zondag 1 april 2018
10s Movie Review - The Loft
Runtime: 108 minutes
Starring: Karl Urban, James Marsden, Wentworth Miller, Eric Stonestreet, Matthias Schoenaerts, Isabel Lucas, Rhona Mitra, Rachael Taylor
Description: Five married guys conspire to secretly share a penthouse loft in the city--a place where they can carry out hidden affairs and indulge in their deepest fantasies. But the fantasy becomes a nightmare when they discover the dead body of an unknown woman in the loft, and they realize one of the group must be involved.
Review: Director Eric van Looy made “Loft” in 2008, a Belgian film. A very strong thriller. The Dutch made their own version, also good for Dutch standards. Then Van Looy decided to remake his own film in Hollywood. Sadly this is the least one of the three.
The story is the same. Five married men decide to share a penthouse loft in the city. They can use it whenever they want, for their deepest fantasies. But when a dead body is discovered there, their bubble pops. And since there were only five keys made, all five men are suspects.
How is it possible that this doesn’t succeed? The script is the same, the director is the same and it has some really strong actors. Some of the dialogue was rewritten and exchanged some of the jokes. This brings it one level down, because it’s pretty juvenile humor. But it’s also the cast that brings this film down. Eric Stonestreet, whom I love in “Modern Family”, is miscast. He’s just not good as the rude and sexist Marty. Karl Urban, who can easily play a womanizer, plays his role so flat and one-dimensional. His character completely disappears. James Marsden is solid, but Wentworth Miller and Matthias Schoenarts (the last one was also in the original) did the best job and played their roles like they were intented.
The female cast is just ridiculous, no one noteworthy and all very forgettable.
It’s also very clear that Americans aren’t as explicit, because both the Belgian and Dutch version had an erotic edge which is completely missing here.
“The Loft” is a film you can probably skip when you have seen the Belgian and Dutch version, because they are both much better. Sad, because it could have been successful in Hollywood too.
Rating: 2 / 5