Movie Review - Dune

Director: Denis Villeneuve
Genre: Drama/ Adventure/ Action
Runtime: 156 minutes
Year: 2021
Starring: Timothée Chalamet, Rebecca Ferguson, Zendaya, Oscar Isaac, Jason Momoa, Stellan Skarsgård, Josh Brolin, Javier Bardem, Dave Bautista, Charlotte Rampling

Description: Paul Atreides (Timothée Chalamet) is the son of a noble family who is entrusted with the protection of the most valuable asset and most vital element in the galaxy.

Review: It’s not often that a book retains the status of being unfilmable after it’s been filmed. Author Frank Herbert’s “Dune” did not exactly get the film adaptation this extremely popular and influential work deserved in 1984. In 2000 another attempt was made with a mini-series, which, with its longer running time, did more justice to the complex source material. It would probably have stopped there, were it not for the fact that in tha last two decades Hollywood has tackled many books that were considered unfilmable. Just look at “The Lord of the Rings”-trilogy. And it this complex story can be adapted into one of the most beloved and acclaimed film trilogies of all time, why shouldn’t  “Dune” work? And with the right filmmaker, lots is possible.
Enter Denis Villeneuve, who has been on an impressive winning streak for a good decade now. Villeneuve does not shy away from collaborating with big stars, but has always managed to avoid to easy Hollywood projects. Instead, he devotes himself to films that can easily categorize as ‘quality cinema’: suitable for a large audience but not pedantic and more confrontational than comfortable. “Blade Runner 2049” could be called his first blockbuster.
“Dune” is similar in scale and budget to Villeneuve’s previous film, but a lot more complex in terms of narrative. After all, Frank Herbert’s science fiction novel is full of characters and hard-to-explain science fiction concepts, which could potentially keep the average moviegoer away. in this, fortunately, Villeneuve’s aptitude for the subject matter is apparent, once again managing to strike a good balance between grand visual spectacle and concrete personal drama. As with “Blade Runner 2049”, he stays pretty faithful to the source material, but manages to bend it visually well to his will. By his own admission, he was only ready for this project after the experience of films like “Arrival” and “Blade Runner 2049”, and that doesn’t seem to be a meaningless statement, as “Dune” looks and feels like a logical continuation of Villeneuve’s previous films, but mostly one that benefits from the experience as a filmmaker.
Unlike the 1984 film, Villeneuve’s “Dune” does not open with a confusing dump of info, but simply begins with a clear narrative in which plot details pass by in fairly organic fashion. Of course it helps when you gradually learn about the feudal system of the distant future, the tension between various noble families, the importance of the raw material that can only be found on the desert planet Arrakis or the possible messianic status of the youthful main character Paul Atreides, but the central plot is still easy to follow when all these details get a bit too much for you. Thankfully, “Dune” never presents its plot information as homework, doesn’t blind itself to the details, and is smart enough to leave some characters in the wings until a future installment.
“Dune” is more than its plot. Villeneuve has a keen eye for the world in which the extensice story is set. And so, for example, there is a meaningful close-up when the young hero Paul takes his first steps on the desert sands of Arrakis. Whereas previous film adaptations showed this desert planet as a rather dark place, similar to how Mars is usually portrayed, Villeneuve makes full use of the Middle Eastern metaphor by showing this planet in bright light with harsh shadows. This makes the inhospitality of this world completely palpable even before the huge sandworms appear. It helps, of course, that it was really filmed in the desert, and with the beautiful rock formations, it's not hard to be visually impressive. Villeneuve also shows a good eye for scale with his wide panoramas in which there is always something going on in the background.
“Dune” opens with the indication that this is ‘part one’, but the arrival of a second is not guaranteed. This will leave you possibly somewhat unfulfilled, not knowing of this story will ever be concluded appropriately. It is to be hoped that there is enough enthusiasm for a continuation, because Villeneuve absolutely deserves it.

Rating: 4,5 / 5