00s Movie Review - A Single Man

Director: Tom Ford
Genre: Drama
Runtime: 99 minutes
Year: 2009
Starring: Colin Firth, Julianne Moore, Matthew Goode, Julianne Moore, Nicholas Hoult, Ginnifer Goodwin, Lee Pace

Description: An English professor (Colin Firth), one year after the sudden death of his boyfriend (Matthew Goode), us unable to cope with his typical days in 1960s Los Angeles.

Review: When an established fashion designer like Tom Ford makes his feature film debut, you expect heavily stylized images, opulent costumes and a somewhat kitschy visual style. You get all of those too, but the big surprise is that the visuals rarely get in the way of the content and only enhance the film’s theme. As a result, “A Single Man” is not only a visually stunning film, but also one of the best debuts in ages in terms of content.
Based on a novel by Christopher Isherwood, “A Single Man” begins with a 1962 car accident that kills Jim, for sixteen years the partner of British professor George Falconer. Falconer is inconsolable and decides that a life without Jim is of little value to him. Nice is then how Falconer, after hearing the terrible news, tries to keep up a façade to the outside world. Impeccably dressed, he simple goes about his daily routines, without seeming to have anything wrong with him at first glance. Inside, however, he is consumed by grief and one day decides to end his life. The film follows him in his preparations and thus largely takes place on that one day.   
The visual bravura of “A Single Man” cannot be denied by anyone. The costumes are obviously very beautiful, as you would expect from a fashion designer, but it is the production design and the use of color where director Ford can really shine. Every detail has been meticulously attended to, allowing one to regularly marvel at the film’s stunning visual inventions and colorful depiction of the 1960s.
The film relies entirely on Colin Firth’s acting for emotional depth and it is largely thanks to him that the film becomes more than a visual masterpiece. First, a highly respected actor who has alternated between major and minor productions for years, had to wait a long time for that one big breakthrough role that would earn him an Oscar nomination. He did get nominated for the role, but didn’t win. Only a year later he took home the statue for his role in “The King’s Speech”.
Firth’s class is best showcased in a key scene early in the film, when Falconer is told that his partner died. The camera then stays focused on his face for minutes, with the actor beautifully managing to portray  how this man’s world collapses from one moment to the next. Although Ford unfortunately does not consistently maintain the subtlety of this scene and sometimes relies too much on the sound of swelling violins, it is thanks to Firth that you still start to sympathize with the tragic story of George Falconer. A bachelor, but above all a lonely man.

Rating: 4 / 5