruben, the drummer of the heavy metal band he forms with his girlfriend Lou, the problem suddenly presented itself. The musician struggled with a heroin addiction for years and has been clean for four years when he suddenly has a problem with his hearing. Before a show he and his crew are unpacking merchandise  when he suddenly starts hearing a loud beep and all the sound around him becomes dull. With difficulty the drummer manages to finish his performance and has to accept that he has a serious problem. Ruben must raise an immense amount of money for surgery and even if he succeeds, his hearing will never be what it was.
“Sound of Metal” is a gripping drama that stands out from many similar stories because of its unusual approach. Director Darius Marder, who we know from “The Place Beyond the Pines”, tries to convey what it must be like to lose your hearing.at times we literally hear what Ruben hears (or rather does not hear). It is impossible for the man to hold a normal conversation and even the aids he is offered sound extremely strange. Blinkered, distant and alienating. Meanwhile, he joins a Christian-based group that teaches Ruben how to cope with his deafness and teaches him sign language.
Actor and rapper Riz Ahmed learned not only drumming but also sign language for his leading role. His efforts to identify with his character have paid off. Rubern’s hearing problems take a toll on his relationship with Lou. His girlfriend tries to help him as much as possible, but also has to deal with his immense mood swings and tantrums. The completion of their tour could help raise the money needed for the operation.
“Sound of Metal” is extraordinarily intriguing; precisely because it does more than just appeal to the viewer’s imagination. You are immersed in Ruben’s world of experience. The tricks Marder pulls out for this are functional and not a forced attempt to be interesting. Lead actor Ahmed and counterpart Olivia Cooke have an interesting dynamic that is often driven by despair and helplessness.
“Sound of Metal” is one of the best movies I have seen in a long time. I was really invested in the story and I could totally empathize with Ruben and felt every emotion he was going through. This is a definite must-see.

Rating: 5/ 5

10s Movie Review - Burden

Director:
Andrew Heckler
Genre: Drama
Runtime: 118 minutes
Year: 2018
Starring: Garrett Hedlund, Forest Whitaker, Tom Wilkinson Andrea Riseborough, Usher Raymond

Description: When a museum celebrating the Ku Klux Klan opens in a South Caroline town, the idealistic Reverend Kennedy (Forest Whitaker) strives to keep the peace even as he urges the group’s Grand Dragon to disavow his racist past.

Review: In its opening scene, “Burden” introduces a group of white men of low economic status from South Carolina who could be condescendingly called ‘rednecks’. But judging them from these opening scenes, there is no need to use such an insulting term. Main character Mike Burden, for example, seems like quite a fit guy. When he comes to single mother Judy’s house for work to confiscate things because of the debts her ex-husband has left her with, Mike manages to arrange for her to keep the television so that her young son can continue to watch his beloved NASCAR races. And in an old vacant movie theater building, Mike and his friends cheerfully set about doing something new with it. Hard workers, nothing to look down on. And then suddenly it is revealed what they have established here: the Ku Klux Klan museum.
Because yes, evidently these men have no qualms about calling themselves rednecks. And the new function of the building implies that they don’t shy away from equally offensive terms for people of other ethnicities either. Their interest in the Ku Klux Klan, by the way, goes beyond a hobby, because at night they stand with conviction under white hoods burning crosses. The local black community did not let this provocation pass and , under the leadership of the activist Reverend Kennedy, begin a peaceful yet loud protest. The museum’s operators respond with what appears to be a southern kindness, but when the situation seems to escalate, Mike is immediately positioned with a loaded rifle on the roof of the museum to shoot the black pastor when needed.
Despite his involvement in this hateful club, Mike’s good nature ensures that he gets a relationship with the aforementioned Judy, for whose son he proves to be a remarkably suitable father figure. This does not mean, however, that Judy out of love turns a blind eye to Mikes racist activities. When his surrogate father and local Klan leader thinks to liven up a dinner with a racist joke, she immediately leaves the table. It is typical of her character: no lifted finger, but also no patience for other’s people’s nonsense. Judy is from the same region as Mike and his friends, but she absolutely does not consider herself better than her black fellow man and she dares to say so openly. In principle, that should be admirable, but probably few would blame this penniless single mother in rural South Carolina in 1996 if she took Mike’s ideas for granted.
Judy, then, serves as the key figure of “Burden”, setting in motion a development in Mike. It is clever how this is done by staying close to the events that inspired the film, instead of falling back on easy script tricks. For example, it would have been extremely easy to make Judy a black woman or give her a child that she had with a black man. Instead, she belons to the same group of people as Mike, that the KKK claims to stand up for. Her aversion to the ideas of Mikes company thus does not stem from a personal agenda; she is simply a good person. And despite her misfortune, she does not choose the path of least resistance but instead presents Mike with a choice: get out of the Klan or get out of my house. Fortunately, he makes the right decision. This all makes Judy the best character in the film, without a doubt.
With that, “Burden” already seems to have reached its happy ending halfway, but the film goes on for a while. For the right choice turns out to have a high price. In retaliation for his ‘betrayal’ the Klan turns Mike and Judy’s lives upside down in such a way that in no time they are jobless and homeless. However, they get help from an unexpected source: the aforementioned black minister Kennedy. He gets the chance to put his oft preached forgiveness into practice, but taking in a former Klan member with the necessary misdeeds on his record, gets him absolutely no sympathy in the black community. Once again, making the right choice doesn’t necessarily make a life easier.
With his debut as writer and director, Andrew Heckler makes a remarkably good first impression. “Burden” is a pleasantly enervating film, with enough surprises to keep one’s attention. Unfortunately, it ends with a rather clumsy activist appeal. While Forest Whitaker and Tom Wilkinson are the big names in this film, it’s Garret Hedlund and Andrea Riseborough as the central couple who make the most impact, with Riseborough being the absolute star as Judy. A classically trained British actress playing a southern women of low income rarely works out well, but Riseborough proves that she can completely disappear into a role.
“Burden” is definitely a film you should check out.

Rating: 3,5/ 5

Oldies Review - Kramer Vs. Kramer

Director:
Robert Benton
Genre: Drama
Runtime: 105 minutes
Year: 1979
Starring: Dustin Hoffman, Meryl Streep, Jane Alexander, Justin Henry, Howard Duff, George Coe, JoBeth Williams, Bill moor, Howland Chamberlain, Jack Ramage, Jess Osuna, Nicolas Hofmann, Ellen Parker, Shelby Brammer, Carol Nadell

I WATCHED THIS MOVIE FOR MY 2021 MOVIE CHALLENGE.
WEEK 11: A MOVIE FROM THE 70S

Description: After Joanna (Meryl Streep) leaves her husband Ted (Dustin Hoffman), Ted rediscovers his bond with his son Billy. But a heated custody battle ensues over the divorced couple’s son, deepening the wounds left by the separation.

Review: Ted Kramer is a busy businessman with a job that takes up a lot of his time. When Ted comes home after a long day at work and after bringing in a big deal, his wife Joanna is about to leave him. Joanna has had enough of her life where Ted is negligent and leaves him with their young son Billy. Now that he is on his own, Ted must find a balance between work and his son.
Ted has quite a hard time doing this. He wakes up late, burns food and lashes out at Billy. The frustration reaches a boiling point when Billy refuses to eat his dinner one night and decides to eat ice cream against his father’s wishes. Ted gets angry and Billy goes to bed crying. Fortunately, they make up and things go a lot better from then on. Ted finds a routine and can balance his work life with being a father for Billy. Until Joanna suddenly turns up again.
For a film with mayor names like Dustin Hoffman and Meryl Streep, this movie feels so small. And I love it. It only has a few characters and it takes place in a few different locations. And the story deals with troubles in one family. Big problems told in a small story.
The movie starts with Joanna’s departure and you seem to sympathize with her. You understand that she can’t deal with Ted working all the time. She gave up a good job to be a mom, but that isn’t enough for her anymore. You still don’t fully understand why she would leave her son as well. Along the way, you begin to feel more and more for Ted as he begins to emerge as a good father. And you will probably take his side in the battle.
The acting is powerful and so strong. Especially Dustin Hoffman blew me away. And it’s definitely a film you must see.

 Rating: 4,5/ 5

vrijdag 19 maart 2021

Netflix Friday - Volume 46

Some Netflix film tips for the weekend! And there is something for everyone, since I picked a movie for all the different genres.
 
Action: Bad Boys For Life (2020)
Miami detectives Mike Lowry (Will Smith) and Marcus Burnett (Martin Lawrence) must face off against a mother-and-son pair of drug lords who weak vengeful havoc on their city.
 
Drama: Vice (2018)
The story of Dick Cheney (Christian Bale), an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush (Sam Rockwell), reshaping the country and the globe in ways that we still feel today.
 
Comedy: Blue Streak (1999)
A former convict (Martin Lawrence) poses as a cop to retrieve a diamond he stole years ago.
 
Animation: Wallace and Gromit: the Curse of the Were-Rabbit (2005)
Wallace and his loyal dog, Gromit, set out to discover the mystery behind the garden sabotage that plagues their village and threatens the annual giant vegetable growing contest.
 
Romance: Legends of the Fall (1994)
In the early 1900s, three brothers (Brad Pitt, Henry Thomas, Aidan Quinn) and their father (Anthony Hopkins) living in the remote wilderness of Montana are affected by betrayal, history, love, nature and war.
 
Horror: Relic (2020)
A daughter (Bella Heathcote), mother (Emily Mortimer) and grandmother (Robin Nevin) are haunted by a manifestation of dementia that consumes their family’s home.  
 
Science Fiction: Apollo 13 (1995)
NASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts (Tom Hanks, Bill Paxton, Kevin Bacon) on board in jeopardy.
 
Crime: Lock, Stock and Two Smoking Barrels (1998)
Eddy (Nick Moran) persuades his three pals (Jason Flemyng, Jason Statham, Dexter Fletcher) to pool money for a vital poker game against a powerful local mobster, Hatchet Harry (P.H. Moriarty). Eddy loses, after which Harry gives him a week to pay back 500,000 pounds.
 
Thriller: Papillon (2017)
Wrongfully convicted for murder, Henri Charriere (Charlie Hunnam) forms an unlikely relationship with fellow inmate and quirky convicted counterfeiter Louis Dega (Rami Malek), in an attempt to escape from the notorious penal colony on Devil’s Island.
 
Documentary
: Biggie: I Got a Story to Tell (2021)
This documentary features rare footage film by Christopher Wallace’s best friend, Damion “D-Roc” Butler, and interviews with his closest friends and family, revealing a side of Biggie Smalls that the world never knew.
 
Family: Babe (1995)
Babe, a pig raised by sheepdogs, learns to herd sheep with a little help from Farmer Hoggett (James Cromwell)

vrijdag 12 maart 2021

Netflix Friday - Volume 45

Some Netflix film tips for the weekend! And there is something for everyone, since I picked a movie for all the different genres.
 
Action:
Mission: Impossible – Ghost Protocol (2011)
The IMF is shut down when it’s implicated in the bombing of the Kremlin, causing Ethan Hunt (Tom Cruise) and his new team to go rogue to clear their organization’s name.
 
Drama: Seven Pounds (2008)
A man (Will Smith) with a fateful secret embarks on an extraordinary journey of redemption by forever changing the lives of seven strangers.
 
Comedy: O Brother, Where Art Thou? (2000)
In the deep south during the 1030s, three escaped convicts (George Clooney, John Turturro, Tim Blake Nelson) search for hidden treasure while a relentless lawman pursues them.
 
Animation: White Fang (2018)
Based on the timeless novel by Jack London. A loyal wolfdog’s curiosity leads him on the adventure of a lifetime while serving a series of three distinctly different masters.
 
Romance:
Save the Last Dance (2001)
A white midwestern girl (Julia Stiles_ moves to Chicago, where her new boyfriend is a black teen (Sean Patrick Thomas) from the South Side with a rough, semi-criminal past.
 
Horror: The Exorcist (1973)
When a 12-year-old girl (Linda Blair) is possessed by a mysterious entity, her mother (Ellen Burtstyn) seeks the help of two priests (Max von Sydow, William O’Malley0 to save her.
 
Science Fiction: Jurassic Park III (2001)
A decidedly odd couple (William H. Macy, Téa Leoni) with ulterior motives convince Dr. Grant (Sam Neill) to go to Isla Sorna for a holiday, but their unexpected landing startles the island’s new inhabitants.
 
Crime: No Country for Old Men (2007)
Violence and mayhem ensue after a hunter (Josh Brolin) stumbled upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.
 
Thriller: The Next Three Days (2010)
A married couple’s (Russel Crowe, Elizabeth Banks) life is turned upside down when the wife is accused of a murder.
 
Documentary
: Strong Island (2017)
When filmmaker Yance Ford investigates the 1992 murder of a young black man, it becomes an achingly personal journey since the victim, 24-year-old William Ford Jr., was the filmmaker’s brother.
 
Family: Mowgli: King of the Jungle (2018)
A human child raised by wolves must face off against a menacing tiger named Shere Khan (Benedict Cumberbatch), as well as his own origins.